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Thursday, November 13, 2008

My Golden Dancers

Dancing for the Meat Bones

By Elita Sohmer Clayman

November 13, 2008

When I was a little girl of about seven, I would go with Momma to the various stores for the food items. There was a grocery store, small and compact, where we got the necessities and the fruits and vegetables called Shapiro’s Mart. There was the butcher shop where we got the meat for the week. There were no freezers yet until I was about twelve. The butcher shop was called Rodman’s and Mr. R. was a nice and elderly man. Momma would give her list and then she would say, “Can you throw in some meat bones” and very meekly say “not charge me for them?”

Mr. Rodman would say “only if the little one (meaning me) will dance for me.” Momma must have bragged once to him that I liked to tap dance in the solitude of our home. I had no tap shoes, no routines, and no lessons and so I made up my own steps. No one saw me do it except Momma and sometimes Dad. My brother Herbert was five years older than me and was in high school and he would have probably laughed at my dancing. So Mr. R. told me he would give Momma the bones for free and I pretended to know what I was doing and did my one minute routine. He clapped and gave Momma the wonderful bones for free so she could make good vegetable soup.

Financially, things were very tight in those days, and Momma even went to work part-time in an office to help with the finances. Mr. Shapiro’s food store was in the basement of a house across the street from our row home and the butcher shop was up the street from him. There were no malls in those days; all the department stores were located downtown on two or three blocks and that is where we went to do clothes and shoe shopping. So you got to know your merchants because they were a stone’s throw from your home and they were like your neighbors. They also lived not very far from their businesses and often walked to their shops.

So I thought myself a star because I danced for Mr. Rodman and got Momma the free meat bones. As I got a bit older, I declined going with her to Mr. R's and Mr. S’s stores. I wanted to be more independent and Momma went herself to do the shopping. We could not afford tap dancing lessons, though we did take piano lessons. The reason being was that the piano teacher was Aunt Bessie and she was married to my father’s brother. He owed my dad lots of money from loans Dad had made when Dad was prosperous and he never paid Dad back. So Aunt Bessie gave my brother and me “free” piano lessons as kind of some sort of payment. When you look back, it was a meager payout for lots of money owed. My brother and I did not like Aunt Bessie and did not like the lessons. I played the piano better than I tap danced because I had professional coaching.

When I was about fourteen, we moved to an apartment house and on the first floor there was a ballet school. It was run by Miss Ellen Gniadowski and I would peer in to see all the little girls in their ballerina costumes being coached and groomed by Miss Ellen. She seemed to be a caring and considerate teacher and I kind of envied the little ones learning from her. She was so different than Aunt Bessie that I was really jealous that Miss Ellen had not owed my Dad money and then we could have gotten free ballet lessons.

So I had a little bit of knowledge of tap dancing, a little bit of seeing ballet and lots of piano learning and practicing. I saw that teachers like Miss Ellen can make a difference in a child’s life rather than teachers like Aunt Bessie. Aunt Bessie knew she was giving us coaching as a somewhat payout for her husband’s loans and as a duty also. She did not care to instill in us the desire, the love, the caring for the piano while Miss Ellen was very caring to her little girls, always encouraging them and telling them they were doing well. I could hear her do this through the open door and the hallway as I would go up the stairs to our apartment. I loved Miss Ellen even though I only waved at her and she finally knew my name because we were tenants in the same building. I never asked Momma to give me ballet lessons because I knew that we could still not afford even the small prices Miss Ellen charged.

One day, Miss Ellen was going into her downstairs studio and she saw me staring into the glass window. She said that I should come in and watch the girls for awhile. I ran upstairs and told Momma where I would be and I was enchanted viewing these lovely youngsters learning ballet. Miss Ellen, we heard, had been an up and coming ballerina and gave it up to marry and to have children. This was her way of continuing on with something she loved and still she had a home life with her husband and daughters. I told Miss Ellen that someday I would do dancing when I was older and could afford it.

Miss Ellen said she was sure I would accomplish this. She said no matter when you start, it will not be too late. So I heeded Miss Ellen and my husband and I started ballroom dance lessons when I was forty-two and he was forty-six. I always remember Miss Ellen versus Aunt Bessie. Miss Ellen was a delightful coach, an admiring friend and a competent human being. She instilled in these young and hopeful ballet students that they could handle and accomplish anything they wanted. At the end of the sessions, twice a year, she had a recital.

So the moral of this story is that a good coach is also a good friend. A good friend will nurture you and encourage you and be proud of you. So as Mr. Rodman thought I was a good tap dancer and he knew nothing at all about it, he still encouraged a little girl to dream and think she could tap dance. I thought I was special because Momma got her free meat bones to make a special veggie soup and I dreamed I could dance. Miss Ellen made these girls think they could do and would do better if they practiced and came for their lessons. The Aunt Bessies of this world only go about and do their jobs because they have to or need to and they never reach the heights of being called a great friend or teacher. The Miss Ellens of this world are the spirit that makes our children feel high up unto the sky and these children go on to achieve and accomplish and become happy citizens. Hopefully, we can all be more like the Miss Ellens than the old biddy Aunt Bessies. We can encourage our children, our friends, and even our senior citizens that there is always time to learn something new, to appreciate the new things we learn and to help others accomplish their dreams. Whether the dreams are even out of our reach, we can lift ourselves up high on an imaginary step stool and grab them and enjoy them and love them.

When my grandson Brock was about six or seven, he let a balloon given to him by the restaurant where we had eaten lunch fly high into the heavens. He said it was for my mother (his great grandmom) to hold onto while she was in Heaven. So we should all hold onto something up that is very high and try to achieve it whether we are six, sixty, or older. Hold onto your dreams and they will come true because the Miss Ellens are right here alongside of us encouraging us.

Senior citizens are now living sometimes until almost one hundred years old. I saw an article about a lady who is a PHD and she goes to nursing and retirement homes and she encourages the residents to do for themselves. She said that pushing them in their wheelchairs is not as good as teaching them to do it themselves. Her philosophy is that their minds need to be active to achieve better health; helping them to be invalids just because they are older is not really saving them. Her name is Dr. Barbara Resnick and she is a registered nurse and teaches nursing at the University of Maryland nursing school. She also works at a continuing care retirement community in Baltimore, Maryland She motivates seniors to stay as active as possible because once someone reaches about eighty years of age, there is a good chance they could live to be one hundred years old. If they are not exercising and doing physical activities, their last years will not be meaningful. She inspires them to live better independent lives and she motivates them to help themselves. She is a cancer survivor so she knows what she speaks of for seniors to triumph. This can be applied to everyone whether sick or well; we need to be functioning and industrious all the time.

So to all seniors, I call upon you to go out and dance as much as you can if you indeed like or even love ballroom dancing as I do. When I am at a social dance or even taking a dance lesson, I am in another world. That world does not include worries, problems and difficulties doing things, or illness. The dancing world is made up of happy moments, good music, dear friends and, most of all, glorious surroundings which include the wooden floor, the chairs, the tables, the food table with the goodies on it and the most important ingredient of all--- me because I came, I danced, I exercised and as my grandson Brock said several years ago “I have something to hold onto.” I am holding onto my life which is certainly fulfilled with achievement and satisfaction that I am here doing what I love-BALLROOM DANCING AND I WILL HAVE OVERPOWERED OLD age.

There is a columnist here in Baltimore, Maryland that wrote a stupid column on ballroom dancing. He said when he goes to weddings he is overcome by himself and others who do not dance well because they never thought they could or would. He said he needs a drink of whiskey or maybe two to even get up the nerve to try to dance. He criticized Cloris Leachman to even think she could go out there and dance on Dancing With The Stars. Instead of applauding her for trying and succeeding as much as she did, he disapproved and belittled her for her attempt at this endeavor. No one is ever too old or even too young to attempt to learn ballroom dancing. The Fred Astaire Dance studios that are located all over our states are a good place to start your dance ‘careers.’ When one goes to a dance studio and they find a teacher like Miss Ellen (rather than an Aunt Bessie), they have accomplished the beginning of their learning process. I have been lucky with the several teachers we have had during these thirty years and my first coach was a young man in his early twenties. We were in our forties and so I guess to him we were oldsters. He treated us with kindness and respect and gave us his knowledge and caring; to him we owe that we continued on for these many years. He moved away and started his own place in Maine and his name is Laurence E. Miller. He was a Miss Ellen type of teacher who not only stimulated our desire to excel, he energized us and showed us that we could and would be the recipients of the glory of this learning.

Whatever age you are, young, middle aged, senior or even a senior plus like Cloris, do not let anyone dissuade, discourage or detour your ambitions to try and learn this fabulous and enjoyable entity called dance. You are never too old and never too late to absorb the concept of dance.

Ballroom dance is exciting and stimulating to your brain and your brain needs the incitement and spark to keep it going. When your brain is scintillated and encouraged, then you will definitely feel better physically and mentally whether you are twenty or seventy.

My doctor told me I should go to a physiatrist. I do not mean a psychiatrist. A physiatrist is a medical doctor who specializes in physical therapy for aches and pains without needing surgery. I will go in a few weeks when the appointment was given to me and then with her help, I and we will be back on the dance floor. The dance floor is the best floor in the whole world. That is where we can do our thing, be a star and, most of all, get the best exercise there is for our young or older bodies. The dictionary meaning of the word 'floor' is base. Base is foundation and foundation is support. Support is what we strive for from our teachers and an excellent one gives us the desire to hold onto it just as the balloon did for my mom.

So, as Miss Ellen told me way back when I was a young girl, it is never too late. Never say never, say instead: 'My dancing is everlasting and eternal and I will enhance my life by being a dancer.'

Shakespeare said in Sonnet 42 “But here’s the joy; my friend and I are one.” We can say that about our dancing - our dancing and I are one. It is the best friend we can have and it stays with us forever.

Dancing for the meat bones does not sound exciting, but it was and dancing for ourselves is the most rewarding activity we can strive for in this lifetime. It is our JOY.


4 comments:

  1. Anonymous9:07 PM

    This is a very interesting story.I have just started dance lessons at a Fred Astaire studio in my city, I am having fun and meeting nice people socially..When I get better at my dancing, I shall write you a note with my full name on it.


    D.W.S.

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  2. Anonymous12:19 PM

    Encouraging stories you write. One day I will call a Fred Astaire studio, get the prices and times and try to convince my fiance to take some lessons so we dance well at our wedding next year.My friend who goes to a Fred studio told me of this blog so I would get enthusiastic over dancing like she is and has become.

    Thank you Ms. Elita for sharing all this with us.

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  3. Anonymous7:09 PM

    Whenever I make vegetable or crab soup, I will see you dancing for the meat bones... good story...


    Peggy Sue Hammondd

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  4. Anonymous2:27 AM

    great article.

    ReplyDelete