The Evolution of Ballroom, From Minuet to Maksim

The beauty of ballroom is that it’s accessible to all walks of life and all technique levels. But that was not always the case.

In the seventeenth century, the courtly Minuet set the standard. Known as the “walking dance,” it was slow and stately, snaking around the enormous ballroom in a giant S shape. First performed by King Louis XIV, subsequent aristocracy would often take up to three months to perfect the Minuet’s footwork and patterns. Although Minuet may mean “little steps,” a misstep could spell social disaster.

Ballroom has always been viewed as a social dance, one in which the tempos and styles changed through the years according to the culture. For instance, the emancipation of women gave us the Charleston and the flappers. Ragtime music inspired the Foxtrot and Shimmy and swing music gave us the Jitterbug. And, of course, where would dance movies be without Fred Astaire and Ginger Rogers?

As the dances developed, so did the idea that anyone could learn them. However, with the advent of the computer age, ballroom faded into the background. Too many people found themselves stuck in front of a computer screen and the sociability of dance seemed too daunting.

Although “Dancing With the Stars” has helped restore eye-to-eye contact and ballroom’s popularity, most ballroom dance students are normal people, not stars. They sign up for classes wondering what dancing can do for them.

Well, if you’re Maksim Chmerkovskiy, of “Dancing With the Stars,” it can bring notoriety and boundless opportunity. Born Jan. 17, 1980, in Odessa, Ukraine, Chmerkovskiy’s parents put him in dance classes at a young age.

He much preferred sports – any sport – but he stuck with ballroom dancing anyway. Then, as a teenager, he suffered a serious skiing accident that required several surgeries and the insertion of a metal rod from his hip to his knee. Dance became his physical therapy and within a matter of months, he worked his way back into the world of competitive dance.

By the time his family moved to America, he was waltzing off with dance titles – U.S. Open Finalist, Professional World Cup Finalist, and World Masters Finalist. He’s been ranked second in the United States and seventh in the world. He relishes the competitions and believes they’ve helped raise the bar for good ballroom technique. He says, “There’s no ballroom dancing here or there was none until we came…We’re talking about Russia having hundreds of thousands of kids dancing. I don’t think we have over 500 competitive couples in this country.”

For the full text of this article, and more from Maks, log on to http://www.danceruniverse.com/stories/issues/200801/minuet-murray-maksim-and-beyond/index.html.