What makes Herzog’s documentary really so special to Fred Astaire enthusiasts, though, was his use of Fred Astaire dancing footage from 1936’s Swing Time. Herzog wanted to show the audience what the prehistoric artists themselves would have seen as they created their works in the ancient cave.
"Arguably, for for me, the greatest single sequence in all of film history [is] Fred Astaire dancing with his own shadows,” said Herzog in a recent interview on National Public Radio. “And all of a sudden he stops and the shadows become independent and dance without him and he has to catch up with them. It's [such a] quintessential movie. It can't get more beautiful. It's actually from Swing Time. And when you look at the [Chauvet] cave and certain panels, there's evidence of some fires on the ground. They're not for cooking. They were used for illumination. You have to step in front of these fires to look at the images, and when you move, you must see your own shadow. And immediately, Fred Astaire comes to mind — who did something 32,000 years later which is essentially what we can imagine for early Paleolithic people."
Read the NPR story here.
See a clip of Fred dancing with his shadows in Swing Time here.
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