from jambar.com:
By: Jared Buker REPORTER
It's June. I'm in a stiff tuxedo. My feet are aching from the rental shoes, and my ears are ringing from the feedback of the speakers. The disc jockey fades out the music and announces the final song of the night. I spring from my seat, slip off my plastic dress shoes, and begin executing the perfect YMCA. The bride and groom laugh as I wear out my socks on the dance floor. I am the hit of the wedding.I'm also 6 years old.
Fourteen years later, things are different. I despise the thought of dancing in front of people unless there's a blinding strobe light distorting everyone's vision. There's something impeccably awkward about a gangly, self-conscious kid with his hair in his eyes trying to look smooth. I have two left feet, and they're pigeon-toed.
The odds of me ever being a good dancer are about the same as the proverbial snowball in hell. So when I decided to attend a dance class taught in Beeghly Center, I really only had one thing on my mind.Don't step on anyone's feet.
My partner, Ty Sidney, can attest to the fact that I kept my feet to myself. Problem was, I was so focused on my shoes that I rarely looked away from them. To prepare for the class, I watched the first few episodes of ABC's "Dancing with the Stars."
That didn't help.But anyone who saw the start of the new season will understand the mantra I used to get through the class.Be like Evan Lysacek, not Buzz Aldrin.
To clarify, that just means try and be graceful like an Olympian, not sluggish and wheezy like an aging astronaut.
All kidding aside, Ty and I caught on quickly, to our surprise. We learned the country two-step, which is the ideal dance for beginners because you don't actually lift your feet off the ground. The two-step is very traditional. You put your hand basically on the shoulder of your partner. It took several strangers telling me to get my hand off their hip for that to sink in.
The class was taught by Dustin Jones, ballroom competitor and co-owner of the Fred Astaire Studio in Youngstown.
Talk about pressure.
Honestly, Jones was incredibly patient with the class, doing an excellent job of explaining the two-step in a way even the rhythmically-inclined could comprehend. After only an hour, I felt like I could almost trick someone into thinking I knew how to dance. There was an undeniable sense of family amongst the dancers in the class. This was the nicest group of people I've ever met. It's nice to feel so welcome when entering a situation that is foreign to you, and I would absolutely be thrilled about going back to learn a new style of dance.
Dustin told me that my performance was actually quite impressive. He felt I picked up on the movements quickly, was rhythmic, and had great footwork.
Tell that to my high school tennis coach. He once told me I had the grace of a vending machine.
One thing I learned about the two-step is that, for the most part, the man is in control. This is a daunting task when you lack the necessary confidence, but by the end of the hour, I felt like that old self-consciousness had melted away.Dustin said that was what the class is all about. "When you realize how much you can learn in an hour, it gives you the confidence you need to be a good dancer," Jones said. I would be skeptical about such a concept if I hadn't faced my fears and seen it firsthand. So with my newfound confidence, I feel like the next logical step is to join the "Dancing with the Stars" crew.
I just need to get famous.
Thursday, March 25, 2010
The Power Of Dance
Excerpt from news-herald.com (Northern Ohio):
"Dancing helps woman cope with Multiple Sclerosis"
Thursday, March 25, 2010
By Janet Podolak
Denial followed by depression.
Those were her reactions when Jessica Dwyer of Willoughby was diagnosed with multiple sclerosis.
"That's really quite common," said neurologist Dr. Mary Rensel, an MS specialist with Cleveland Clinic's Mellen Center for Multiple Sclerosis Treatment and Research. "It often comes at an active time in people's lives, and it's something that doesn't go away."
Multiple sclerosis is a disease in which the immune system attacks the myelin sheaths around the brain and spinal cord, causing a wide variety of symptoms.
It was early in 2007 when Dwyer was diagnosed. She was 27 and had been seeking answers to a series of strange and seemingly unconnected medical issues for more than a year. She was in the so-called prime of her life.
"When I suddenly lost the vision in my right eye, I saw an ophthalmologist, who ordered an MRI to determine the reason for elevated pressure inside my eye," she recalled.
Within weeks she was sitting in front of a neurologist who had ordered a spinal tap, then told her she had multiple sclerosis.
"The next day I left on vacation and put it out of my mind," she said. "It took a full year for comprehension to set in."
Like many people, she knew very little about the MS that was changing her life but learned it's an unpredictable disease of the central nervous system with no known cause or cure. Its symptoms and progression are different for everyone who has it.
She plunged into depression."I hated myself, my life and everything around me," she said.
The depression was affecting her marriage and making everything worse, so she finally sought counseling.
"When I passed the milestone birthday of 30, I finally learned to accept my diagnosis and move on with my life," she said.
She began treatment, and before long her disease was diagnosed as being stable. After that, dancing was a catalyst toward her current happiness. She'd always dreamed of being a dancer, so when she saw an ad for the Fred Astaire Dance Studio in Willoughby, she went to an open house.
"I quickly discovered that I loved it," she said.
That was a great reaction, Rensel said."Anything that raises your mood and gives you exercise is a good thing for those with MS." The Mellen Center is doing a number of clinical studies that have proved the value of exercise, along with medication.
Although it's fun, dancing has not always been easy for Dwyer because her symptoms include fatigue, a loss of balance and numbness in her feet, she said. But she's been taking lessons and spends about five hours a week at the dance studio.
"My dance instructors work to accommodate me," she said. "Dancing keeps me strong and focused. I feel free when I dance."
She speaks often about the power of dance in her life and how it has transformed her attitude and daily life. She continues to experience numbness and a vibrating feeling in her feet and knows that her multiple sclerosis could worsen — or not.
Rensel is an optimist. "Those who get exercise, control their weight, avoid diabetes and watch their cholesterol can expect good results over the long term," she said.
For Dwyer, happiness has come with an improved attitude. "I know if I dwell on it, MS will run me," Dwyer said. "It's now been a year since I've been at the dance studio and I feel like I've taken back control of my life. It's a wonderful workout for the body, and I'm happy."
Find out if the power of dance works for you with a Friday evening visit to the Fred Astaire Dance Studio, 34601 Ridge Road, Willoughby; 440-516-7837.
"Dancing helps woman cope with Multiple Sclerosis"
Thursday, March 25, 2010
By Janet Podolak
Denial followed by depression.
Those were her reactions when Jessica Dwyer of Willoughby was diagnosed with multiple sclerosis.
"That's really quite common," said neurologist Dr. Mary Rensel, an MS specialist with Cleveland Clinic's Mellen Center for Multiple Sclerosis Treatment and Research. "It often comes at an active time in people's lives, and it's something that doesn't go away."
Multiple sclerosis is a disease in which the immune system attacks the myelin sheaths around the brain and spinal cord, causing a wide variety of symptoms.
It was early in 2007 when Dwyer was diagnosed. She was 27 and had been seeking answers to a series of strange and seemingly unconnected medical issues for more than a year. She was in the so-called prime of her life.
"When I suddenly lost the vision in my right eye, I saw an ophthalmologist, who ordered an MRI to determine the reason for elevated pressure inside my eye," she recalled.
Within weeks she was sitting in front of a neurologist who had ordered a spinal tap, then told her she had multiple sclerosis.
"The next day I left on vacation and put it out of my mind," she said. "It took a full year for comprehension to set in."
Like many people, she knew very little about the MS that was changing her life but learned it's an unpredictable disease of the central nervous system with no known cause or cure. Its symptoms and progression are different for everyone who has it.
She plunged into depression."I hated myself, my life and everything around me," she said.
The depression was affecting her marriage and making everything worse, so she finally sought counseling.
"When I passed the milestone birthday of 30, I finally learned to accept my diagnosis and move on with my life," she said.
She began treatment, and before long her disease was diagnosed as being stable. After that, dancing was a catalyst toward her current happiness. She'd always dreamed of being a dancer, so when she saw an ad for the Fred Astaire Dance Studio in Willoughby, she went to an open house.
"I quickly discovered that I loved it," she said.
That was a great reaction, Rensel said."Anything that raises your mood and gives you exercise is a good thing for those with MS." The Mellen Center is doing a number of clinical studies that have proved the value of exercise, along with medication.
Although it's fun, dancing has not always been easy for Dwyer because her symptoms include fatigue, a loss of balance and numbness in her feet, she said. But she's been taking lessons and spends about five hours a week at the dance studio.
"My dance instructors work to accommodate me," she said. "Dancing keeps me strong and focused. I feel free when I dance."
She speaks often about the power of dance in her life and how it has transformed her attitude and daily life. She continues to experience numbness and a vibrating feeling in her feet and knows that her multiple sclerosis could worsen — or not.
Rensel is an optimist. "Those who get exercise, control their weight, avoid diabetes and watch their cholesterol can expect good results over the long term," she said.
For Dwyer, happiness has come with an improved attitude. "I know if I dwell on it, MS will run me," Dwyer said. "It's now been a year since I've been at the dance studio and I feel like I've taken back control of my life. It's a wonderful workout for the body, and I'm happy."
Find out if the power of dance works for you with a Friday evening visit to the Fred Astaire Dance Studio, 34601 Ridge Road, Willoughby; 440-516-7837.
Tuesday, March 23, 2010
Tony Dovolani Interview!
from tvguide.com:
Dancing's Tony Dovolani: What's With All the Kate Hate?
Mar 21, 2010 10:01 PM ET
by Joyce Eng
Tony Dovolani was the only one in the dark. The Dancing with the Stars pro says he doesn't read casting rumors about the show, so the possibility of working with Kate Gosselin (a widely speculated pairing since they both live on the East Coast) never crossed his mind. "Everyone was thinking that except me!" he tells TVGuide.com. "I don't read rumors. If you do and set your heart on somebody and don't get them, or it turns out the person is not doing the show, then you're disappointed even if you get somebody great." And great is exactly what the mom of eight is, says Dovolani, a dad of three — whatever "haters" might think.
TVGuide.com: What was your reaction when you found out you had Kate?
Tony Dovolani: I knew my wife was going to be very happy because she's a big fan of hers. I think there's a bond between people who have had twins. I was pleasantly surprised and happy she was doing our show. You hear about people and you're always curious to see if they are who you think they are. In this case, I was very happy to learn she was just as sweet as I thought she was going to be. She's so nice, and we're having so much fun together.
TVGuide.com: Evan Lysacek said Kate showed some rhythm during your title shoot. Is she going to be a dark horse?
Dovolani: [Laughs] Kate has never taken a dance step in her life! The one thing she does have is drive. That's something that I love about her. She's fantastically driven. There are a lot of hours packed in and she's 100 percent present the entire time. She wants this really badly and she's willing to work really hard. But as far as her having any advantage over the contestants — no. The other ones come with way more experience.
TVGuide.com: How often do you rehearse?
Dovolani: Every day for six hours a day at her home in Pennsylvania. The rest of the time, she's with her kids. People think she's away from her kids and she's not. She's a single working mom. Instead of being supportive of her, they're bashing her. I don't understand that. My sister told me, "Tell Kate that all of us mothers understand and we're standing behind her." To hear that confirms that I'm thinking the right way. She has to provide for those kids. They're so sweet! They came up with a routine they showed us one day! Once in a while we perform for them. She's a great mother. They're all over her.
TVGuide.com: How does your Viennese waltz look?
Dovolani: We're ready. I'm excited to show everyone what she's accomplished in such a short amount of time, not having any experience whatsoever. You're expecting a person to go from zero to 160 mph in seconds. There has to be a lot of trust. It's a process. As a teacher, I'm excited because I have an empty canvas to work with. She has the work ethic and that's all you can ask for. I would say she's an average learner, but the hard work makes her a fast learner.
TVGuide.com: She's a very divisive figure. Are you concerned about how that will affect voting?
Dovolani: I'm new to this whole thing about hating somebody and I don't understand why people hate her. Our show is so positive that it's going to be difficult to hate someone. I love our show. It's the only show you can watch with the whole family. For me, it's mindboggling to think people think negatively in general, let alone at someone they don't know. I guess if you're a hater, don't watch when we're dancing. ... Honestly, I think the side she has shown — not what the tabloids have shown — there's nothing wrong with her. She's a mom taking care of her kids. She doesn't buy into the tabloids. She's a great role model for her kids.
TVGuide.com: What do you think of the rest of the cast?
Dovolani: It could be one of the best seasons ever. We have a little bit of everything. Niecy [Nash], Nicole [Scherzinger] — I'm a huge fan of hers. Erin [Andrews], Evan — I can't wait to see them. Chad [Ochocinco], what a personality! ... I'm excited about the changes too. Brooke [Burke] coming on is awesome. There were changes that needed to be done, like with the big cast. I think the producers listened to the audience. The audience was the one that suggested these things.
TVGuide.com: Are your or Kate's kids going to come out for the tapings?Dovolani: I don't know if hers will come. My wife comes out every three weeks every season with our [4-year-old] daughter. My wife's my hero. She goes through so much on a daily basis so I could do what I do. When we got pregnant with our first child, I said I was going to quit competing to be around. She said, "No. You're going to compete and you're going to win because I want you to share this with your kids to set an example for them. I want them to say, 'My dad is a champion.'" It's because of her I am where I am now.
TVGuide.com: You also act. What do you have coming up?
Dovolani: There are some projects. I love being able to create — acting, choreography, dancing, whatever it is. ... There's an independent movie called Wormhole that I'm going to do. I have Pumping Up, which has to do with bodybuilders, and it's really cool. I'm looking forward to the summer because there are a bunch of projects lined up.
Dancing's Tony Dovolani: What's With All the Kate Hate?
Mar 21, 2010 10:01 PM ET
by Joyce Eng
Tony Dovolani was the only one in the dark. The Dancing with the Stars pro says he doesn't read casting rumors about the show, so the possibility of working with Kate Gosselin (a widely speculated pairing since they both live on the East Coast) never crossed his mind. "Everyone was thinking that except me!" he tells TVGuide.com. "I don't read rumors. If you do and set your heart on somebody and don't get them, or it turns out the person is not doing the show, then you're disappointed even if you get somebody great." And great is exactly what the mom of eight is, says Dovolani, a dad of three — whatever "haters" might think.
TVGuide.com: What was your reaction when you found out you had Kate?
Tony Dovolani: I knew my wife was going to be very happy because she's a big fan of hers. I think there's a bond between people who have had twins. I was pleasantly surprised and happy she was doing our show. You hear about people and you're always curious to see if they are who you think they are. In this case, I was very happy to learn she was just as sweet as I thought she was going to be. She's so nice, and we're having so much fun together.
TVGuide.com: Evan Lysacek said Kate showed some rhythm during your title shoot. Is she going to be a dark horse?
Dovolani: [Laughs] Kate has never taken a dance step in her life! The one thing she does have is drive. That's something that I love about her. She's fantastically driven. There are a lot of hours packed in and she's 100 percent present the entire time. She wants this really badly and she's willing to work really hard. But as far as her having any advantage over the contestants — no. The other ones come with way more experience.
TVGuide.com: How often do you rehearse?
Dovolani: Every day for six hours a day at her home in Pennsylvania. The rest of the time, she's with her kids. People think she's away from her kids and she's not. She's a single working mom. Instead of being supportive of her, they're bashing her. I don't understand that. My sister told me, "Tell Kate that all of us mothers understand and we're standing behind her." To hear that confirms that I'm thinking the right way. She has to provide for those kids. They're so sweet! They came up with a routine they showed us one day! Once in a while we perform for them. She's a great mother. They're all over her.
TVGuide.com: How does your Viennese waltz look?
Dovolani: We're ready. I'm excited to show everyone what she's accomplished in such a short amount of time, not having any experience whatsoever. You're expecting a person to go from zero to 160 mph in seconds. There has to be a lot of trust. It's a process. As a teacher, I'm excited because I have an empty canvas to work with. She has the work ethic and that's all you can ask for. I would say she's an average learner, but the hard work makes her a fast learner.
TVGuide.com: She's a very divisive figure. Are you concerned about how that will affect voting?
Dovolani: I'm new to this whole thing about hating somebody and I don't understand why people hate her. Our show is so positive that it's going to be difficult to hate someone. I love our show. It's the only show you can watch with the whole family. For me, it's mindboggling to think people think negatively in general, let alone at someone they don't know. I guess if you're a hater, don't watch when we're dancing. ... Honestly, I think the side she has shown — not what the tabloids have shown — there's nothing wrong with her. She's a mom taking care of her kids. She doesn't buy into the tabloids. She's a great role model for her kids.
TVGuide.com: What do you think of the rest of the cast?
Dovolani: It could be one of the best seasons ever. We have a little bit of everything. Niecy [Nash], Nicole [Scherzinger] — I'm a huge fan of hers. Erin [Andrews], Evan — I can't wait to see them. Chad [Ochocinco], what a personality! ... I'm excited about the changes too. Brooke [Burke] coming on is awesome. There were changes that needed to be done, like with the big cast. I think the producers listened to the audience. The audience was the one that suggested these things.
TVGuide.com: Are your or Kate's kids going to come out for the tapings?Dovolani: I don't know if hers will come. My wife comes out every three weeks every season with our [4-year-old] daughter. My wife's my hero. She goes through so much on a daily basis so I could do what I do. When we got pregnant with our first child, I said I was going to quit competing to be around. She said, "No. You're going to compete and you're going to win because I want you to share this with your kids to set an example for them. I want them to say, 'My dad is a champion.'" It's because of her I am where I am now.
TVGuide.com: You also act. What do you have coming up?
Dovolani: There are some projects. I love being able to create — acting, choreography, dancing, whatever it is. ... There's an independent movie called Wormhole that I'm going to do. I have Pumping Up, which has to do with bodybuilders, and it's really cool. I'm looking forward to the summer because there are a bunch of projects lined up.
Who Are The Dancing With The Star Judges?
from cincinatti.com:
By Mike Hughes
They are, for starters, the most international group on TV. Bruno Tonioli was born in Italy, Len Goodman in England, Carrie Ann Inaba in Hawaii, with Japanese, Chinese and Irish roots.
"We've all been working in films and television for 30 years," Tonioli exaggerated when the show started in 2005. "We all started as performers."
They were used to working with strict rules, Goodman said then. "It's from 35 years of judging ballroom and Latin American competitions."
But this show also gives them a category called "intangibles," Inaba said. "We judge on fluidity, we judge on form, we judge on musicality, we judge on the chemistry, we judge on how they look."
Two of the judges were on the British show ("Strictly Come Dancing") that began a year before the American one. The third "Strictly" judge was replaced by Inaba. Here are brief glimpses:
Tonioli, 54: Choreographed tours for Tina Turner and Duran Duran. Also did choreography for music videos (including Paul McCartney, Sheena Easton and Michael Jackson's "Give In to Me"), movies ("Little Voice," "Ella Enchanted") and TV episodes.
Goodman, 65: Longtime competitor in the ballroom style called "Exhibition." He won the British championship four times and finished second at the world championships. Judges ballroom and Latin American competitions and has a dance school in Kent, where he lives.
Inaba, 42: Started as a hula dancer. At 16, she won a Hawaiin talent competition and moved to Japan, where she had three pop-music singles. Back in the U.S., she was one of the five "Fly Girls" on "In Living Color," alongside Jennifer Lopez, with Rosie Perez in charge. She toured with Madonna, Ricky Martin and David Copperfield and was in two "Austin Powers" movies and "Showgirls." She's done choreography, including episodes of "American Idol" and "So You Think You Can Dance," working with Nigel Lythgoe.
Last year, they linked with choreographer Adam Shankman and actress-dancer Katie Holmes to start the Dizzy Feet Foundation, which gives dance scholarships
By Mike Hughes
They are, for starters, the most international group on TV. Bruno Tonioli was born in Italy, Len Goodman in England, Carrie Ann Inaba in Hawaii, with Japanese, Chinese and Irish roots.
"We've all been working in films and television for 30 years," Tonioli exaggerated when the show started in 2005. "We all started as performers."
They were used to working with strict rules, Goodman said then. "It's from 35 years of judging ballroom and Latin American competitions."
But this show also gives them a category called "intangibles," Inaba said. "We judge on fluidity, we judge on form, we judge on musicality, we judge on the chemistry, we judge on how they look."
Two of the judges were on the British show ("Strictly Come Dancing") that began a year before the American one. The third "Strictly" judge was replaced by Inaba. Here are brief glimpses:
Tonioli, 54: Choreographed tours for Tina Turner and Duran Duran. Also did choreography for music videos (including Paul McCartney, Sheena Easton and Michael Jackson's "Give In to Me"), movies ("Little Voice," "Ella Enchanted") and TV episodes.
Goodman, 65: Longtime competitor in the ballroom style called "Exhibition." He won the British championship four times and finished second at the world championships. Judges ballroom and Latin American competitions and has a dance school in Kent, where he lives.
Inaba, 42: Started as a hula dancer. At 16, she won a Hawaiin talent competition and moved to Japan, where she had three pop-music singles. Back in the U.S., she was one of the five "Fly Girls" on "In Living Color," alongside Jennifer Lopez, with Rosie Perez in charge. She toured with Madonna, Ricky Martin and David Copperfield and was in two "Austin Powers" movies and "Showgirls." She's done choreography, including episodes of "American Idol" and "So You Think You Can Dance," working with Nigel Lythgoe.
Last year, they linked with choreographer Adam Shankman and actress-dancer Katie Holmes to start the Dizzy Feet Foundation, which gives dance scholarships
Some Advice For Kate Gosselin from another Ballroom Dancer Mom
from thefastertimes.com:
By Tatiana Keegan
When Kate Gosselin steps onto the dance floor Monday night for the season premier of “Dancing With The Stars,” she will be lucky to have a great partner in Tony Dovolani. I know this because Tony and I used to compete on the professional ballroom circuit together.
It’s fun seeing Tony on the cover of People magazine this week. Because way before Kate, before Kathy Ireland, Melissa Rycroft, Susan Lucci, Marissa Jaret Winokur, Jane Seymour, Leeza Gibbons, Sara Evans, and Stacy Keibler—even before “Dancing With The Stars” started making everybody crazy for the rumba and cha-cha in 2005—Tony and I won lots of competitions together, including the International Latin Rising Star title at the United States Ballroom Championship in Miami.
Tony is a powerful dancer, with lots of charisma, and an excellent coach. Part of what makes him so good is that he’s open to suggestions from other dancers and coaches he trusts. When he was partnered with Susan Lucci in Season 7, he asked me to take a look at their mambo routine. (She was feeling stiff, so I told her, “The mambo is a sensual dance —you want to feel like ripping your clothes off!”) So I hope Tony doesn’t mind that I’ve accepted an invitation from The Faster Times to offer a bit of womanly advice to his current partner, who I am sure is a bundle of nerves as she tries to learn the Viennese Waltz knowing that millions of people will be watching her every reverse turn and natural turn.
Though I can’t imagine what it’s like to have eight children, I’m a mom myself (my daughter is almost three). It’s not easy balancing the demands of motherhood and the pressure of competitive ballroom dancing, but it can be done. (Follow me and my new partner, Werner Figar, on Facebook, Youtube, and Twitter. And here’s our web site, too.) Anyway, Kate, here are some tips:
1. Learn to Love High Heels. Dancing in high heels looks incredibly difficult—and it is—but once you learn how, you’ll actually find it liberating. At first, you can’t keep your balance. Your ankle, calf muscles, and lower back will hurt. But having so much weight on the front of your foot actually allows you to move your feet faster and spin more easily. Dancing in heels is actually easier for me than walking. Be patient and practice in your dance shoes as often as you can.
2. Keep Your Heart Open: The Viennese Waltz requires very fast footwork executed smoothly, so it’s a great technical challenge. But at some point you have to forget about technique and just dance. This is a very romantic, lyrical dance. As you practice, listen to the lyrics and try to open your heart to the meaning of the words and make them your own. Everyone seems to have an opinion about the choices you’ve made with your life. This is your chance to tell your own story through that song.
3. Exhale: Inhaling happens automatically, but we tend to hold our breath when we’re nervous. Shutting off oxygen can make you dizzy, lose your balance, and forget your steps. So focus on exhaling. And remember that most people watching will be supporting you. There’s something about being so open and vulnerable on the dance floor that makes people want to cheer you on. This actually may be the one area of your public life where people are not judging you and really want you to succeed.
4. Forget The Judges. We all want good marks, even when we say we don’t care. But try not to obsess about it. Judging in ballroom dancing is very subjective. The best way to forget about them is to stay focused on your partner. Let the music go through your blood and your muscles until you become an instrument of the song. Even if your technique is not good, the judges will forget about that because they get involved in the story you are telling. If you lose that connection to the music, the judges will get bored and start looking for technical problems. That’s when the trouble starts.
5. Ignore the Mommy Critics: When I decided to return to return to the competitive ballroom circuit this season, of course I worried about whether I’d have enough time for my daughter. But when people ask me what is more important—my career or my child—I say, “That’s like asking me to choose between eating or sleeping.” Why must women always answer that question, but not men? You will make the time for your children and be a great inspiration to them, especially your daughters. They will be proud of you for trying something extremely difficult and opening yourself up to exciting new experiences that will enrich their lives when you bring all that home.
Oh, and one last thing: Watch out for Tony’s flailing arms. He once smacked me right in the nose during a cha-cha in the finals of the USBC. I thought it was his elbow, he said it was his shoulder. I saw sparkles and tears ran down my cheeks. But we never stopped and ended up winning the national championship. So no matter what happens out on the floor, never stop. Keep dancing!
By Tatiana Keegan
When Kate Gosselin steps onto the dance floor Monday night for the season premier of “Dancing With The Stars,” she will be lucky to have a great partner in Tony Dovolani. I know this because Tony and I used to compete on the professional ballroom circuit together.
It’s fun seeing Tony on the cover of People magazine this week. Because way before Kate, before Kathy Ireland, Melissa Rycroft, Susan Lucci, Marissa Jaret Winokur, Jane Seymour, Leeza Gibbons, Sara Evans, and Stacy Keibler—even before “Dancing With The Stars” started making everybody crazy for the rumba and cha-cha in 2005—Tony and I won lots of competitions together, including the International Latin Rising Star title at the United States Ballroom Championship in Miami.
Tony is a powerful dancer, with lots of charisma, and an excellent coach. Part of what makes him so good is that he’s open to suggestions from other dancers and coaches he trusts. When he was partnered with Susan Lucci in Season 7, he asked me to take a look at their mambo routine. (She was feeling stiff, so I told her, “The mambo is a sensual dance —you want to feel like ripping your clothes off!”) So I hope Tony doesn’t mind that I’ve accepted an invitation from The Faster Times to offer a bit of womanly advice to his current partner, who I am sure is a bundle of nerves as she tries to learn the Viennese Waltz knowing that millions of people will be watching her every reverse turn and natural turn.
Though I can’t imagine what it’s like to have eight children, I’m a mom myself (my daughter is almost three). It’s not easy balancing the demands of motherhood and the pressure of competitive ballroom dancing, but it can be done. (Follow me and my new partner, Werner Figar, on Facebook, Youtube, and Twitter. And here’s our web site, too.) Anyway, Kate, here are some tips:
1. Learn to Love High Heels. Dancing in high heels looks incredibly difficult—and it is—but once you learn how, you’ll actually find it liberating. At first, you can’t keep your balance. Your ankle, calf muscles, and lower back will hurt. But having so much weight on the front of your foot actually allows you to move your feet faster and spin more easily. Dancing in heels is actually easier for me than walking. Be patient and practice in your dance shoes as often as you can.
2. Keep Your Heart Open: The Viennese Waltz requires very fast footwork executed smoothly, so it’s a great technical challenge. But at some point you have to forget about technique and just dance. This is a very romantic, lyrical dance. As you practice, listen to the lyrics and try to open your heart to the meaning of the words and make them your own. Everyone seems to have an opinion about the choices you’ve made with your life. This is your chance to tell your own story through that song.
3. Exhale: Inhaling happens automatically, but we tend to hold our breath when we’re nervous. Shutting off oxygen can make you dizzy, lose your balance, and forget your steps. So focus on exhaling. And remember that most people watching will be supporting you. There’s something about being so open and vulnerable on the dance floor that makes people want to cheer you on. This actually may be the one area of your public life where people are not judging you and really want you to succeed.
4. Forget The Judges. We all want good marks, even when we say we don’t care. But try not to obsess about it. Judging in ballroom dancing is very subjective. The best way to forget about them is to stay focused on your partner. Let the music go through your blood and your muscles until you become an instrument of the song. Even if your technique is not good, the judges will forget about that because they get involved in the story you are telling. If you lose that connection to the music, the judges will get bored and start looking for technical problems. That’s when the trouble starts.
5. Ignore the Mommy Critics: When I decided to return to return to the competitive ballroom circuit this season, of course I worried about whether I’d have enough time for my daughter. But when people ask me what is more important—my career or my child—I say, “That’s like asking me to choose between eating or sleeping.” Why must women always answer that question, but not men? You will make the time for your children and be a great inspiration to them, especially your daughters. They will be proud of you for trying something extremely difficult and opening yourself up to exciting new experiences that will enrich their lives when you bring all that home.
Oh, and one last thing: Watch out for Tony’s flailing arms. He once smacked me right in the nose during a cha-cha in the finals of the USBC. I thought it was his elbow, he said it was his shoulder. I saw sparkles and tears ran down my cheeks. But we never stopped and ended up winning the national championship. So no matter what happens out on the floor, never stop. Keep dancing!
Monday, March 22, 2010
Dancing With The Stars - Season 10 Begins Tonight!
Here's a look at who is competing this season:
Soap star Aiden Turner and Edyta Sliwinkska
Legendary astronaut Buzz Aldrin and Ashly Costa
NFL star Chad Ochocinco and Cheryl Burke
ESPN host Erin Andrews and Maksim Chmerkovskiy
Olympic skating champion Evan Lysacek and Anna Trebunskaya
Bachelor star Jake Pavelka and Chelsie Hightower
TLC star Kate Gosselin and Tony Dovolani
Pop star Nicole Scherzinger and Derek Hough
Comedienne and host Niecy Nash and Louis Van Amstel
Actress and model Pamela Anderson and Damian Whitewood
Actress Shannen Doherty and Mark Ballas
You'll be able to vote for your favorite beginning at 8:00 p.m. tonight.
Soap star Aiden Turner and Edyta Sliwinkska
Legendary astronaut Buzz Aldrin and Ashly Costa
NFL star Chad Ochocinco and Cheryl Burke
ESPN host Erin Andrews and Maksim Chmerkovskiy
Olympic skating champion Evan Lysacek and Anna Trebunskaya
Bachelor star Jake Pavelka and Chelsie Hightower
TLC star Kate Gosselin and Tony Dovolani
Pop star Nicole Scherzinger and Derek Hough
Comedienne and host Niecy Nash and Louis Van Amstel
Actress and model Pamela Anderson and Damian Whitewood
Actress Shannen Doherty and Mark Ballas
You'll be able to vote for your favorite beginning at 8:00 p.m. tonight.
Friday, March 19, 2010
Dance Is Hot
Excerpt from a Time Magazine article on Twyla Tharp:
"Dance, if you haven't noticed, is hot. It's not the high-art sensation it was in the '70s, when Robbins and George Balanchine were working, companies such as the Joffrey Ballet and Alvin Ailey were drawing hip new audiences, and stars like Baryshnikov were celeb-magazine fodder. Instead, it has glided into the mass-audience mainstream. Broadway shows like Billy Elliot and Fela! (the Afrobeat musical choreographed by Bill T. Jones) put dance front and center. The ballet-like triple axels of Olympic figure skaters drew huge ratings at the Winter Games. And TV hits like Dancing with the Stars and So You Think You Can Dance have given ballroom dancing a cachet it hasn't had since Fred Astaire hung up his tux."
"Dance, if you haven't noticed, is hot. It's not the high-art sensation it was in the '70s, when Robbins and George Balanchine were working, companies such as the Joffrey Ballet and Alvin Ailey were drawing hip new audiences, and stars like Baryshnikov were celeb-magazine fodder. Instead, it has glided into the mass-audience mainstream. Broadway shows like Billy Elliot and Fela! (the Afrobeat musical choreographed by Bill T. Jones) put dance front and center. The ballet-like triple axels of Olympic figure skaters drew huge ratings at the Winter Games. And TV hits like Dancing with the Stars and So You Think You Can Dance have given ballroom dancing a cachet it hasn't had since Fred Astaire hung up his tux."
Thursday, March 18, 2010
Tony Dovolani On Cover Of People Magazine!
Fred Astaire Dance Studios champion dancer and DWTS professional dancer Tony Dovolani was on the March 12th cover of People Magazine, along with his celebrity partner for DWTS Season 10, Kate Gosselin!!
Monday, March 15, 2010
Ballroom benefit
From montgomeryadvertiser.com:
By Robyn Bradley Litchfield
Dressed in a casual but elegant black number, Alabama's first lady Patsy Riley seemed to float across the floor with dance partner Jim Williams leading her through such classic ballroom steps as grapevines and telemarks.
It's a dream come true for Riley, one of eight contestants in the third annual Dancing With Celebrities, a gala fundraiser benefiting the American Cancer Society's Relay for Life. For about 20 years now, her husband, Gov. Bob Riley, has given her dance lessons for her birthday.
"We were supposed to take lessons together and just haven't gotten around to it," she said. "So I have really enjoyed this. It's such a wonderful event, which makes it even better."
Dancing With Celebrities will be Saturday at the Capital City Club. The evening will include a social hour and dinner.
Riley has been working with Williams, who owns the Fred Astaire Dance Studio in Montgomery, since January and was ready Tuesday to add music. The twosome strutted their stuff, performing a fox trot to Manhattan Transfer's "Sunny Side of the Street," a number Riley picked because of its positive message.
"I thought I knew how to dance -- but I was sadly mistaken," she said.
But Williams quickly pointed out that most people are their own worst critics. He added that dancing lessons aren't really about how much you learn.
"It's about being with each other and having fun," he said.
Until Riley began lessons with Williams, she said she and the governor might occasionally dance, but it has been more "like teenagers at the prom."
Dancing with Williams, however, is another story, she said with a laugh.
Still, she and the other contestants (BJ McCullough, Sally Pitts, Dr. Pam Strickland, Melissa George, Leah deButts, Richard Fiore and JimmyVarnado) have rehearsed for weeks to prepare for the competition. The one who raises the most money will receive a trophy, but all of the dancers will know that they have been part of raising money to fight cancer.
For three years now, Williams has donated to each competitor 15 40-minute lessons and a professional partner for the performance.
"These celebrities really step out of their comfort zone, and they always do a good job," he said. "And I've got to hand it to my staff. They are great at getting everybody ready for the event."
And what an event it is. Sherry Nath dreamed up Dancing With Celebrities after seeing how successful ABC's "Dancing with the Stars" had become. The 2009 event raised $33,400, and this year's goal is $50,000. Recruiting contestants is actually the easy part, she said.
"Most people ask to dance with us," she said. "I am really excited about this year's group. It's the most we've ever had."
Many people have wanted to get involved and support the effort.
Riley said, "Every person you know has been affected -- in some way -- by cancer."
The devastating disease touched the state's first family several years ago.
In September 1998, she said, "Our world changed forever when the word 'cancer' entered into our lives through our daughter Jenice."
Jenice Riley died the summer of 2001, after a three-year battle with cancer. Now, almost a decade later, her mother and father are more determined than ever to do what they can to fight cancer.
Nath said money raised thus far through Dancing With Celebrities has allowed the American Cancer Society to do further research, to educate the public and to conduct several new clinical trials. She hopes that with money raised Saturday, the organization can start a new clinical trial in Montgomery.
Riley said that this particular event is inspiring not only because of its connection to cancer.
"It's also a way of introducing people to a new way of relieving stress and a fun way to exercise," she said.
The first lady is a firm believer in trying new things and never giving up on learning. She is a busy wife, mother and grandmother who is on the go. The Rileys have three grown children (Rob Riley, Minda Riley Campbell and Krisalyn Riley Crye) and eight grandchildren. Dancing has been a way for Riley to step back and really get lost in the music and the dance steps.
As a family, the Rileys are more than happy to get involved.
"Anything that we can do to find a cure, revise the treatment, we will do it," Riley said before trying "Sunny Side of the Street" one more time with her dashing instructor.
Standing on the sidelines Tuesday, Nath watched Riley rehearse with Williams and said, "We'll stop this disease one of these days."
By Robyn Bradley Litchfield
Dressed in a casual but elegant black number, Alabama's first lady Patsy Riley seemed to float across the floor with dance partner Jim Williams leading her through such classic ballroom steps as grapevines and telemarks.
It's a dream come true for Riley, one of eight contestants in the third annual Dancing With Celebrities, a gala fundraiser benefiting the American Cancer Society's Relay for Life. For about 20 years now, her husband, Gov. Bob Riley, has given her dance lessons for her birthday.
"We were supposed to take lessons together and just haven't gotten around to it," she said. "So I have really enjoyed this. It's such a wonderful event, which makes it even better."
Dancing With Celebrities will be Saturday at the Capital City Club. The evening will include a social hour and dinner.
Riley has been working with Williams, who owns the Fred Astaire Dance Studio in Montgomery, since January and was ready Tuesday to add music. The twosome strutted their stuff, performing a fox trot to Manhattan Transfer's "Sunny Side of the Street," a number Riley picked because of its positive message.
"I thought I knew how to dance -- but I was sadly mistaken," she said.
But Williams quickly pointed out that most people are their own worst critics. He added that dancing lessons aren't really about how much you learn.
"It's about being with each other and having fun," he said.
Until Riley began lessons with Williams, she said she and the governor might occasionally dance, but it has been more "like teenagers at the prom."
Dancing with Williams, however, is another story, she said with a laugh.
Still, she and the other contestants (BJ McCullough, Sally Pitts, Dr. Pam Strickland, Melissa George, Leah deButts, Richard Fiore and JimmyVarnado) have rehearsed for weeks to prepare for the competition. The one who raises the most money will receive a trophy, but all of the dancers will know that they have been part of raising money to fight cancer.
For three years now, Williams has donated to each competitor 15 40-minute lessons and a professional partner for the performance.
"These celebrities really step out of their comfort zone, and they always do a good job," he said. "And I've got to hand it to my staff. They are great at getting everybody ready for the event."
And what an event it is. Sherry Nath dreamed up Dancing With Celebrities after seeing how successful ABC's "Dancing with the Stars" had become. The 2009 event raised $33,400, and this year's goal is $50,000. Recruiting contestants is actually the easy part, she said.
"Most people ask to dance with us," she said. "I am really excited about this year's group. It's the most we've ever had."
Many people have wanted to get involved and support the effort.
Riley said, "Every person you know has been affected -- in some way -- by cancer."
The devastating disease touched the state's first family several years ago.
In September 1998, she said, "Our world changed forever when the word 'cancer' entered into our lives through our daughter Jenice."
Jenice Riley died the summer of 2001, after a three-year battle with cancer. Now, almost a decade later, her mother and father are more determined than ever to do what they can to fight cancer.
Nath said money raised thus far through Dancing With Celebrities has allowed the American Cancer Society to do further research, to educate the public and to conduct several new clinical trials. She hopes that with money raised Saturday, the organization can start a new clinical trial in Montgomery.
Riley said that this particular event is inspiring not only because of its connection to cancer.
"It's also a way of introducing people to a new way of relieving stress and a fun way to exercise," she said.
The first lady is a firm believer in trying new things and never giving up on learning. She is a busy wife, mother and grandmother who is on the go. The Rileys have three grown children (Rob Riley, Minda Riley Campbell and Krisalyn Riley Crye) and eight grandchildren. Dancing has been a way for Riley to step back and really get lost in the music and the dance steps.
As a family, the Rileys are more than happy to get involved.
"Anything that we can do to find a cure, revise the treatment, we will do it," Riley said before trying "Sunny Side of the Street" one more time with her dashing instructor.
Standing on the sidelines Tuesday, Nath watched Riley rehearse with Williams and said, "We'll stop this disease one of these days."
Thursday, March 04, 2010
New Pro on Dancing With The Stars!
From associatedcontent.com:Damian Whitewood is the new professional dancer on this season's show. He will make his debut on the arm of 42-year old former Baywatch Babe, model and activist Pamela Anderson when DWTS premieres on March 22 at 8 PM ET/PT on ABC.
Damian gained notoriety by appearing in the Broadway hit dance revue, Burn the Floor. According to the show's official website, Burn the Floor features international style ballroom dancing, and all of the participating dancers have a strong competitive dance background. Viewers can expect newcomer Whitewood to be strong in all forms of ballroom and Latin dance, including the waltz, foxtrot, viennese waltz, tango, quickstep, cha cha, salsa, paso doble, rumba and jive. In other words, Australian native Damian Whitewood knows his stuff.
Tuesday, March 02, 2010
DWTS Pairings
Buzz Aldrin
Famous for: Being one of the first two humans to walk on the moon in 1969
Infamous for: Claiming to have seen a UFO
Partner: Ashley Costa (formerly DelGrosso), returning for her 4th season
Pam Anderson
Famous for: Her roles on Home Improvement, Baywatch, and V.I.P.
Infamous for: That tape with Tommy Lee
Partner: Damian Whitewood, making his Dancing WIth The Stars debut
Erin Andrews
Famous for: Being one of the most well known sportscasters on ESPN
Infamous for: Being filmed in her hotel room without her knowledge or consent
Partner: Maksim Chmerkovsky, returning for his 8th season
Shannen Doherty
Famous for: Playing Brenda on 90210
Infamous for: Relationships with Hollywood bad boys Ashley Hamilton, Rick Salomon, and Judd Nelson (well, he played one in a movie)
Partner: Mark Ballas, returning for his 6th season
Kate Gosselin
Famous for: Starring in Jon and Kate Plus 8 on Lifetime
Infamous for: Starring in Jon and Kate Plus 8 on Lifetime
Partner: Tony Dovolani, returning for his 9th season
Evan Lysacek
Famous for: Winning gold in men's figure skating at the 2010 Vancouver Winter Olympics
Infamous for: Nothing
Partner: Anna Trebunskaya, returning for her 5th season
Niecy Nash
Famous for: Playing Officer Raineesha Williams on Reno 911 and hosting Clean House on Style Network
Infamous for: Appearing on that horrible 2008 sitcom Do Not Disturb with Jerry O'Connell
Partner: Louis Van Amstel, returning for his 6th season
Chad Ochocinco
Famous for: His career as a wide receiver for the NFL's Cincinnati Bengals
Infamous for: Legally changing his last name name to Ochocinco
Partner: Cheryl Burke, returning for her 9th season
Jake Pavelka
Famous for: His appearances on The Bachelorette and The Bachelor: On The Wings Of Love
Infamous for: Breaking every nice girl's heart and choosing bad girl Vienna
Partner: Chelsie Hightower, returning for her 3rd season
Nicole Scherzinger
Famous for: Being the lead singer of The Pussycat Dolls
Infamous for: Being in The Pussycat Dollls when they were still a burlesque group
Partner: Derek Hough, returning for his 6th season
Aiden Turner
Famous for: Playing Aiden Devane on ABC's All My Children
Infamous for: Nothing
Partner: Edyta Sliwinska, the only pro compete in all 10 seasons
Famous for: Being one of the first two humans to walk on the moon in 1969
Infamous for: Claiming to have seen a UFO
Partner: Ashley Costa (formerly DelGrosso), returning for her 4th season
Pam Anderson
Famous for: Her roles on Home Improvement, Baywatch, and V.I.P.
Infamous for: That tape with Tommy Lee
Partner: Damian Whitewood, making his Dancing WIth The Stars debut
Erin Andrews
Famous for: Being one of the most well known sportscasters on ESPN
Infamous for: Being filmed in her hotel room without her knowledge or consent
Partner: Maksim Chmerkovsky, returning for his 8th season
Shannen Doherty
Famous for: Playing Brenda on 90210
Infamous for: Relationships with Hollywood bad boys Ashley Hamilton, Rick Salomon, and Judd Nelson (well, he played one in a movie)
Partner: Mark Ballas, returning for his 6th season
Kate Gosselin
Famous for: Starring in Jon and Kate Plus 8 on Lifetime
Infamous for: Starring in Jon and Kate Plus 8 on Lifetime
Partner: Tony Dovolani, returning for his 9th season
Evan Lysacek
Famous for: Winning gold in men's figure skating at the 2010 Vancouver Winter Olympics
Infamous for: Nothing
Partner: Anna Trebunskaya, returning for her 5th season
Niecy Nash
Famous for: Playing Officer Raineesha Williams on Reno 911 and hosting Clean House on Style Network
Infamous for: Appearing on that horrible 2008 sitcom Do Not Disturb with Jerry O'Connell
Partner: Louis Van Amstel, returning for his 6th season
Chad Ochocinco
Famous for: His career as a wide receiver for the NFL's Cincinnati Bengals
Infamous for: Legally changing his last name name to Ochocinco
Partner: Cheryl Burke, returning for her 9th season
Jake Pavelka
Famous for: His appearances on The Bachelorette and The Bachelor: On The Wings Of Love
Infamous for: Breaking every nice girl's heart and choosing bad girl Vienna
Partner: Chelsie Hightower, returning for her 3rd season
Nicole Scherzinger
Famous for: Being the lead singer of The Pussycat Dolls
Infamous for: Being in The Pussycat Dollls when they were still a burlesque group
Partner: Derek Hough, returning for his 6th season
Aiden Turner
Famous for: Playing Aiden Devane on ABC's All My Children
Infamous for: Nothing
Partner: Edyta Sliwinska, the only pro compete in all 10 seasons
Dancing With The Stars - Season 10 - Cast Revealed!
The celebrity cast for the next season of Dancing With The Stars is:
Buzz Aldrin, astronaut
Pamela Anderson, actress
Erin Andrews, sports anchor
Shannen Doherty, actress
Kate Gosselin, reality TV show star
Evan Lysacek, Olympic figure skater
Niecy Nash, actress and comedian
Chad Ochocinco, Cincinnati Bengals wide receiver
Jake Pavelka, The Bachelor star
Nicole Scherzinger, singer
Aiden Turner, soap star
Buzz Aldrin, astronaut
Pamela Anderson, actress
Erin Andrews, sports anchor
Shannen Doherty, actress
Kate Gosselin, reality TV show star
Evan Lysacek, Olympic figure skater
Niecy Nash, actress and comedian
Chad Ochocinco, Cincinnati Bengals wide receiver
Jake Pavelka, The Bachelor star
Nicole Scherzinger, singer
Aiden Turner, soap star
Friday, February 26, 2010
MTV's New Dance Movie! Turn The Beat Around
An ambitious young dancer convinces a wealthy financer to open a disco-themed LA nightclub, only to find her dreams of success threatened by her jealous boyfriend and her scheming nemesis. Zoe's got the moves to make it big, and Michael is the man who can make it all happen for her. But Zoe's boyfriend... Chris is a dancer too, and he's convinced that her relationship with Michael is getting too personal. When scheming dancer Malika sets her sights on Chris, everything starts to fall apart.
Air Date Friday, February 26 at 10/9c on MTV
Air Date Friday, February 26 at 10/9c on MTV
Thursday, February 25, 2010
Local Dancer Places 5th!
from postandcourier.com:
Susan Ford, longtime competitive student of the Fred Astaire Dance Studio of Charleston, attended the Ohio Star Ball in Columbus with instructor Andrey Gergel.
The Ohio Star Ball is the most prestigious ballroom competition in the United States and is one of the biggest. Thousands of competitors, both professional and amateur, attend this event each year. Ford took top honors in her events, placing fifth in the "Best of the Best" World Solo competition and fourth out of 75 competitors in the World Pro/Am Rhythm division.
Fred Astaire Dance Studios offer dance instruction through private, group and practice lessons in ballroom and Latin dance.
Susan Ford, longtime competitive student of the Fred Astaire Dance Studio of Charleston, attended the Ohio Star Ball in Columbus with instructor Andrey Gergel.
The Ohio Star Ball is the most prestigious ballroom competition in the United States and is one of the biggest. Thousands of competitors, both professional and amateur, attend this event each year. Ford took top honors in her events, placing fifth in the "Best of the Best" World Solo competition and fourth out of 75 competitors in the World Pro/Am Rhythm division.
Fred Astaire Dance Studios offer dance instruction through private, group and practice lessons in ballroom and Latin dance.
Tuesday, February 23, 2010
Pros On This Season Of Dancing With The Stars
from buddytv.com:
Lacey Schwimmer, Jonathan Roberts Not 'Dancing with the Stars' This Season
She and Mark Dacascos was one of the most enjoyable couples last season on Dancing with the Stars, so it's really too bad when fan favorite and So You Can Think You Can Dance grad Lacey Schwimmer announced via Twitter that she won't be part of this season's batch of professional dancers.
"Hey twitterbugs! I will not be doing DWTS this season. But be sure to tune in!," wrote the 21-year-old Schwimmer, who also partnered with Lance Bass and Steve-O.
Some thirty minutes later, Schwimmer added that she was also "sad" to not be part of the show's tenth season, what could have been her fourth since 2008. No reason was given for the non-return.
Another pro, Jonathan Roberts, announced - also via Twitter - that he will not be waltzing on the Dancing center stage this season. The former partner of Mary Osmond in season and Macy Gray last season, however, doesn't rule out the possibility of performing in results-night numbers, assuming they don't cut those.
As for who are actually participating, both Cheryl Burke and Derek Hough confirmed that they'll be on the show's tenth run.
"For everyone wondering if I'm doing Dancing with the Stars this season I'm...I'm Not not doing season 10...," wrote Hough, who last season made a splash partnering with model Joanna Krupa.
Karina Smirnoff has previously confirmed that she'll also be making a return, post-Aaron Carter, prompting rumors that former/estranged flame Maksim Chmerkovskiy is thinking twice of joining.
"All the feathers and sequins in the world wouldn't be able to cover the bad feeling between those two", a source previously described their tiff on the set of Burn the Floor in Broadway.
Other stars who have confirmed a reprisal of their roles are Louis Van Amstel, Chelsie Hightower, and Mark Ballas. Newcomer Damian Whitehood from the Broadway dance revue Burn The Floor is also set to make his DWTS debut.
Lacey Schwimmer, Jonathan Roberts Not 'Dancing with the Stars' This Season
She and Mark Dacascos was one of the most enjoyable couples last season on Dancing with the Stars, so it's really too bad when fan favorite and So You Can Think You Can Dance grad Lacey Schwimmer announced via Twitter that she won't be part of this season's batch of professional dancers.
"Hey twitterbugs! I will not be doing DWTS this season. But be sure to tune in!," wrote the 21-year-old Schwimmer, who also partnered with Lance Bass and Steve-O.
Some thirty minutes later, Schwimmer added that she was also "sad" to not be part of the show's tenth season, what could have been her fourth since 2008. No reason was given for the non-return.
Another pro, Jonathan Roberts, announced - also via Twitter - that he will not be waltzing on the Dancing center stage this season. The former partner of Mary Osmond in season and Macy Gray last season, however, doesn't rule out the possibility of performing in results-night numbers, assuming they don't cut those.
As for who are actually participating, both Cheryl Burke and Derek Hough confirmed that they'll be on the show's tenth run.
"For everyone wondering if I'm doing Dancing with the Stars this season I'm...I'm Not not doing season 10...," wrote Hough, who last season made a splash partnering with model Joanna Krupa.
Karina Smirnoff has previously confirmed that she'll also be making a return, post-Aaron Carter, prompting rumors that former/estranged flame Maksim Chmerkovskiy is thinking twice of joining.
"All the feathers and sequins in the world wouldn't be able to cover the bad feeling between those two", a source previously described their tiff on the set of Burn the Floor in Broadway.
Other stars who have confirmed a reprisal of their roles are Louis Van Amstel, Chelsie Hightower, and Mark Ballas. Newcomer Damian Whitehood from the Broadway dance revue Burn The Floor is also set to make his DWTS debut.
Friday, February 19, 2010
Pam Anderson Is Dancing!
From msnbc.com:
Pam Anderson reportedly set to go ‘Dancing’
LOS ANGELES - “Dancing With the Stars” may not have sorted out its co-host situation yet, but the cast is taking shape.
Confirming Internet rumors, a source close to the show tells Access Hollywood that former “Baywatch” babe Pamela Anderson will indeed strut her stuff across the ballroom for “Dancing’s” tenth season.
Anderson has been seen recently showing off her gams on the runway, having hit the catwalk at a host of fashion shows across the world in the past year, including Wednesday night at New York Fashion Week for designer Richie Rich.
But Access’s “Dancing” casting news doesn’t end there!
Access has also learned someone who has walked on the moon is set to shake their former-intergalactic groove thing in the ballroom too, the source said.
Buzz Aldrin, who was the second person to set foot on the moon, is the favorite, thanks to his regular appearances across television. Although, it still yet could be Neil Armstrong.
Buzz has appeared on “The Simpsons,” “Celebrity Jeopardy,” “NUMB3RS” and most recently, “The Price Is Right” in November 2009.
When contacted by Access Hollywood, a rep for the show said they do not comment on casting rumors.
“Our cast will be announced March 1 during ‘The Bachelor’ finale,” the rep added.
Pam Anderson reportedly set to go ‘Dancing’
LOS ANGELES - “Dancing With the Stars” may not have sorted out its co-host situation yet, but the cast is taking shape.
Confirming Internet rumors, a source close to the show tells Access Hollywood that former “Baywatch” babe Pamela Anderson will indeed strut her stuff across the ballroom for “Dancing’s” tenth season.
Anderson has been seen recently showing off her gams on the runway, having hit the catwalk at a host of fashion shows across the world in the past year, including Wednesday night at New York Fashion Week for designer Richie Rich.
But Access’s “Dancing” casting news doesn’t end there!
Access has also learned someone who has walked on the moon is set to shake their former-intergalactic groove thing in the ballroom too, the source said.
Buzz Aldrin, who was the second person to set foot on the moon, is the favorite, thanks to his regular appearances across television. Although, it still yet could be Neil Armstrong.
Buzz has appeared on “The Simpsons,” “Celebrity Jeopardy,” “NUMB3RS” and most recently, “The Price Is Right” in November 2009.
When contacted by Access Hollywood, a rep for the show said they do not comment on casting rumors.
“Our cast will be announced March 1 during ‘The Bachelor’ finale,” the rep added.
Thursday, February 18, 2010
DWTS News!
US star Brooke Burke is in talks to become the new host of Dancing with the Stars.
The 38-year-old TV personality, who won the seventh season of the show, is in the running to take over from Samantha Harris to co-host the show alongside Tom Bergeron.
Burke, who hosted E! show Wild On, wrote on Twitter: 'The news about me hosting DWTS is true. I am screen testing next week for the job, fingers crossed! It would be amazing 2 be back!'
The new group of contestants for the upcoming series will be announced on March 1 before the next season starts on March 22.
The 38-year-old TV personality, who won the seventh season of the show, is in the running to take over from Samantha Harris to co-host the show alongside Tom Bergeron.
Burke, who hosted E! show Wild On, wrote on Twitter: 'The news about me hosting DWTS is true. I am screen testing next week for the job, fingers crossed! It would be amazing 2 be back!'
The new group of contestants for the upcoming series will be announced on March 1 before the next season starts on March 22.
Dancing Classrooms
From tonic.com:
Dancing Classrooms Teaches Kids to Take a Bow
By Lisa Germinsky
The real-life inspiration behind Mad Hot Ballroom and Take the Lead teaches kids from the Bronx that ballroom dancing is more than a series of steps.
"Elegance! I have wonderful guests here watching. I need elegance!" This is what Pierre Dulaine, ballroom dancer extraordinaire, asks of students from MS 224 in the Bronx. And elegance he gets.
As he effortlessly steals the attention and respect of nearly 100 eighth-graders — not an easy thing for most adults to do — it's hard to imagine Pierre Dulaine as anything but entertaining and engaging. After all, Dulaine and his dancing partner, Yvonne Marceau, were world-renowned ballroom dancers long before the explosion of Dancing With The Stars brought ballroom into living rooms all across America. They are 4-time winners of the British Exhibition Championships. They created Dancing Classrooms, the program that has these 100 kids from the Bronx (and thousands internationally) locking arms with one another and moving, politely, to the music — a program that earned the pair the 2005 Americans for the Arts Award for Education. They even inspired two films: the documentary Mad Hot Ballroom and the Antonio Banderas feature, Take the Lead.
However, when you ask the world-renowned Dulaine how it all began, he leads with, "I was shy ... can you believe that?"
No, actually.
He continues, "I picked up dancing when I was 14 years old … One of my friends went to [dance] school, then I started there and liked it very much." And as they say, the rest is history.
But the longer I watch him interact with these very respectful 13-year-olds, practicing the Waltz of all things, I begin to see the transformative powers of ballroom dancing.
Dulaine plays a few beats of a song and asks, "What's this?" Immediately and in unison the children respond, "Salsa!" He then gives them 10 seconds to get into formation and begins counting backwards. In under four seconds they are standing face-to-face with their partners in a very well-formed circle. Although this is their first lesson with the highly regarded Pierre, it is their 9th lesson in total, and when he begins calling out the steps, they know exactly what he's talking about. After a bit more practice, he cues up the song and lets them go at it. Frankly, it's impressive.
When the song ends and they return to their chairs surrounding the dance floor, Dulaine offers positive reinforcement and congratulates the kids on a job well done. In between his joking and self-depricating humor (he uses the expression "exsqueeze me" when he must repeat things more than once), he explains, "This is all about being polite and respectful to, and with each other." He goes on to spell out the next portion of the days events, which include sharing a meal of sorts. But there will be no mad dash to the table covered in juice boxes and chips. This is yet another exercise in manners. In small groups, boys escort the girls (hand on elbow and all) to the snack area. They return as couples, holding their snacks and take their seats.
Rooted in Giving Back
The roots of Dancing Classrooms can be traced to the early 1980s, when Dulaine and Marceau began to spread their ballroom-dance majesty from Broadway to Hollywood.
In 1984, the pair teamed up with Otto Cappel and founded the American Ballroom Theater Company (ABrT). While working on Broadway in Tommy Tune's Grand Hotel (roles for which they received the 1989-1990 Astaire Award for Best Dancing on Broadway), Dulaine says he found himself with extra time during the days and wanted to give something back. He began volunteering his time working with kids, and in 1994 established the educational nonprofit arm of ABrT, Dancing Classrooms.
Mad Hot Ballroom and Take The Lead are the factual and fictional portrayals of this educational program Dulaine and Marceau created to help bring social awareness, confidence and self-esteem to children through ballroom dance.
At the heart of the program is Dulaine's acute sensitivity to the notion that what he teaches on the dance floor holds potentially positive, long-lasting implications off the dance floor. And with locations in Geneva, Toronto, England and 17 US cities, Dancing Classrooms touches the lives of children around the globe on many levels. During 2008-2009 alone, they taught 40,500 kids in over 400 schools.
As might be expected, the kids weren't thrilled at the prospect of ballroom dance at first, but with his very upfront approach, Pierre has made converts of them all. Student Kiana Rodriguez says, "It's a good way to incorporate manners into something fun." In addition to grasping this over-arching message, many of the kids appreciate the additional benefits. Eighth-grader Eric Davis, whose favorite dance is the Salsa — thanks to "the energy and the form and everything," he notes — says, "It's very, very, very fun and it takes away stress."
The kids' instructor, George, talks about the changes he gets to witness on a regular basis. "You couldn’t get some of these kids to dance with each other and rotate and be respectful. They’re all wanting to play around with their friends and they’ll throw each other around, but no. At least for my class they’re pretty elegant, they’re pretty respectful," he says.
Giving kids a safe space to practice new behavior helps foster entirely new levels of relationships, which they can bring to all areas of their lives. "One of the assignments I gave them this semester was on Valentine’s Day," George says: "'Please write a dance invitation to your mom, dad, grandparents, whoever.' And so I’ll get those [invitations] back and look at them and it’s like, 'Wow, you know, they get it.' They’ll forget the steps two weeks from now, but you know they’ll remember a lot more than that."
Lasting Impressions
The practical implications of the Tango and the Waltz extend beyond manners and inter-personal skills. Many Dancing Classroom initiatives are based in low-income communities where kids are in particular need of attention and guidance. Many endure challenges on a day-to-day basis that most people never even imagine.
Dancing Classrooms Teaches Kids to Take a Bow
By Lisa Germinsky
The real-life inspiration behind Mad Hot Ballroom and Take the Lead teaches kids from the Bronx that ballroom dancing is more than a series of steps.
"Elegance! I have wonderful guests here watching. I need elegance!" This is what Pierre Dulaine, ballroom dancer extraordinaire, asks of students from MS 224 in the Bronx. And elegance he gets.
As he effortlessly steals the attention and respect of nearly 100 eighth-graders — not an easy thing for most adults to do — it's hard to imagine Pierre Dulaine as anything but entertaining and engaging. After all, Dulaine and his dancing partner, Yvonne Marceau, were world-renowned ballroom dancers long before the explosion of Dancing With The Stars brought ballroom into living rooms all across America. They are 4-time winners of the British Exhibition Championships. They created Dancing Classrooms, the program that has these 100 kids from the Bronx (and thousands internationally) locking arms with one another and moving, politely, to the music — a program that earned the pair the 2005 Americans for the Arts Award for Education. They even inspired two films: the documentary Mad Hot Ballroom and the Antonio Banderas feature, Take the Lead.
However, when you ask the world-renowned Dulaine how it all began, he leads with, "I was shy ... can you believe that?"
No, actually.
He continues, "I picked up dancing when I was 14 years old … One of my friends went to [dance] school, then I started there and liked it very much." And as they say, the rest is history.
But the longer I watch him interact with these very respectful 13-year-olds, practicing the Waltz of all things, I begin to see the transformative powers of ballroom dancing.
Dulaine plays a few beats of a song and asks, "What's this?" Immediately and in unison the children respond, "Salsa!" He then gives them 10 seconds to get into formation and begins counting backwards. In under four seconds they are standing face-to-face with their partners in a very well-formed circle. Although this is their first lesson with the highly regarded Pierre, it is their 9th lesson in total, and when he begins calling out the steps, they know exactly what he's talking about. After a bit more practice, he cues up the song and lets them go at it. Frankly, it's impressive.
When the song ends and they return to their chairs surrounding the dance floor, Dulaine offers positive reinforcement and congratulates the kids on a job well done. In between his joking and self-depricating humor (he uses the expression "exsqueeze me" when he must repeat things more than once), he explains, "This is all about being polite and respectful to, and with each other." He goes on to spell out the next portion of the days events, which include sharing a meal of sorts. But there will be no mad dash to the table covered in juice boxes and chips. This is yet another exercise in manners. In small groups, boys escort the girls (hand on elbow and all) to the snack area. They return as couples, holding their snacks and take their seats.
Rooted in Giving Back
The roots of Dancing Classrooms can be traced to the early 1980s, when Dulaine and Marceau began to spread their ballroom-dance majesty from Broadway to Hollywood.
In 1984, the pair teamed up with Otto Cappel and founded the American Ballroom Theater Company (ABrT). While working on Broadway in Tommy Tune's Grand Hotel (roles for which they received the 1989-1990 Astaire Award for Best Dancing on Broadway), Dulaine says he found himself with extra time during the days and wanted to give something back. He began volunteering his time working with kids, and in 1994 established the educational nonprofit arm of ABrT, Dancing Classrooms.
Mad Hot Ballroom and Take The Lead are the factual and fictional portrayals of this educational program Dulaine and Marceau created to help bring social awareness, confidence and self-esteem to children through ballroom dance.
At the heart of the program is Dulaine's acute sensitivity to the notion that what he teaches on the dance floor holds potentially positive, long-lasting implications off the dance floor. And with locations in Geneva, Toronto, England and 17 US cities, Dancing Classrooms touches the lives of children around the globe on many levels. During 2008-2009 alone, they taught 40,500 kids in over 400 schools.
As might be expected, the kids weren't thrilled at the prospect of ballroom dance at first, but with his very upfront approach, Pierre has made converts of them all. Student Kiana Rodriguez says, "It's a good way to incorporate manners into something fun." In addition to grasping this over-arching message, many of the kids appreciate the additional benefits. Eighth-grader Eric Davis, whose favorite dance is the Salsa — thanks to "the energy and the form and everything," he notes — says, "It's very, very, very fun and it takes away stress."
The kids' instructor, George, talks about the changes he gets to witness on a regular basis. "You couldn’t get some of these kids to dance with each other and rotate and be respectful. They’re all wanting to play around with their friends and they’ll throw each other around, but no. At least for my class they’re pretty elegant, they’re pretty respectful," he says.
Giving kids a safe space to practice new behavior helps foster entirely new levels of relationships, which they can bring to all areas of their lives. "One of the assignments I gave them this semester was on Valentine’s Day," George says: "'Please write a dance invitation to your mom, dad, grandparents, whoever.' And so I’ll get those [invitations] back and look at them and it’s like, 'Wow, you know, they get it.' They’ll forget the steps two weeks from now, but you know they’ll remember a lot more than that."
Lasting Impressions
The practical implications of the Tango and the Waltz extend beyond manners and inter-personal skills. Many Dancing Classroom initiatives are based in low-income communities where kids are in particular need of attention and guidance. Many endure challenges on a day-to-day basis that most people never even imagine.
My Golden Dancers
The Good Samaritan, The Furniture Owner and The Cardiologist
By Elita Sohmer Clayman
I was 44 when I started taking ballroom dance lesson and a year or so later competed as an amateur with my pro teacher, the professional. It was called pro-am. Before I danced in that category, I appeared at the dance studio in a fancy cocktail dress and danced before dancers at the studio. Many I knew, others I did not. While I was dancing and very nervous to be that age and dancing before a crowd, one of the patrons there, a very obnoxious fellow named Pat, yelled out "smile, baby smile." I heard that and felt peculiar, but I smiled.
A few months later, my pro teacher and I danced in a competition in Cherry Hill, New Jersey. I was among about eight couples and came in sixth which was pretty good for the first experience competing.
A year so so later, I went with my husband and this coach to Florida and danced there in seven heats as they are called and won five trophies. I was so excited and when I came home I displayed my five on specially built shelves in the kitchen. I dust them every week. Now I have fifty-eight trophies and medals and certificates.
When we came home from Florida, I wrapped my five trophies in towels. They checked our carry-on luggage and from the bag they were in, they looked like guns or rifles. The checker opened each towel and saw they were trophies, looked at me and smiled and let me go forward.
Winning gives you more confidence in your dancing abilities and is a great ego enhancement for your mind and body and soul. I continued to take ballroom dance lessons long before the craze that has now hit the country from the dancing shows on now.
We ballroom dancers knew back then in the seventies and eighties that ballroom dancing excites the brain, stimulates the brain and causes adoration in one's heart for having accomplished this great feat.
No pun intended but the feat stimulates the feet to move and to be active and to create.
Creating is what it is all about and now thirty years later, I am so proud that I took up this 'hobby.' Not only does it elevate one's self to feel proud but it invigorates and stimulates your personal growth and lights a fire under you, a good fire that warms your entire being and keeps the mind enlivened and refreshed.
Watching a television old movie on the Lifetime Channel recently I was interested in the unusual storyline. A young mother was dying and her 12-year-old son went to a department store on Christmas Eve to buy his mom a pair of red shoes. He wanted her to have new shoes when she met God and danced up in heaven. He was short five dollars, and the customer behind him paid the five dollars for the child. He told the good Samaritan that he would pay him back someday.
Many years later, the good Samaritan was in the cemetery visiting his own mom's grave and there was a young fellow visiting his mom's grave. They chatted and when the young man walked away you saw the red pair of shoes on the grave. The older man realized that this was the kid from the department store whom he had given five dollars. The red shoes were a symbol of one person helping another person in time of need and then that person goes on to help others.
The sweetness of the child in wanting his mom presented to God so she could dance before him brings to mind that when we dance, we dance mainly for ourselves and our selfesteem.
The cardiologist that I went to yesterday for a checkup told me that my losing the seventy pounds this year along with Weight Watchers guidance was a marvelous thing not only for my health but for my self esteem. So when we accomplish difficult activities like losing weight, learning to dance or maybe volunteering for a special event, then that elevates our own self esteem.
As Weight Watcher leaders say at the weekly lecture, just walking into the door of the room where the weekly meeting takes place is an accomplishment and a victory. To heavy people going the first time, there is a great beginning of a long journey into absolute fulfillment and attainment. So too is coming into a studio or hall where you are going to try and learn to dance and you are so scared and apprehensive.
A furniture store owner once told me the following. I was having trouble placing the furniture I bought from him in his retail store and he came out himself to check the bedroom over. He showed me how to make the furniture fit and look good in the room. I thanked him and wanted to compensate him for his time. He replied, "Do a mitzvah for someone else and then tell him to do a mitzvah for someone else and you will be amazed at the good you have accomplished. No money is necessary." I never forgot his words and try to live by them.
You do not need to buy someone a pair of dance shoes as the young boy did, you need only to enhance someone's life to go out and dance. Elizabeth Barrett Browning wrote: "How do I love thee, let me count the ways." We can apply that to ourselves by saying "How do I love dancing, let me count the ways." One of the ways is to always inspire others to do this too. Instill in them that they have the spirit to conquer any fears they have at any age to begin this journey into self esteem, accomplishment and happiness. Dance brings all of that to our lives every day that we participate in it.
Keep on dancing
By Elita Sohmer Clayman
I was 44 when I started taking ballroom dance lesson and a year or so later competed as an amateur with my pro teacher, the professional. It was called pro-am. Before I danced in that category, I appeared at the dance studio in a fancy cocktail dress and danced before dancers at the studio. Many I knew, others I did not. While I was dancing and very nervous to be that age and dancing before a crowd, one of the patrons there, a very obnoxious fellow named Pat, yelled out "smile, baby smile." I heard that and felt peculiar, but I smiled.
A few months later, my pro teacher and I danced in a competition in Cherry Hill, New Jersey. I was among about eight couples and came in sixth which was pretty good for the first experience competing.
A year so so later, I went with my husband and this coach to Florida and danced there in seven heats as they are called and won five trophies. I was so excited and when I came home I displayed my five on specially built shelves in the kitchen. I dust them every week. Now I have fifty-eight trophies and medals and certificates.
When we came home from Florida, I wrapped my five trophies in towels. They checked our carry-on luggage and from the bag they were in, they looked like guns or rifles. The checker opened each towel and saw they were trophies, looked at me and smiled and let me go forward.
Winning gives you more confidence in your dancing abilities and is a great ego enhancement for your mind and body and soul. I continued to take ballroom dance lessons long before the craze that has now hit the country from the dancing shows on now.
We ballroom dancers knew back then in the seventies and eighties that ballroom dancing excites the brain, stimulates the brain and causes adoration in one's heart for having accomplished this great feat.
No pun intended but the feat stimulates the feet to move and to be active and to create.
Creating is what it is all about and now thirty years later, I am so proud that I took up this 'hobby.' Not only does it elevate one's self to feel proud but it invigorates and stimulates your personal growth and lights a fire under you, a good fire that warms your entire being and keeps the mind enlivened and refreshed.
Watching a television old movie on the Lifetime Channel recently I was interested in the unusual storyline. A young mother was dying and her 12-year-old son went to a department store on Christmas Eve to buy his mom a pair of red shoes. He wanted her to have new shoes when she met God and danced up in heaven. He was short five dollars, and the customer behind him paid the five dollars for the child. He told the good Samaritan that he would pay him back someday.
Many years later, the good Samaritan was in the cemetery visiting his own mom's grave and there was a young fellow visiting his mom's grave. They chatted and when the young man walked away you saw the red pair of shoes on the grave. The older man realized that this was the kid from the department store whom he had given five dollars. The red shoes were a symbol of one person helping another person in time of need and then that person goes on to help others.
The sweetness of the child in wanting his mom presented to God so she could dance before him brings to mind that when we dance, we dance mainly for ourselves and our selfesteem.
The cardiologist that I went to yesterday for a checkup told me that my losing the seventy pounds this year along with Weight Watchers guidance was a marvelous thing not only for my health but for my self esteem. So when we accomplish difficult activities like losing weight, learning to dance or maybe volunteering for a special event, then that elevates our own self esteem.
As Weight Watcher leaders say at the weekly lecture, just walking into the door of the room where the weekly meeting takes place is an accomplishment and a victory. To heavy people going the first time, there is a great beginning of a long journey into absolute fulfillment and attainment. So too is coming into a studio or hall where you are going to try and learn to dance and you are so scared and apprehensive.
A furniture store owner once told me the following. I was having trouble placing the furniture I bought from him in his retail store and he came out himself to check the bedroom over. He showed me how to make the furniture fit and look good in the room. I thanked him and wanted to compensate him for his time. He replied, "Do a mitzvah for someone else and then tell him to do a mitzvah for someone else and you will be amazed at the good you have accomplished. No money is necessary." I never forgot his words and try to live by them.
You do not need to buy someone a pair of dance shoes as the young boy did, you need only to enhance someone's life to go out and dance. Elizabeth Barrett Browning wrote: "How do I love thee, let me count the ways." We can apply that to ourselves by saying "How do I love dancing, let me count the ways." One of the ways is to always inspire others to do this too. Instill in them that they have the spirit to conquer any fears they have at any age to begin this journey into self esteem, accomplishment and happiness. Dance brings all of that to our lives every day that we participate in it.
Keep on dancing
Dancing Tips...On Body Posture
By Stanley McCalla, Dance Board member and examiner, National Champion and adjudicatorDear Students,
Hope everything is well with you and that you are having a great time learning and improving your dancing.
If you intend to participate in the next regional or national competition, I would urge you to read this following tip, which could make a positive difference in your performance.
I am talking about the importance of using correct body posture, whether you’re a beginner, intermediate, or advanced dancer, learning Rhythm, Smooth, Latin, Standard, or Theater Arts.
Good body carriage will enhance your balance and/or body rhythm. You will experience faster improvement and will be pleasantly viewed by your peers and any audience.
To me, posture translates to vertical alignment of the spine from the pelvis to the head. There should be a feeling of a straight line from the pelvis to the top of the skull. To achieve that, one must tone the muscles of the stomach in order to hold the pelvis under the body. The shoulders should be lined up with the rib cage and the hips. The seat bone should be pointed directly to the floor between the feet. Please note that the hip joints should remain relaxed. If they are tensed, there’s stiffness and if there’s rigidity, one cannot dance.
Before getting a lesson or practice, you should take a few minutes by yourself and put into practice the body alignment mentioned above. It’s probably a good idea to also talk to your teacher about it if you have any questions.
The above exercises work all the time when put in use… So don’t wait any longer and take the first step toward improving your dancing.
Until next time, happy dancing!
Ballroom Dancing For The Dogs!
The topped-ranked Fred Astaire Dance Studio in Buffalo Grove went to the dogs...and cats..during its Day for Animals fundraiser on Saturday, February 20, to benefit the American Society for the Prevention of Cruelty to Animals (ASPCA).It was a chance to ChaCha for Chihuahuas, Tango for a Tabby, or Mambo for mutts. That day, the studio -- ranked top and fasting growing studio in the 140-location Fred Astaire organization -- donated the full cost of all lessons to ASPCA. In addition, the studio also offered a special Beginners Group Lesson at 5:45 p.m. that day, and turned over the suggested donation of $25 and up directly to ASPCA.
"It was a chance for those with 'two left feet' to help out the four-legged crowd, while having fun learning to dance along the way," said Jesse DeSoto, who with partner Jackie Josephs, operates the popular Fred Astaire Dance Studio at 404 West Half Day Road, in Buffalo Grove, Illinois.
Area businesses also stepped forward to help, providing goodie bags filled with products, gift certificates and passes, as well as snacks and refreshments for all participants. All participants were eligible to enter a special drawing for a pair of tickets to The 101 Dalmatians Musical, running February 16-28 at the Cadillac Palace Theatre, Chicago.
Zumba For Kids!
From newstimes.com:
Kids can Zumba, too
Brookfield (Wisconsin) dance studio offers class specifically designed for children
By Sandra Diamond Fox
"Come Mr. DJ song pon de replay
Come Mr. DJ, won't you turn the music up?
It goes 1 by 1, even 2 by 2.
Everybody in the floor let me show you how we do."
On a recent Friday afternoon at the Fred Astaire Dance Studio on Old State Road in Brookfield, about half a dozen boys and girls were moving their arms and legs to the beat of "Pon de Replay," the hit hip-hop song by artist Rihanna.
The students were taking ZumbAtomic, the new Zumba class for kids ages 7 and up.
ZumbAtomic has the same elements as adult Zumba, which combines Latin dance moves with aerobics, said Lynda Muir, 44, of Brookfield, a certified Zumba instructor and overseer of the studio's fitness classes. The only difference is that it has been specially designed with young people in mind.
Each song during the 45-minute class is limited to only three or four easy-to-follow dance moves. Prior to each new song, "we take a minute to go over the steps we'll be doing to make sure everyone understands them," said ZumbAtomic instructor Kiersten Lynch, 15, who is teaching the class.
Students learn steps from salsa, samba, cha cha, and swing dances. The class also incorporates tap dancing and drum moves, as well as moves from "The Hand Jive" and "The Shuffle"
"If you like to dance, this is a great class to take," said student Adriana Mercaldo, 9, of Brookfield, who also studies tap, lyrical and jazz dance.
Adriana said she finds the most challenging part of the class to be "learning the steps and trying to get them right."
"This class is a lot of fun. You can jump around and be with your friends," said 11-year-old Patrick Rynkiewicz of New Milford, who also takes karate and skiing. "Whenever my face turns red, I know I've worked up a sweat."
"A class like this provides kids with a great way to develop coordination. It keeps them healthy and teaches them responsibility, because they have to follow the teacher and be sure to arrive on time," said Patrick's father, Sal Rynkiewicz.
"One of the best benefits of the class is getting Patrick away from the computer," he added.
Aside from "Pon De Replay," other popular songs played in ZumbAtomic include "Say Hey" by Michael Franti, "Who let the dogs out" by Baha Men; "Cupid Shuffle" by Cupid; and "Candyman" by Christina Aguilera.
Zane Lynch, 12, said he likes ZumbAtomic because he is able to do the moves by himself.
"This is my third class, and I've already noticed I don't get tired as easily in my gym class at school. I can do sprints easier," he said. "This class really builds up my endurance. The more I do it, the easier it gets."
Unlike aerobics classes, which tend to be dominated by females,
"ZumbAtomic has attracted both boys and girls equally because of the hip-hop element to it. It provides a great cardiovascular workout, and the kids get so into it. I try to incorporate a new move with each class," said Kiersten, a Newtown resident.
Eventually, Kiersten said, she plans to "get the kids involved in doing some of the choreography for each song, so they'll feel like they're part of the routine."
The ZumbAtomic program was launched in September at the Zumba Convention 2009 in Orlando, Fla.
Kiersten said she knew the class would be a hit "after watching so many kids see their parents taking Zumba and hearing them say that it looks like fun."
"Just like the adults," Muir said, "the kids can shake it too."
Kids can Zumba, too
Brookfield (Wisconsin) dance studio offers class specifically designed for children
By Sandra Diamond Fox
"Come Mr. DJ song pon de replay
Come Mr. DJ, won't you turn the music up?
It goes 1 by 1, even 2 by 2.
Everybody in the floor let me show you how we do."
On a recent Friday afternoon at the Fred Astaire Dance Studio on Old State Road in Brookfield, about half a dozen boys and girls were moving their arms and legs to the beat of "Pon de Replay," the hit hip-hop song by artist Rihanna.
The students were taking ZumbAtomic, the new Zumba class for kids ages 7 and up.
ZumbAtomic has the same elements as adult Zumba, which combines Latin dance moves with aerobics, said Lynda Muir, 44, of Brookfield, a certified Zumba instructor and overseer of the studio's fitness classes. The only difference is that it has been specially designed with young people in mind.
Each song during the 45-minute class is limited to only three or four easy-to-follow dance moves. Prior to each new song, "we take a minute to go over the steps we'll be doing to make sure everyone understands them," said ZumbAtomic instructor Kiersten Lynch, 15, who is teaching the class.
Students learn steps from salsa, samba, cha cha, and swing dances. The class also incorporates tap dancing and drum moves, as well as moves from "The Hand Jive" and "The Shuffle"
"If you like to dance, this is a great class to take," said student Adriana Mercaldo, 9, of Brookfield, who also studies tap, lyrical and jazz dance.
Adriana said she finds the most challenging part of the class to be "learning the steps and trying to get them right."
"This class is a lot of fun. You can jump around and be with your friends," said 11-year-old Patrick Rynkiewicz of New Milford, who also takes karate and skiing. "Whenever my face turns red, I know I've worked up a sweat."
"A class like this provides kids with a great way to develop coordination. It keeps them healthy and teaches them responsibility, because they have to follow the teacher and be sure to arrive on time," said Patrick's father, Sal Rynkiewicz.
"One of the best benefits of the class is getting Patrick away from the computer," he added.
Aside from "Pon De Replay," other popular songs played in ZumbAtomic include "Say Hey" by Michael Franti, "Who let the dogs out" by Baha Men; "Cupid Shuffle" by Cupid; and "Candyman" by Christina Aguilera.
Zane Lynch, 12, said he likes ZumbAtomic because he is able to do the moves by himself.
"This is my third class, and I've already noticed I don't get tired as easily in my gym class at school. I can do sprints easier," he said. "This class really builds up my endurance. The more I do it, the easier it gets."
Unlike aerobics classes, which tend to be dominated by females,
"ZumbAtomic has attracted both boys and girls equally because of the hip-hop element to it. It provides a great cardiovascular workout, and the kids get so into it. I try to incorporate a new move with each class," said Kiersten, a Newtown resident.
Eventually, Kiersten said, she plans to "get the kids involved in doing some of the choreography for each song, so they'll feel like they're part of the routine."
The ZumbAtomic program was launched in September at the Zumba Convention 2009 in Orlando, Fla.
Kiersten said she knew the class would be a hit "after watching so many kids see their parents taking Zumba and hearing them say that it looks like fun."
"Just like the adults," Muir said, "the kids can shake it too."
Friday, February 12, 2010
MN FADS Dancers Judged by DWTS Champion Kym Johnson!
Season 10 of Dancing With The Stars begins on March 22 but before the intense training required to prepare for the show began, Season 9 champion Kym Johnson (Donny Osmond’s partner) visited Minnesota and Fred Astaire Dance Studios were invited to perform at the show!
Have you ever watched Dancing With The Stars and wondered if you could do that? Local students and professional dancers Josiah Lanska, Dan Poitras, Sandy Haydon, Winston Fine, Chad Lessard, Joanna Lessard, Kristina Lee and Jessica Restivo from the Rochester and Inver Grove Heights studios in MN proved they could on January 30 at the Minneapolis Convention Center Women’s Expo. Students and teachers danced in front of a live audience and Kym evaluated each routine giving her comments just like the judges on the TV show. The eight performers ranged in experience from brand-new beginners to seasoned professionals. They were glad to find that she was gentler in her evaluations than DWTS judge Len Goodman!
Josiah Lanska and his instructor Jessica Restivo performed a Rumba. Kym was very impressed with their performance, especially given Josiah’s lack of dance experience. He just started dancing two months ago! Dan Poitras and his instructor Kristina Lee danced a Waltz which Kym said was very expressive of the elegant style of the dance. Sandy Haydon and her instructor Winston Fine performed a Rumba which they have danced several times in area shows and competitions. Kym was very impressed with their performance, commenting on how flexible Sandy was, especially for her age and lack of lifelong dance experience. Sandy is in her 50s and didn’t start dancing until a year and a half ago! The professional dancers performed a variety of routines including the Tango, the Viennese Waltz, the Rumba and the Salsa. Later in the day Kym taught a lesson on stage in two different dances, the Cha Cha and the Jive, and asked Kristina and Winston to perform the Cha Cha and Kristina and Chad to perform the Jive to demonstrate for her class. The event also featured an interview with Kym on Twin Cities Live.
http://twincitieslive.com/article/day/S20100201.shtml?cat=10699&v=192950
Have you ever watched Dancing With The Stars and wondered if you could do that? Local students and professional dancers Josiah Lanska, Dan Poitras, Sandy Haydon, Winston Fine, Chad Lessard, Joanna Lessard, Kristina Lee and Jessica Restivo from the Rochester and Inver Grove Heights studios in MN proved they could on January 30 at the Minneapolis Convention Center Women’s Expo. Students and teachers danced in front of a live audience and Kym evaluated each routine giving her comments just like the judges on the TV show. The eight performers ranged in experience from brand-new beginners to seasoned professionals. They were glad to find that she was gentler in her evaluations than DWTS judge Len Goodman!
Josiah Lanska and his instructor Jessica Restivo performed a Rumba. Kym was very impressed with their performance, especially given Josiah’s lack of dance experience. He just started dancing two months ago! Dan Poitras and his instructor Kristina Lee danced a Waltz which Kym said was very expressive of the elegant style of the dance. Sandy Haydon and her instructor Winston Fine performed a Rumba which they have danced several times in area shows and competitions. Kym was very impressed with their performance, commenting on how flexible Sandy was, especially for her age and lack of lifelong dance experience. Sandy is in her 50s and didn’t start dancing until a year and a half ago! The professional dancers performed a variety of routines including the Tango, the Viennese Waltz, the Rumba and the Salsa. Later in the day Kym taught a lesson on stage in two different dances, the Cha Cha and the Jive, and asked Kristina and Winston to perform the Cha Cha and Kristina and Chad to perform the Jive to demonstrate for her class. The event also featured an interview with Kym on Twin Cities Live.
http://twincitieslive.com/article/day/S20100201.shtml?cat=10699&v=192950
Thursday, February 11, 2010
The Benefits Of Dance
By Millie Dhirmalani, owner of the Fred Astaire Dance Studio in Princeton, NJ
Contact Information:
Phone: (201) 452-7227
Email: millie@fredastaireprinceton.com
On Friday January 22, 2010 at 7:00 p.m., professional ballroom dancer, Tony Dovolani, from the hit show Dancing with the Stars visited our studio to perform a special dance showcase with Snejana Petrova. This was a great opportunity to see those professionals perform live, along with participating in a group class taught Tony himself.
Sure, dancing is fun...
But do you know how much you can benefit from this activity?
Over the years, it has been proven that dance is more than an art but a leading sport. Now with Ballroom and Latin dancing being more popular than ever and with professionals in the constant spotlight, we find ourselves very fortunate to have the opportunity for these professionals to teach and coach in our area.
From the first time you walk onto the dance floor at the Fred Astaire Dance Studio in Princeton, you will feel a difference in your life. Many studies have proven how the art of dance can help improve your mind, body, and sense of well being. At this professional ballroom and Latin dance studio, students are raving about how dancing has helped change their life. Doug states, “I was a Navy Seal and thought I was in the best shape of my life, but since I started ballroom dancing, I have never felt better and been more toned.”
By dancing, your body endures a wide array of movements, involving an increase in range of motion, and the more you dance, the more your muscles will flex and extend. Most forms of dancing involve a series of bending and stretching resulting in an increase in general flexibility throughout your body. By increasing your flexibility, you are also conditioning your body to prevent future injuries.
As you progress through your ballroom and Latin dance experience, your body begins to respond to the changes you are asking of it, for example, increasing your stamina and making the best use of your muscles and joints. Soon, you will find yourself able to dance for longer periods of time without feeling exhausted.
Because dance uses a myriad of muscle groups, you can expect your body to get toned in ways that just might surprise you. Most people associate strength and toning with the gym, but many people forget that your own body can act as its own weight for your muscles. From dipping and turning to mastering the Latin figure eight, you utilize all major muscles group including legs, arms, back and core.
As a result, when your back, neck, and abdominal muscles strengthen, you can expect your posture to improve also. When you find yourself standing taller and sitting straighter you will realize how much dance has helped you improve your posture, balance and poise. All of these things, paired with stronger leg muscles, help to improve your overall balance. Remember, with a healthy new posture comes greater confidence and agility.
Lastly, dance has also become, essentially one of the magic remedies for redirecting one's focus. If you're concerned about work, your family or your massive to-do list, while you are dancing, your worries seem to disappear. The social benefits of dance have also had a hand in decreasing stress. As you build friendships and participate in the group activities, this promotes relaxation and confidence throughout your life.
Finally, dancing can bestow upon you an incredible sense of well being. Studies have shown that strong social ties and socializing with friends contribute to high self-esteem and a positive outlook on life. Susan, one of our first students to join our studio, states, “From the moment I walked in the door, I felt welcome at this studio, and the benefits I’ve experienced are countless. I have never felt better, emotionally, in my life than now!!!”
Contact Information:
Phone: (201) 452-7227
Email: millie@fredastaireprinceton.com
On Friday January 22, 2010 at 7:00 p.m., professional ballroom dancer, Tony Dovolani, from the hit show Dancing with the Stars visited our studio to perform a special dance showcase with Snejana Petrova. This was a great opportunity to see those professionals perform live, along with participating in a group class taught Tony himself.
Sure, dancing is fun...
But do you know how much you can benefit from this activity?
Over the years, it has been proven that dance is more than an art but a leading sport. Now with Ballroom and Latin dancing being more popular than ever and with professionals in the constant spotlight, we find ourselves very fortunate to have the opportunity for these professionals to teach and coach in our area.
From the first time you walk onto the dance floor at the Fred Astaire Dance Studio in Princeton, you will feel a difference in your life. Many studies have proven how the art of dance can help improve your mind, body, and sense of well being. At this professional ballroom and Latin dance studio, students are raving about how dancing has helped change their life. Doug states, “I was a Navy Seal and thought I was in the best shape of my life, but since I started ballroom dancing, I have never felt better and been more toned.”
By dancing, your body endures a wide array of movements, involving an increase in range of motion, and the more you dance, the more your muscles will flex and extend. Most forms of dancing involve a series of bending and stretching resulting in an increase in general flexibility throughout your body. By increasing your flexibility, you are also conditioning your body to prevent future injuries.
As you progress through your ballroom and Latin dance experience, your body begins to respond to the changes you are asking of it, for example, increasing your stamina and making the best use of your muscles and joints. Soon, you will find yourself able to dance for longer periods of time without feeling exhausted.
Because dance uses a myriad of muscle groups, you can expect your body to get toned in ways that just might surprise you. Most people associate strength and toning with the gym, but many people forget that your own body can act as its own weight for your muscles. From dipping and turning to mastering the Latin figure eight, you utilize all major muscles group including legs, arms, back and core.
As a result, when your back, neck, and abdominal muscles strengthen, you can expect your posture to improve also. When you find yourself standing taller and sitting straighter you will realize how much dance has helped you improve your posture, balance and poise. All of these things, paired with stronger leg muscles, help to improve your overall balance. Remember, with a healthy new posture comes greater confidence and agility.
Lastly, dance has also become, essentially one of the magic remedies for redirecting one's focus. If you're concerned about work, your family or your massive to-do list, while you are dancing, your worries seem to disappear. The social benefits of dance have also had a hand in decreasing stress. As you build friendships and participate in the group activities, this promotes relaxation and confidence throughout your life.
Finally, dancing can bestow upon you an incredible sense of well being. Studies have shown that strong social ties and socializing with friends contribute to high self-esteem and a positive outlook on life. Susan, one of our first students to join our studio, states, “From the moment I walked in the door, I felt welcome at this studio, and the benefits I’ve experienced are countless. I have never felt better, emotionally, in my life than now!!!”
Monday, February 08, 2010
Important News From Fred Astaire Dance Studios D.C.
Fred Astaire DC Announces The School will be closed Monday Feb. 8th, 2010
Unfortunately due to the inclement weather that the Washington D.C. area received this past weekend the studio will not be open until Tuesday Feb. 9th, 2010. Many neighborhoods are still not plowed along with many roads. We thank you for your understanding, and hope to see everyone on Tuesday. Be safe and stay warm.
Thank You,Fred Astaire Staff
Unfortunately due to the inclement weather that the Washington D.C. area received this past weekend the studio will not be open until Tuesday Feb. 9th, 2010. Many neighborhoods are still not plowed along with many roads. We thank you for your understanding, and hope to see everyone on Tuesday. Be safe and stay warm.
Thank You,Fred Astaire Staff
Dancing On Wheels & Brian Fortuna
From dailymail.co.uk:
Strictly come rolling... The secret passion of BRIAN FORTUNA
By Brian
Gliding around the dance floor to Sinatra's The Way You Look Tonight, the Olympic swimmer Mark Foster and his dance partner Diana Morgan-Hill wowed the judges with their graceful foxtrot.
While Mark, a close friend of mine since he performed in Strictly Come Dancing, looked elegant in tails, Diana, a 49-year-old magazine editor, was radiant in a peach silk.
But this was no ordinary foxtrot. Mark, 39, is one of Britain's most successful swimmers but Diana is now wheelchair-bound, having lost both her legs in a train accident 20 years ago.
Not only was she performing in a wheelchair for the first time but she had removed her prosthetic limbs in order to be able to spin faster in her chair.
'The lightness I feel without my legs is just incredible,' she said afterwards. 'It makes me feel how I used to when I was dancing before the accident. It takes me back to the joy of dance.'
Mark and Diana were taking part in the new BBC3 show Dancing On Wheels, in which six celebrities and their wheelchair-bound partners compete to take part in the Wheelchair Dance Sport European Championships in Tel Aviv later this year.
The series was a fantastic success. But that evening, in July last year, was particularly special for me because my mother Sandra, a choreographer and dance teacher, had flown over from the States.
It was she who taught me how to dance and sparked my interest in wheelchair ballroom dancing. She choreographed Mark and Diana's foxtrot.
As we emerged into the sunshine from the mirrored dance studio at Brunel University in West London, where we were rehearsing the show, she began to cry. 'That was amazing,' she said. It was then that I realised just how proud she was of me.
It was the culmination of a shared dream that began eight years ago when a man who had been badly injured in a motorcycle accident came into her New Jersey studio with a friend and said: 'Sandy, we would like to learn how to dance.'
My mother began to work with them and they created some dance routines and devised a syllabus, which I believe is the first in the world for wheelchair ballroom dancing. Since then, we have created a wheelchair formation team, taken one of the couples to demonstrate their moves on the Dancing With The Stars (America's version of Strictly Come Dancing) tour and created wheelchair ballroom dancing classes for wedding couples.
Wheelchair ballroom dancing has been the most challenging and rewarding project I have ever worked on and has touched the lives of everyone involved.
Singer Michelle Gayle is another contestant in Dancing On Wheels. Her partner Harry Maule, 24, has been in a wheelchair since he was 17 when surgeons managed to remove a cancerous tumour but his spinal cord was severed.
After one of Michelle and Harry's dances, Harry's mother said to me: 'I want you to know that you've changed my son's life. He is a different person now and I want to thank you for that.'
I now feel as if I have come full circle since I first learnt to dance aged five at my mother's studio, Fortuna's Universal Dance Centre.
My father Amadeo is a podiatrist who began competing in Latin dance championships in his 40s. He and my mother met at a club owned at the time by the Italian Mafia Gambino family.
After college, I landed a role in a Canadian reality television show called Live To Dance. At one of the rehearsals, I heard someone saying they were casting for the Martin Scorsese film Aviator. I jumped at the opportunity.
I was a dancer in the film's nightclub scene - they recreated Coconut Grove, the LA club popular in the Twenties and Thirties.
We were told not to bother the celebrities, but the first thing I did was go up to Leonardo DiCaprio and say: 'Hello, I'm Brian. Pleased to meet you. Everybody tells me that I look like you,' and he replied, 'Yes. We have the same eyebrows.'
Not long after that I was in my mother's studio and I saw Dancing With The Stars on television. My first feeling was one of great excitement. My second feeling was that I was upset that all my friends were taking part but I wasn't.
Then I went down to Florida with my father for the US ballroom dance championships. I met head judge Len Goodman and told him: 'I'm really interested in being part of the show. Can you put in a word for me?'
I called the Dancing With The Stars producers, went to New York for the audition and got a contract for the show. I was ecstatic. But then I discovered that the contract stipulated that they didn't have to use me, and another dancer got the part. I was really disappointed.
But I decided I wasn't going to give up. In 2006, a year after I auditioned, I heard they needed one more dancer for a new tour.
I grabbed the creator and said: 'You need to put me on this job. I want this. This is what I was made for.' The next morning I got the call asking if I was available.
The following March, I was cast in Series 4 of Dancing With The Stars, dancing with Shandi Finnessey, a former Miss USA. We didn't do particularly well but I did do another two tours and was asked to host the pre-show live tour for 13,000 people.
As we were finishing the third tour, I was on the back of the tour bus and I emailed the producers of Strictly Come Dancing in Britain. The auditions were four days later so I booked a plane ticket. I auditioned with Kristina Rihanoff, who had been dancing with me on the tour in the US. I had a good feeling about the way it had gone.
I thought the British public wouldn't take to me because I'm an American. In fact, they have been incredible and I'm having the time of my life.
During my first series I danced with Heather Small, the lead singer of M People, who is now appearing in Dancing On Wheels. And then this season I was paired with Ali Bastian, the former Hollyoaks and The Bill actress, and we are now dating.
I took Ali home to meet my family over Christmas. On Christmas Eve we had the traditional Italian Feast Of The Seven Fishes - baccala, fried smelts and salmon. We spent New Year in Grenada.
I came to England to do Strictly Come Dancing, met the girl of my dreams and choreographed a show about wheelchair ballroom dancing. How perfect is that?
Strictly come rolling... The secret passion of BRIAN FORTUNA
By Brian
Gliding around the dance floor to Sinatra's The Way You Look Tonight, the Olympic swimmer Mark Foster and his dance partner Diana Morgan-Hill wowed the judges with their graceful foxtrot.
While Mark, a close friend of mine since he performed in Strictly Come Dancing, looked elegant in tails, Diana, a 49-year-old magazine editor, was radiant in a peach silk.
But this was no ordinary foxtrot. Mark, 39, is one of Britain's most successful swimmers but Diana is now wheelchair-bound, having lost both her legs in a train accident 20 years ago.
Not only was she performing in a wheelchair for the first time but she had removed her prosthetic limbs in order to be able to spin faster in her chair.
'The lightness I feel without my legs is just incredible,' she said afterwards. 'It makes me feel how I used to when I was dancing before the accident. It takes me back to the joy of dance.'
Mark and Diana were taking part in the new BBC3 show Dancing On Wheels, in which six celebrities and their wheelchair-bound partners compete to take part in the Wheelchair Dance Sport European Championships in Tel Aviv later this year.
The series was a fantastic success. But that evening, in July last year, was particularly special for me because my mother Sandra, a choreographer and dance teacher, had flown over from the States.
It was she who taught me how to dance and sparked my interest in wheelchair ballroom dancing. She choreographed Mark and Diana's foxtrot.
As we emerged into the sunshine from the mirrored dance studio at Brunel University in West London, where we were rehearsing the show, she began to cry. 'That was amazing,' she said. It was then that I realised just how proud she was of me.
It was the culmination of a shared dream that began eight years ago when a man who had been badly injured in a motorcycle accident came into her New Jersey studio with a friend and said: 'Sandy, we would like to learn how to dance.'
My mother began to work with them and they created some dance routines and devised a syllabus, which I believe is the first in the world for wheelchair ballroom dancing. Since then, we have created a wheelchair formation team, taken one of the couples to demonstrate their moves on the Dancing With The Stars (America's version of Strictly Come Dancing) tour and created wheelchair ballroom dancing classes for wedding couples.
Wheelchair ballroom dancing has been the most challenging and rewarding project I have ever worked on and has touched the lives of everyone involved.
Singer Michelle Gayle is another contestant in Dancing On Wheels. Her partner Harry Maule, 24, has been in a wheelchair since he was 17 when surgeons managed to remove a cancerous tumour but his spinal cord was severed.
After one of Michelle and Harry's dances, Harry's mother said to me: 'I want you to know that you've changed my son's life. He is a different person now and I want to thank you for that.'
I now feel as if I have come full circle since I first learnt to dance aged five at my mother's studio, Fortuna's Universal Dance Centre.
My father Amadeo is a podiatrist who began competing in Latin dance championships in his 40s. He and my mother met at a club owned at the time by the Italian Mafia Gambino family.
After college, I landed a role in a Canadian reality television show called Live To Dance. At one of the rehearsals, I heard someone saying they were casting for the Martin Scorsese film Aviator. I jumped at the opportunity.
I was a dancer in the film's nightclub scene - they recreated Coconut Grove, the LA club popular in the Twenties and Thirties.
We were told not to bother the celebrities, but the first thing I did was go up to Leonardo DiCaprio and say: 'Hello, I'm Brian. Pleased to meet you. Everybody tells me that I look like you,' and he replied, 'Yes. We have the same eyebrows.'
Not long after that I was in my mother's studio and I saw Dancing With The Stars on television. My first feeling was one of great excitement. My second feeling was that I was upset that all my friends were taking part but I wasn't.
Then I went down to Florida with my father for the US ballroom dance championships. I met head judge Len Goodman and told him: 'I'm really interested in being part of the show. Can you put in a word for me?'
I called the Dancing With The Stars producers, went to New York for the audition and got a contract for the show. I was ecstatic. But then I discovered that the contract stipulated that they didn't have to use me, and another dancer got the part. I was really disappointed.
But I decided I wasn't going to give up. In 2006, a year after I auditioned, I heard they needed one more dancer for a new tour.
I grabbed the creator and said: 'You need to put me on this job. I want this. This is what I was made for.' The next morning I got the call asking if I was available.
The following March, I was cast in Series 4 of Dancing With The Stars, dancing with Shandi Finnessey, a former Miss USA. We didn't do particularly well but I did do another two tours and was asked to host the pre-show live tour for 13,000 people.
As we were finishing the third tour, I was on the back of the tour bus and I emailed the producers of Strictly Come Dancing in Britain. The auditions were four days later so I booked a plane ticket. I auditioned with Kristina Rihanoff, who had been dancing with me on the tour in the US. I had a good feeling about the way it had gone.
I thought the British public wouldn't take to me because I'm an American. In fact, they have been incredible and I'm having the time of my life.
During my first series I danced with Heather Small, the lead singer of M People, who is now appearing in Dancing On Wheels. And then this season I was paired with Ali Bastian, the former Hollyoaks and The Bill actress, and we are now dating.
I took Ali home to meet my family over Christmas. On Christmas Eve we had the traditional Italian Feast Of The Seven Fishes - baccala, fried smelts and salmon. We spent New Year in Grenada.
I came to England to do Strictly Come Dancing, met the girl of my dreams and choreographed a show about wheelchair ballroom dancing. How perfect is that?
Dance Blog
A woman from Charlotte, NC blogs about her return to dancing: http://welcometocharlotte-meg.blogspot.com/2010/02/shes-dancing-machine.html
College Students Step Up
From freep.com (Detroit, MI):
Ballroom dancing: College students step up, compete
Campus crowd turns out in droves for competition, camaraderie
BY KRISTA JAHNKEFREE PRESS STAFF WRITER
You don't have to be a B-list celebrity, own a sequined leotard or understand the difference between the rumba and the cha-cha. On college campuses, there are no such requirements when it comes to ballroom dancing.
Between texting and test-cramming, students are learning that they really can dance.
"People used to think ballroom dancing was your grandma's activity," says Angela Prince of USA Dance, the national governing body of DanceSport, the competitive version of ballroom dancing. "Not anymore."
Ballroom dance is booming on campuses across the country -- including at the University of Michigan and Michigan State University. Dance insiders credit great recruiting campaigns, strong coaching, a fun atmosphere and TV shows like "Dancing With the Stars" and "So You Think You Can Dance."
The shows "cultivate a seed of interest in people," says Alex Rowan, 23, of Lansing and the president of the Ballroom Dance Team at the University of Michigan. "They look at it with longing, like, 'I wish I could dance like that.' "
In the past two years, the number of competitors at the National Collegiate DanceSport Championship, the Ohio Star Ball, ballooned from 700 to 1,000, and the number of schools participating grew from 38 to 52.
"It's a natural fit for them," Prince says. "They're so social and can bring together large groups of people. ... They have the ability to cheerlead for each other."
The trend steps beyond colleges and into area dance studios as well.
"Have we seen growth? Absolutely," said Evan Mountain, co-owner of the Fred Astaire Dance Studio in Bloomfield Hills, who says his business grew 25% in 2009. "It's not just high school kids or college kids, but it's adults as well."
Beyond the connection to the popularity of shows like "Dancing With the Stars," Mountain attributes the newfound interest in all things dance to something else.
"Everybody's online and going to Facebook and they're texting people. There's all this nonphysical communication going on. But in ballroom dancing, you're touching, moving, holding each other. There's actual physical contact, and I think people are craving that."
Ballroom dance is especially popular at U-M, where the Wolverines have won five straight national titles in the collegiate open division at the Ohio Star Ball. The team, which started in 1997, had about 100 members by 2007; today it has 221.
The school will host the 10th annual Michigan Ballroom Dance Competition on Saturday at Saline Middle School. Rowan says they're expecting 20 college teams and more than 400 dancers.
One team that will be there is from MSU, where ballroom dancing has been a social club activity on campus for decades. But the Spartans didn't launch a competitive team until last year. At the Ohio Star Ball, with only 10 competitors, MSU placed in all six dance styles in the newcomer division and brought home 17 ribbons.
The MSU team now has more than 30 members who plan to compete. Most, like David Clatterbuck, a sophomore from Illinois who joined last year, have no formal dance training.
"Ballroom dancing is something you always see in movies, and it looks classy," says Clatterbuck, who is studying political science. "And a lot of the guys come in because there are a lot of girls there."
That's true in Ann Arbor, too. The guys come to meet girls, and they feel comfortable because the social stigma surrounding male dancing isn't as pronounced as it once was.
"I think a good amount (of nonacceptance of ballroom dance) has washed away since the 'Dancing With the Stars' craze," says Annette Kosin, 22, of Chesaning, a former team president and graduate student studying energy systems engineering.
"Now, it's acceptable -- because there are a lot of hot girls dancing."
At U-M, professional coaches Susan and Steve McFerran, who've competed internationally, host a free lesson the first week of each semester. Up to 300 people attend.
Kosin says about 100 return to the open dance lessons the team holds each Saturday in the Central Campus Recreational Building. And, typically, those folks get hooked.
"It makes it so people want to come back and continue learning. It's all rooted in enjoyment," Rowan says.
That's what drew in Rowan, who attended Lansing Everett High School, where he played hockey and baseball.
"I knew what ballroom dancing was," says Rowan, who graduated from U-M in April with degrees in psychology and Asian studies. "But I wasn't a dancer by any means. I didn't know what the waltz was. ... I didn't know what the three-count was. I was personally clueless. And I was pretty bad at first, like most people."
Rowan went to the open dance lesson and was recruited to join the team at its late-night practice. One practice did it for him.
"They showed me the cha-cha-cha. They mentored me for about two hours, and I walked out of the studio and I had completely learned the cha-cha-cha," he recalls.
"It was a ton of fun, I had danced with other people, and I had seen this camaraderie that existed. It was very clear that I was learning to dance and was having fun and becoming involved in a meaningful community that was very real."
After one year of dancing, he competed at the bronze and silver level. Two years later, he competed in the pre-championship level. And he's done well -- he and his partner Anastasia Alekseyeva, 22, of Troy won the standard pre-championship title at the Ohio Star Ball.
"We will teach you how to dance -- you can have two left feet," Rowan says. "We have showcases, and after one semester, or one year, people are amazed. They say, 'I can't do that in a year or a semester.' But they do."
Ballroom dancing: College students step up, compete
Campus crowd turns out in droves for competition, camaraderie
BY KRISTA JAHNKEFREE PRESS STAFF WRITER
You don't have to be a B-list celebrity, own a sequined leotard or understand the difference between the rumba and the cha-cha. On college campuses, there are no such requirements when it comes to ballroom dancing.
Between texting and test-cramming, students are learning that they really can dance.
"People used to think ballroom dancing was your grandma's activity," says Angela Prince of USA Dance, the national governing body of DanceSport, the competitive version of ballroom dancing. "Not anymore."
Ballroom dance is booming on campuses across the country -- including at the University of Michigan and Michigan State University. Dance insiders credit great recruiting campaigns, strong coaching, a fun atmosphere and TV shows like "Dancing With the Stars" and "So You Think You Can Dance."
The shows "cultivate a seed of interest in people," says Alex Rowan, 23, of Lansing and the president of the Ballroom Dance Team at the University of Michigan. "They look at it with longing, like, 'I wish I could dance like that.' "
In the past two years, the number of competitors at the National Collegiate DanceSport Championship, the Ohio Star Ball, ballooned from 700 to 1,000, and the number of schools participating grew from 38 to 52.
"It's a natural fit for them," Prince says. "They're so social and can bring together large groups of people. ... They have the ability to cheerlead for each other."
The trend steps beyond colleges and into area dance studios as well.
"Have we seen growth? Absolutely," said Evan Mountain, co-owner of the Fred Astaire Dance Studio in Bloomfield Hills, who says his business grew 25% in 2009. "It's not just high school kids or college kids, but it's adults as well."
Beyond the connection to the popularity of shows like "Dancing With the Stars," Mountain attributes the newfound interest in all things dance to something else.
"Everybody's online and going to Facebook and they're texting people. There's all this nonphysical communication going on. But in ballroom dancing, you're touching, moving, holding each other. There's actual physical contact, and I think people are craving that."
Ballroom dance is especially popular at U-M, where the Wolverines have won five straight national titles in the collegiate open division at the Ohio Star Ball. The team, which started in 1997, had about 100 members by 2007; today it has 221.
The school will host the 10th annual Michigan Ballroom Dance Competition on Saturday at Saline Middle School. Rowan says they're expecting 20 college teams and more than 400 dancers.
One team that will be there is from MSU, where ballroom dancing has been a social club activity on campus for decades. But the Spartans didn't launch a competitive team until last year. At the Ohio Star Ball, with only 10 competitors, MSU placed in all six dance styles in the newcomer division and brought home 17 ribbons.
The MSU team now has more than 30 members who plan to compete. Most, like David Clatterbuck, a sophomore from Illinois who joined last year, have no formal dance training.
"Ballroom dancing is something you always see in movies, and it looks classy," says Clatterbuck, who is studying political science. "And a lot of the guys come in because there are a lot of girls there."
That's true in Ann Arbor, too. The guys come to meet girls, and they feel comfortable because the social stigma surrounding male dancing isn't as pronounced as it once was.
"I think a good amount (of nonacceptance of ballroom dance) has washed away since the 'Dancing With the Stars' craze," says Annette Kosin, 22, of Chesaning, a former team president and graduate student studying energy systems engineering.
"Now, it's acceptable -- because there are a lot of hot girls dancing."
At U-M, professional coaches Susan and Steve McFerran, who've competed internationally, host a free lesson the first week of each semester. Up to 300 people attend.
Kosin says about 100 return to the open dance lessons the team holds each Saturday in the Central Campus Recreational Building. And, typically, those folks get hooked.
"It makes it so people want to come back and continue learning. It's all rooted in enjoyment," Rowan says.
That's what drew in Rowan, who attended Lansing Everett High School, where he played hockey and baseball.
"I knew what ballroom dancing was," says Rowan, who graduated from U-M in April with degrees in psychology and Asian studies. "But I wasn't a dancer by any means. I didn't know what the waltz was. ... I didn't know what the three-count was. I was personally clueless. And I was pretty bad at first, like most people."
Rowan went to the open dance lesson and was recruited to join the team at its late-night practice. One practice did it for him.
"They showed me the cha-cha-cha. They mentored me for about two hours, and I walked out of the studio and I had completely learned the cha-cha-cha," he recalls.
"It was a ton of fun, I had danced with other people, and I had seen this camaraderie that existed. It was very clear that I was learning to dance and was having fun and becoming involved in a meaningful community that was very real."
After one year of dancing, he competed at the bronze and silver level. Two years later, he competed in the pre-championship level. And he's done well -- he and his partner Anastasia Alekseyeva, 22, of Troy won the standard pre-championship title at the Ohio Star Ball.
"We will teach you how to dance -- you can have two left feet," Rowan says. "We have showcases, and after one semester, or one year, people are amazed. They say, 'I can't do that in a year or a semester.' But they do."
Friday, February 05, 2010
Ballroom Dancing - New P.E. Class In School?
From columbiamissourian.com:
Missouri lawmaker wants dancing option for P.E. requirement
By Trevor Eischen
JEFFERSON CITY — A lawmaker has waltzed into the House with new legislation giving students the option to get class credit for ballroom dancing.
Rep. Tim Flook, R-Liberty, has written a bill allowing students in public schools to take a ballroom dance class instead of a physical education or fine arts class.
"Maybe you're not good at volleyball, or running, or playing soccer, but you could take a ballroom dance course for P.E. class credit," Flook said.
Citing popular dance shows such as "So You Think You Can Dance," Flook said he believes if the option is given, schools would likely offer the class for student demand.
Flook said dancing is more than moving to rhythm or stepping with the right foot.
"This to me is a lot more than a gym activity," he said. "Some of us believe that it really is a good way to develop the culture of respect."
As a boy, Flook said he remembers learning traditional Mexican dances such as the cumbia, merengue and salsa. He said he also remembers the stress he had searching for a dance partner.
"Every event in my family involved live music and dancing," Flook said. "I had to learn how to pluck up the courage to learn a dance step and dance with a young lady."
Too many negative outlets exist to promote a "turmoil between the sexes," he said, adding that ballroom dancing will provide a positive and productive outlet for both sexes to interact.
While Flook attended school at William Jewell College, he met political science professor Will Adams, an avid ballroom dancer and instructor, and enrolled in his ballroom dance class. Adams has taught ballroom dance since 1974 and is the president of Culture Through Ballroom Dance, a nonprofit organization offering dance instruction to dancers of all ages.
Adams said he approached Flook after noticing ballroom dancing wasn't mentioned in talks about improving Missouri's childhood obesity rate. In 2006, Adams and his friend Paula Marie Daub started teaching dance classes during and after school in Kansas City area school districts. The program is a pilot project of what students could take if Flook's bill passes.
Adams said the emphasis on ballroom dance goes beyond physical health. The course teaches students cultural information about each dance. Adams said the most important lessons students learn is courtesy, self-esteem and how to work with the opposite gender.
"The least important thing we teach them is the dance," Adams said.
Flook said he got some of his ideas from Jeremiah J. Morgan, a stake president with The Church of Jesus Christ of Latter-day Saints in Missouri.
Morgan said the Mormon culture values the benefits dancing can bring to young men and women. He said the Mormon church regularly holds dances to help socialize students, which is especially important during the awkward teenage years.
"The young men and young women can learn to interact," Morgan said. "They get to spend time together and get used to each other."
Missouri lawmaker wants dancing option for P.E. requirement
By Trevor Eischen
JEFFERSON CITY — A lawmaker has waltzed into the House with new legislation giving students the option to get class credit for ballroom dancing.
Rep. Tim Flook, R-Liberty, has written a bill allowing students in public schools to take a ballroom dance class instead of a physical education or fine arts class.
"Maybe you're not good at volleyball, or running, or playing soccer, but you could take a ballroom dance course for P.E. class credit," Flook said.
Citing popular dance shows such as "So You Think You Can Dance," Flook said he believes if the option is given, schools would likely offer the class for student demand.
Flook said dancing is more than moving to rhythm or stepping with the right foot.
"This to me is a lot more than a gym activity," he said. "Some of us believe that it really is a good way to develop the culture of respect."
As a boy, Flook said he remembers learning traditional Mexican dances such as the cumbia, merengue and salsa. He said he also remembers the stress he had searching for a dance partner.
"Every event in my family involved live music and dancing," Flook said. "I had to learn how to pluck up the courage to learn a dance step and dance with a young lady."
Too many negative outlets exist to promote a "turmoil between the sexes," he said, adding that ballroom dancing will provide a positive and productive outlet for both sexes to interact.
While Flook attended school at William Jewell College, he met political science professor Will Adams, an avid ballroom dancer and instructor, and enrolled in his ballroom dance class. Adams has taught ballroom dance since 1974 and is the president of Culture Through Ballroom Dance, a nonprofit organization offering dance instruction to dancers of all ages.
Adams said he approached Flook after noticing ballroom dancing wasn't mentioned in talks about improving Missouri's childhood obesity rate. In 2006, Adams and his friend Paula Marie Daub started teaching dance classes during and after school in Kansas City area school districts. The program is a pilot project of what students could take if Flook's bill passes.
Adams said the emphasis on ballroom dance goes beyond physical health. The course teaches students cultural information about each dance. Adams said the most important lessons students learn is courtesy, self-esteem and how to work with the opposite gender.
"The least important thing we teach them is the dance," Adams said.
Flook said he got some of his ideas from Jeremiah J. Morgan, a stake president with The Church of Jesus Christ of Latter-day Saints in Missouri.
Morgan said the Mormon culture values the benefits dancing can bring to young men and women. He said the Mormon church regularly holds dances to help socialize students, which is especially important during the awkward teenage years.
"The young men and young women can learn to interact," Morgan said. "They get to spend time together and get used to each other."
Thursday, February 04, 2010
Profile On Derek Hough
From dance.com:
Derek Hough, Not Too Hot To Fox Trot
By Amanda Abrams
January 2010
Working on “Dancing with the Stars” isn’t for someone with a single-track mind. The professional dancers who guide their celebrity partners to show their stuff on the popular ABC show have to wear a number of hats: instructor, performer, choreographer, sometimes even costumer and babysitter.
Which is why the job has been such a great fit for Derek Hough. The show’s audience knows him as a professional dancer, but his real love is simply creating and performing, regardless of genre. The five seasons Hough has spent leading famous women across the floor on “Dancing with the Stars” have allowed him to expand his talents and show off his versatile creativity. So whether or not he and his partners win or lose a given competition, Hough says he’s gaining skills that will serve him in the next phase of his life—whatever that may be.
Dancing, acting, and making music onstage come naturally to Hough: he was born into a family of performers. “When I watch home videos, we’re all camera hogs, singing and dancing, jumping off couches,” says Hough, now 24. “My mom is incredibly creative, and my sisters too—they’re all natural performers.” His parents met while dancing at Brigham Young University in Utah, where Hough was born and spent his early childhood, and his sisters grew up taking dance lessons.
That’s where Hough got his start. He’d been accompanying his mother as she chauffeured one of his four older sisters to dance class in Salt Lake City, and she encouraged him to join the class, too. “It was a hip hop class with Rick Robinson, a really cool guy,” remembers Hough. “There were some girls in there and I thought, ‘This is kind of cool.’ That was my reason for going at first.”
But he wasn’t particularly enthusiastic about the classes until he started learning ballroom dance under Robinson. Eventually, Hough joined Robinson’s dance company, and by age 9 or 10 he and the group were traveling to ballroom dance competitions in New York, Los Angeles and Hawaii. “I thought, ‘This is awesome—I get to travel and be around fun people.’ My love kind of grew from that,” he says.
When he was 12, Hough’s parents got divorced. In order to spare him and his sister Julianne (who would later become a two-time “DWTS” champ) from the ensuing chaos, they sent the two to live with Corky and Shirley Ballas, world champion ballroom dancers who lived in London. The idea was that he and Julianne would stay for a few months until things quieted down back in the U.S., then return. Instead, it was 10 years before Hough returned to the States for good.
It may have shaken up his personal life, but the move was a huge step forward for his dance career. The Ballas’ had made their reputation in the Latin American style of ballroom dance, and Shirley Ballas was “the most sought after Latin American dance teacher in the world,” says Hough.
The family had a son, Mark, who was Hough’s age. Together, the two of them and Julianne began to seriously pursue performing arts careers. With a scholarship to London’s Italia Conti Academy of Theatre Arts, Hough joined the other two in formal courses in singing, dancing and acting. “We trained in all aspects of dance—ballet, jazz, tap, pretty much all you can think of,” recalls Hough. “To be honest, I was actually bad at school; I was always missing classes and never went to ballet.”
Nonetheless, it was rigorous training, and not just at school. “A typical week was going to school, Monday through Friday, practicing pretty much every night. On Saturdays, we’d have Latin American lessons all day. Then on Sundays we’d have competitions. It was non-stop; we were pretty much burning the candle at both ends,” explains Hough.
While he was taking lessons with outside teachers, the Ballas’ were still his primary instructors, particularly Shirley Ballas. According to Hough, she was—and still is—a phenomenal teacher. “Shirley Ballas is the kind of teacher who can do 14 lessons in a day, seven days a week, and in every single one of those she’ll give 110 percent for you. Her work ethic is so on point,” he says. “It’s hard to find coaches who work as hard as you, but you’ll take a lesson with her and she’ll be sweating as much as you.”
At that time, Hough, his sister, and Mark Ballas were already dancing competitively, traveling to Hong Kong, Japan, France and Italy to perform. Though his was not the typical carefree adolescence, Hough says he didn’t mind, explaining that he was an unusually motivated teenager. “I had a maturity about me when I was younger,” says Hough. “Even at a young age, I knew I wanted to improve and hone my skills. I felt ‘I can play later.’”
Sure, he says, “There’d be times in London when it was dark and rainy and depressing, and I thought, ‘Why am I not back in America with the sunshine?’” But in a way, London allowed him to concentrate without distractions. “I just put my head down and did it,” admits Hough. “It was a great place for me to focus.”
Eventually, he reached a point where he tired of competing. “I felt like I had more to offer than just Latin American dance,” he says. His next stop? The West End, London’s equivalent of Broadway. In 2006, Hough won the lead role in “Footloose,” the musical version of the 1984 American movie.
It was a challenge, Hough says, “The most incredible learning curve I’ve ever experienced. As the lead role, the show relies solely on you.” That included singing three solos, two duets, crying in the final scene, and dancing constantly. “Every show was a marathon,” says Hough, “and I had to do eight shows a week.”
He was 20 at the time, and stayed with the show for a year. “I’d trained for years in musical theater, but this was my first [real] thing,” he says. “It went really well, got rave reviews.”
And then it was on to something new. “That’s kind of how I am,” he says. “I say, ‘I’ve done that, and now I want to go onto the next thing.’”
The next thing arose in 2007, when the producers of “Dancing with the Stars” asked Hough, together with his best friend Mark Ballas, to join the show. A popular television series that recently completed its ninth season, the show pairs celebrities from a variety of media with professional ballroom dancers, then pits the couples against each other in a number of different dance styles.
Though tempted, Hough and Ballas both hesitated before agreeing to take the jobs. “We thought it might be cool, but I wasn’t sure I wanted America to see me as just a dancer,” says Hough. He viewed himself as far more than just a professional ballroom dancer; besides hoping to continue cultivating his acting chops, he and Ballas were in a band together, with Hough on guitar and vocals. But the two decided working on the show was too good of an opportunity to pass up.
How has it worked out? “It’s awesome,” says Hough. “The thing I love most about it is that you get to create, day in and day out.” While not every dancer employed by the show takes full creative liberty, Hough certainly does. “I’m very hands on in everything I do,” he says.
That means he’s choreographed every single dance he does onstage, taking his partners’ individual needs into account in each piece. “Each person is different, and you have to play to their strengths and hide their weaknesses,” he explains. He also designs his partners’ outfits for each performance. “It’s not that I’m into fashion,” he says, “but I know what works, what hides or amplifies certain movements and makes things look better.”
But the real efforts Hough is getting paid for aren’t necessarily creative. It’s grunt work, the ins and outs of teaching someone to dance for five or six hours a day, seven days a week, for 15 weeks without a break. “All of my dance partners have had zero background in dancing, so it’s definitely a struggle,” describes Hough. “We start at square one: they get in those heels and it’s like, ‘Let’s teach you how to walk today.’”
Figuring out how to explain dance to non-dancers is a skill in itself, he says. He’s learned over time to use examples that his partners can relate to, and to go slow in order to avoid blisters, burnout and injuries. The partnership is like a marriage—bickering and all. But the reward is worth it. “To really see the improvement from week one—it’s mind-blowing,” he says. “It just shows you that if you work five hours a day with a coach, you can become good pretty quickly.”
In the show’s seventh season, Hough won the contest dancing with Brooke Burke. He credits the win to her a natural capacity for dancing. “I knew the day I met her—I thought, ‘I think I’ve got a winner here,’” he recalls. He explains further: “She had amazing feet, amazing legs, and was very flexible. Other people can be good dancers, but you can teach them all you want and it’s still not going to look right.”
The show forces Hough to be totally at ease with all styles of ballroom dance. While there are a few he hasn’t been formally trained in, he says he can learn just about anything. But he refuses to give a favorite style. “Each dance has an element that I love, a different characteristic of my personality,” he describes. “Samba is sexy, like ‘let’s get down and dirty;’ Rumba is the sensitive, romantic side of me. Paso doble is about building tension, that masculine side. And of course jive is the goofy, energetic side.”
Not all dancers appreciate the skill involved in partner dancing, Hough points out. “It’s amazing how many jazz or ballet dancers try to do Latin or ballroom and they can’t,” he says. “It uses completely different skills and technique—small things and subtleties that take a long time to acquire.” The connection between two partners is particularly crucial and difficult to sustain. “You spend months, if not years, working on the perfect connection, and you really become in tune with each others’ bodies,” he says. “If I missed two days of rehearsal, it would mess me up completely. There’s so much involved.”
One of Hough’s favorite partners is his sister Julianne. A piece the two choreographed to the song “Great Balls of Fire” and performed on “DWTS” last year was nominated for an Emmy award. Despite the complicated lifts and throws, Hough says the two put the routine together in about 20 minutes the night before performing it. “When I dance with Julianne, we don’t even speak to each other—we don’t have to,” he explains. “We just know what we’re going to do. It’s really great.”
Experiences like that—being challenged to create interesting new dances and perform them on the fly—keep Hough engaged in his work on the show. Will he be back for the 10th season? “I’ll definitely be part of it one way or the other, no matter what,” he says. “I already have some cool ideas for next season, in terms of choreography.” But at this point, the future is uncertain: the show’s dancers have to wait to be asked back each season.
He’s not just twiddling his thumbs and waiting around; Hough already has some other plans under his belt. This fall, he flew to London to choreograph for Cheryl Cole, a popular British singer, and he’ll be heading that way again later this winter to create dances for her music video. The gig will allow him to take advantage of some of his under-used dance skills, and he plans to incorporate hip hop with Argentine tango and paso doble in the video. Meanwhile, he’ll continue playing music with Mark Ballas and keep his creative options open. “People ask me, ‘What’s your first passion?’ For me, there’s no order to what I love; it all falls under the same roof,” explains Hough. “I’m not just a dancer or singer or actor, so I tell them ‘performer.’ I just like to entertain people.”
Derek Hough, Not Too Hot To Fox Trot
By Amanda Abrams
January 2010
Working on “Dancing with the Stars” isn’t for someone with a single-track mind. The professional dancers who guide their celebrity partners to show their stuff on the popular ABC show have to wear a number of hats: instructor, performer, choreographer, sometimes even costumer and babysitter.
Which is why the job has been such a great fit for Derek Hough. The show’s audience knows him as a professional dancer, but his real love is simply creating and performing, regardless of genre. The five seasons Hough has spent leading famous women across the floor on “Dancing with the Stars” have allowed him to expand his talents and show off his versatile creativity. So whether or not he and his partners win or lose a given competition, Hough says he’s gaining skills that will serve him in the next phase of his life—whatever that may be.
Dancing, acting, and making music onstage come naturally to Hough: he was born into a family of performers. “When I watch home videos, we’re all camera hogs, singing and dancing, jumping off couches,” says Hough, now 24. “My mom is incredibly creative, and my sisters too—they’re all natural performers.” His parents met while dancing at Brigham Young University in Utah, where Hough was born and spent his early childhood, and his sisters grew up taking dance lessons.
That’s where Hough got his start. He’d been accompanying his mother as she chauffeured one of his four older sisters to dance class in Salt Lake City, and she encouraged him to join the class, too. “It was a hip hop class with Rick Robinson, a really cool guy,” remembers Hough. “There were some girls in there and I thought, ‘This is kind of cool.’ That was my reason for going at first.”
But he wasn’t particularly enthusiastic about the classes until he started learning ballroom dance under Robinson. Eventually, Hough joined Robinson’s dance company, and by age 9 or 10 he and the group were traveling to ballroom dance competitions in New York, Los Angeles and Hawaii. “I thought, ‘This is awesome—I get to travel and be around fun people.’ My love kind of grew from that,” he says.
When he was 12, Hough’s parents got divorced. In order to spare him and his sister Julianne (who would later become a two-time “DWTS” champ) from the ensuing chaos, they sent the two to live with Corky and Shirley Ballas, world champion ballroom dancers who lived in London. The idea was that he and Julianne would stay for a few months until things quieted down back in the U.S., then return. Instead, it was 10 years before Hough returned to the States for good.
It may have shaken up his personal life, but the move was a huge step forward for his dance career. The Ballas’ had made their reputation in the Latin American style of ballroom dance, and Shirley Ballas was “the most sought after Latin American dance teacher in the world,” says Hough.
The family had a son, Mark, who was Hough’s age. Together, the two of them and Julianne began to seriously pursue performing arts careers. With a scholarship to London’s Italia Conti Academy of Theatre Arts, Hough joined the other two in formal courses in singing, dancing and acting. “We trained in all aspects of dance—ballet, jazz, tap, pretty much all you can think of,” recalls Hough. “To be honest, I was actually bad at school; I was always missing classes and never went to ballet.”
Nonetheless, it was rigorous training, and not just at school. “A typical week was going to school, Monday through Friday, practicing pretty much every night. On Saturdays, we’d have Latin American lessons all day. Then on Sundays we’d have competitions. It was non-stop; we were pretty much burning the candle at both ends,” explains Hough.
While he was taking lessons with outside teachers, the Ballas’ were still his primary instructors, particularly Shirley Ballas. According to Hough, she was—and still is—a phenomenal teacher. “Shirley Ballas is the kind of teacher who can do 14 lessons in a day, seven days a week, and in every single one of those she’ll give 110 percent for you. Her work ethic is so on point,” he says. “It’s hard to find coaches who work as hard as you, but you’ll take a lesson with her and she’ll be sweating as much as you.”
At that time, Hough, his sister, and Mark Ballas were already dancing competitively, traveling to Hong Kong, Japan, France and Italy to perform. Though his was not the typical carefree adolescence, Hough says he didn’t mind, explaining that he was an unusually motivated teenager. “I had a maturity about me when I was younger,” says Hough. “Even at a young age, I knew I wanted to improve and hone my skills. I felt ‘I can play later.’”
Sure, he says, “There’d be times in London when it was dark and rainy and depressing, and I thought, ‘Why am I not back in America with the sunshine?’” But in a way, London allowed him to concentrate without distractions. “I just put my head down and did it,” admits Hough. “It was a great place for me to focus.”
Eventually, he reached a point where he tired of competing. “I felt like I had more to offer than just Latin American dance,” he says. His next stop? The West End, London’s equivalent of Broadway. In 2006, Hough won the lead role in “Footloose,” the musical version of the 1984 American movie.
It was a challenge, Hough says, “The most incredible learning curve I’ve ever experienced. As the lead role, the show relies solely on you.” That included singing three solos, two duets, crying in the final scene, and dancing constantly. “Every show was a marathon,” says Hough, “and I had to do eight shows a week.”
He was 20 at the time, and stayed with the show for a year. “I’d trained for years in musical theater, but this was my first [real] thing,” he says. “It went really well, got rave reviews.”
And then it was on to something new. “That’s kind of how I am,” he says. “I say, ‘I’ve done that, and now I want to go onto the next thing.’”
The next thing arose in 2007, when the producers of “Dancing with the Stars” asked Hough, together with his best friend Mark Ballas, to join the show. A popular television series that recently completed its ninth season, the show pairs celebrities from a variety of media with professional ballroom dancers, then pits the couples against each other in a number of different dance styles.
Though tempted, Hough and Ballas both hesitated before agreeing to take the jobs. “We thought it might be cool, but I wasn’t sure I wanted America to see me as just a dancer,” says Hough. He viewed himself as far more than just a professional ballroom dancer; besides hoping to continue cultivating his acting chops, he and Ballas were in a band together, with Hough on guitar and vocals. But the two decided working on the show was too good of an opportunity to pass up.
How has it worked out? “It’s awesome,” says Hough. “The thing I love most about it is that you get to create, day in and day out.” While not every dancer employed by the show takes full creative liberty, Hough certainly does. “I’m very hands on in everything I do,” he says.
That means he’s choreographed every single dance he does onstage, taking his partners’ individual needs into account in each piece. “Each person is different, and you have to play to their strengths and hide their weaknesses,” he explains. He also designs his partners’ outfits for each performance. “It’s not that I’m into fashion,” he says, “but I know what works, what hides or amplifies certain movements and makes things look better.”
But the real efforts Hough is getting paid for aren’t necessarily creative. It’s grunt work, the ins and outs of teaching someone to dance for five or six hours a day, seven days a week, for 15 weeks without a break. “All of my dance partners have had zero background in dancing, so it’s definitely a struggle,” describes Hough. “We start at square one: they get in those heels and it’s like, ‘Let’s teach you how to walk today.’”
Figuring out how to explain dance to non-dancers is a skill in itself, he says. He’s learned over time to use examples that his partners can relate to, and to go slow in order to avoid blisters, burnout and injuries. The partnership is like a marriage—bickering and all. But the reward is worth it. “To really see the improvement from week one—it’s mind-blowing,” he says. “It just shows you that if you work five hours a day with a coach, you can become good pretty quickly.”
In the show’s seventh season, Hough won the contest dancing with Brooke Burke. He credits the win to her a natural capacity for dancing. “I knew the day I met her—I thought, ‘I think I’ve got a winner here,’” he recalls. He explains further: “She had amazing feet, amazing legs, and was very flexible. Other people can be good dancers, but you can teach them all you want and it’s still not going to look right.”
The show forces Hough to be totally at ease with all styles of ballroom dance. While there are a few he hasn’t been formally trained in, he says he can learn just about anything. But he refuses to give a favorite style. “Each dance has an element that I love, a different characteristic of my personality,” he describes. “Samba is sexy, like ‘let’s get down and dirty;’ Rumba is the sensitive, romantic side of me. Paso doble is about building tension, that masculine side. And of course jive is the goofy, energetic side.”
Not all dancers appreciate the skill involved in partner dancing, Hough points out. “It’s amazing how many jazz or ballet dancers try to do Latin or ballroom and they can’t,” he says. “It uses completely different skills and technique—small things and subtleties that take a long time to acquire.” The connection between two partners is particularly crucial and difficult to sustain. “You spend months, if not years, working on the perfect connection, and you really become in tune with each others’ bodies,” he says. “If I missed two days of rehearsal, it would mess me up completely. There’s so much involved.”
One of Hough’s favorite partners is his sister Julianne. A piece the two choreographed to the song “Great Balls of Fire” and performed on “DWTS” last year was nominated for an Emmy award. Despite the complicated lifts and throws, Hough says the two put the routine together in about 20 minutes the night before performing it. “When I dance with Julianne, we don’t even speak to each other—we don’t have to,” he explains. “We just know what we’re going to do. It’s really great.”
Experiences like that—being challenged to create interesting new dances and perform them on the fly—keep Hough engaged in his work on the show. Will he be back for the 10th season? “I’ll definitely be part of it one way or the other, no matter what,” he says. “I already have some cool ideas for next season, in terms of choreography.” But at this point, the future is uncertain: the show’s dancers have to wait to be asked back each season.
He’s not just twiddling his thumbs and waiting around; Hough already has some other plans under his belt. This fall, he flew to London to choreograph for Cheryl Cole, a popular British singer, and he’ll be heading that way again later this winter to create dances for her music video. The gig will allow him to take advantage of some of his under-used dance skills, and he plans to incorporate hip hop with Argentine tango and paso doble in the video. Meanwhile, he’ll continue playing music with Mark Ballas and keep his creative options open. “People ask me, ‘What’s your first passion?’ For me, there’s no order to what I love; it all falls under the same roof,” explains Hough. “I’m not just a dancer or singer or actor, so I tell them ‘performer.’ I just like to entertain people.”
One Last Dance
From the news-herald.com (Northern Ohio):
By Jacob Lammers
Save the last dance for Marlene Waller.
The Immaculate Conception School teacher celebrated her upcoming retirement with a lively cha cha and the hustle Wednesday afternoon.
Waller, an amateur dance competitor, surprised her students with her dance routine during the ICS Talent Show.
"One of the teachers in charge of the Talent Show — she's been asking for a couple years (for Waller to dance). We just kept saying no, no," Waller said."
But now since it's the last year at Immaculate (Conception School), we thought why not, let's have fun with it."
Bishop Richard Lennon, of the Catholic Diocese of Cleveland, announced last year that Immaculate Conception School in Willoughby would merge with Our Lady of Mount Carmel School in Wickliffe. The new school, to be named Mater Dei Academy, which means Mother of God, will include both schools in Wickliffe.
Waller has been teaching for 30 years — 27 of those years were spent at Immaculate. She plans to retire at the end of this school year.
"I've had a long career. I've loved every moment of it," Waller said. "It's time to leave and go on to a new life."
Principal Kathy Hrutkay said Waller has been a good teacher and added that it's sad that many other staff members will have to say goodbye at the end of the school year."
I think all of us are going to miss this school. It's a family," Hrutkay said. "It's a good mixture. There's a good rapport between the school and parents. As a school, it's going to be missed."
During the Talent Show, Immaculate Conception students performed various dance routines, several sang their favorite songs and even one student told jokes.
When the time came for Waller to hit the dance floor with Carlos Sucharetza, her dance partner of four years, several students were taken aback.
Wearing a silver and black dress, Waller spun circles around her partner and ended the routine with a dip. Her grandchild Brooke Waller, who also is one of the elder Waller's students, was amazed by the routine.
"It was good," Brooke said.
Waller and Sucharetza started dancing four years ago at Fred Astaire Dance Studio in Willoughby. In 2009, the couple took home first place in a total of 34 dances at the Ohio Star Ball and the Cleveland Dance Sport Challenge — both are ballroom competitions.
The couple, who plan to wed in August, first met because of a desire to try dancing.
"We just enjoy it. We have a good time," Sucharetza said. "It's good exercise."
While Waller's teaching career will be drawing to a close, she plans to continue dancing.
By Jacob Lammers
Save the last dance for Marlene Waller.
The Immaculate Conception School teacher celebrated her upcoming retirement with a lively cha cha and the hustle Wednesday afternoon.
Waller, an amateur dance competitor, surprised her students with her dance routine during the ICS Talent Show.
"One of the teachers in charge of the Talent Show — she's been asking for a couple years (for Waller to dance). We just kept saying no, no," Waller said."
But now since it's the last year at Immaculate (Conception School), we thought why not, let's have fun with it."
Bishop Richard Lennon, of the Catholic Diocese of Cleveland, announced last year that Immaculate Conception School in Willoughby would merge with Our Lady of Mount Carmel School in Wickliffe. The new school, to be named Mater Dei Academy, which means Mother of God, will include both schools in Wickliffe.
Waller has been teaching for 30 years — 27 of those years were spent at Immaculate. She plans to retire at the end of this school year.
"I've had a long career. I've loved every moment of it," Waller said. "It's time to leave and go on to a new life."
Principal Kathy Hrutkay said Waller has been a good teacher and added that it's sad that many other staff members will have to say goodbye at the end of the school year."
I think all of us are going to miss this school. It's a family," Hrutkay said. "It's a good mixture. There's a good rapport between the school and parents. As a school, it's going to be missed."
During the Talent Show, Immaculate Conception students performed various dance routines, several sang their favorite songs and even one student told jokes.
When the time came for Waller to hit the dance floor with Carlos Sucharetza, her dance partner of four years, several students were taken aback.
Wearing a silver and black dress, Waller spun circles around her partner and ended the routine with a dip. Her grandchild Brooke Waller, who also is one of the elder Waller's students, was amazed by the routine.
"It was good," Brooke said.
Waller and Sucharetza started dancing four years ago at Fred Astaire Dance Studio in Willoughby. In 2009, the couple took home first place in a total of 34 dances at the Ohio Star Ball and the Cleveland Dance Sport Challenge — both are ballroom competitions.
The couple, who plan to wed in August, first met because of a desire to try dancing.
"We just enjoy it. We have a good time," Sucharetza said. "It's good exercise."
While Waller's teaching career will be drawing to a close, she plans to continue dancing.
Dancing With The Stars 2010 Lineup
From realitytv.about.com:
Dancing with the Stars 2010 Lineup Will Be Revealed on March 1
The Dancing with the Stars 2010 lineup will be revealed during the season finale of another hit ABC show. The new cast will be announced by Dancing with the Stars host Tom Bergeron throughout commercial breaks for the season finale of The Bachelor. The Bachelor season finale will air on Monday, March 1. Then it will be a three week wait until DWTS premieres with the new cast on Monday, March 22.
Dancing with the Stars 2010 Lineup Will Be Revealed on March 1
The Dancing with the Stars 2010 lineup will be revealed during the season finale of another hit ABC show. The new cast will be announced by Dancing with the Stars host Tom Bergeron throughout commercial breaks for the season finale of The Bachelor. The Bachelor season finale will air on Monday, March 1. Then it will be a three week wait until DWTS premieres with the new cast on Monday, March 22.
Tuesday, February 02, 2010
The Time That Fred Did The Yam!
From blogcritics.org:
'Can't Sing, Can't Act. Balding. Can Dance a Little.'
You might recognize that as the oft-quoted evaluation from an early talent scout, giving his opinion about the then-young performer Fred Astaire. The punch line, of course, is that he became one of the biggest stars of all time. And while his career was certainly anchored by his nonpareil dancing skill, he wasn't half-bad at the other stuff either.
As is often the case with legendary performers, Fred Astaire's story is a familiar one, but I thought I'd focus on one interlude in his long career and see what it can tell us about how things sometimes worked out in strange ways. It was the time that Fred did the Yam.
The Yam in question was not a vegetable, but a dance and a song, written by Irving Berlin. It was featured in Carefree, a 1938 film that actually ended up being better known for a couple of other things. First, Fred laid a huge kiss on Ginger Rogers; an unprecedented event that was supposedly meant to disprove the rumor that the two really didn't like each other. Secondly, the movie included a dance sequence using the song "I Used To Be Color Blind" that included revolutionary slow-motion techniques. The producers thought that number was so special that only budget restraints kept them from following their initial plan to film it in color.
As for the sweet potato ditty, Fred thought it was a silly song and wouldn't sing it for the movie. It ended up being a solo for Ginger, although the pair did dance after she sang, and Fred sort of did one line. But then things got a little strange. Publicity for the movie included a cover story in Life magazine, and it appeared to be all about a new dance sensation called — you guessed it — the Yam. The cover even featured a big picture of Fred and Ginger doing it. (The dance. What did you think I meant?)
Apparently Fred eventually decided to join the parade, because he later made a record of the song himself. His version of "The Yam" wound up becoming a part of his singing legacy. No word on whether he and Ginger ever did it again.
'Can't Sing, Can't Act. Balding. Can Dance a Little.'
You might recognize that as the oft-quoted evaluation from an early talent scout, giving his opinion about the then-young performer Fred Astaire. The punch line, of course, is that he became one of the biggest stars of all time. And while his career was certainly anchored by his nonpareil dancing skill, he wasn't half-bad at the other stuff either.
As is often the case with legendary performers, Fred Astaire's story is a familiar one, but I thought I'd focus on one interlude in his long career and see what it can tell us about how things sometimes worked out in strange ways. It was the time that Fred did the Yam.
The Yam in question was not a vegetable, but a dance and a song, written by Irving Berlin. It was featured in Carefree, a 1938 film that actually ended up being better known for a couple of other things. First, Fred laid a huge kiss on Ginger Rogers; an unprecedented event that was supposedly meant to disprove the rumor that the two really didn't like each other. Secondly, the movie included a dance sequence using the song "I Used To Be Color Blind" that included revolutionary slow-motion techniques. The producers thought that number was so special that only budget restraints kept them from following their initial plan to film it in color.
As for the sweet potato ditty, Fred thought it was a silly song and wouldn't sing it for the movie. It ended up being a solo for Ginger, although the pair did dance after she sang, and Fred sort of did one line. But then things got a little strange. Publicity for the movie included a cover story in Life magazine, and it appeared to be all about a new dance sensation called — you guessed it — the Yam. The cover even featured a big picture of Fred and Ginger doing it. (The dance. What did you think I meant?)
Apparently Fred eventually decided to join the parade, because he later made a record of the song himself. His version of "The Yam" wound up becoming a part of his singing legacy. No word on whether he and Ginger ever did it again.
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