Wednesday, April 25, 2007

Dancing With The Stars, Week Six

By Lyall Bradshaw, Fred Astaire National Dance Board Member

After Clyde’s exit last week from Dancing With The Stars, we are left with seven couples to fight it out.

Joey Fatone & Kym Johnston opened the show with a lively Samba. A good Samba although the music was a little too fast again this week. Both Carrie Anne & Bruno again showed their lack of Ballroom knowledge by commenting on non-existing problems. There were a few creative foot placements near the beginning of the routine but an otherwise nice routine. They scored three 9’s for a total of 27.

Heather and Jonathan were up next with the Paso Doble. Because of her schedule, they only had two and a half days to perfect their dancing this week. They flew to England on Tuesday night as Heather wanted to be with her daughter. Heather took Jonathan to meet the actress playing Eva Peron in the show “Evita” to get inspiration for the Paso Doble and later danced on the “Evita” stage. Overall, they traveled over 16,000 miles before returning to New York. In her performance of the Paso Doble I felt that her arms were a little weak at times and her upper body posture was way too far forward. She did a good job considering her handicap but in a Ballroom dancing competition judges cannot have sympathy for that and must judge on the quality of dancing. Their scores - 7 – 8 – 8 for a total of 23 points out of 30.

Dancing third in line were John Ratzenberger and Edyta dancing the Mambo. I don’t know who picks the music for these numbers but many of the songs over the weeks have been really awful. Some songs have been really good and the performers dancing to those songs usually dance much, much better than the contestants dancing to the really bad songs. You cannot portray one thing when the music is telling you something totally different. It is a great band but the musical selections are the pits for some of the dances. The dancers need motivation and good dynamic strict tempo music is needed. It’s like trying to squeeze blood out of a stone – it is impossible to portray the mood and character of a dance with the wrong music. And I think the word “wrong” is more correct than “bad” music. The music is not bad but for this competition some of the music is wrong. The dance was a Mambo but sounded more like a Samba to me and it took awhile for me to realize that they were dancing off time on the “one” beat. Remember, I mentioned in a previous article that Ballroom Mambo can only be danced on the “Two” beat, so in a legitimate ballroom competition this couple would be placed last. But that is not John’s fault but the choreographer’s. John did seem to be having lots of fun with the performance. Carrie commented that he was on the beat most of the time (yes, but the wrong beat!), and Len said that the routine was awful (and the main reason for that was the strange music). They scored 19 points (7 – 6 – 6).

Dancing in 4th place were Laila and Maksim with a lively Cha-Cha and the music was better for this one. A nice routine well danced. Laila had some nice arm styling and good animation but one little section near the end that Laila choreographed was a little ugly and out of character with the dance. Maksim should have had the courage to not permit that. Host Samantha made her second goof of the season. You may remember that she announced Paulina had the lowest score before it was revealed who of the bottom two couples was being voted off. This time she announced that Laila & Maksim had received a score of 28 before the judges had even shown their paddles. Which brings up the disturbing thought that things are always the way that they look on screen. There is no way that she could have known those scores ahead of time. Hopefully she will still be there next week!! They received 28 points out of 30 (9-9-10).

Dancing next was Billy Ray and Karina with the Jive. A better performance than last week but way too much open work away from each other and not much Jive from his point of view. During the preview portion of their section Karina said that “I don’t think we’re going to get high scores this week”. Shows a lot of confidence in her partner. NOT!! Their scores 7 – 7 – 7 for a total of 21 points.

Carrie Anne has given Heather Mills, John Ratzenberger and Billy Ray Cyrus an equal score of 7 points although all three performances were of different skill levels.
Apolo & Julianne were next dancing the Rumba. A great performance but not quite as good as last week’s Samba. Again, he has the makings of a professional with good hip action and complex choreography well danced. Very creative. The only problem was the use of a chair in the middle of the performance. No props can be used in the middle of a routine and I would think that all professionals should know that and choreograph accordingly. They were scored 9- 9 -10 for a total of 28 points.

Ian & Cheryl performed last with the Paso Doble. Again, no motivation from the music whatsoever; it sounded more like a Hustle. Not one of his best routines but considering the music it was to be expected. His posture was not good and his head was low and not always in the right position. Carrie Anne’s comment was to “Watch Billy Ray”! They received a score of 24 (8-8-8).

The group swing was next and was a lively creative number danced well by all.

The way it stands now Billy Ray should go next followed by John, then Heather but we all know that this show is mostly about popularity and little about skills so the results cannot be accurately predicted.

Tuesday's Results Show:
Monday night’s bottom two were Billy Ray Cyrus and John Ratzenberger but by the time the audience votes had been counted in, the bottom two on Tuesday night were John & Edyta and Heather & Jonathan. At the end of the show Heather & Jonathan had been voted off saving John and Edyta for another week.

Heather must have realized that she was going tonight because she had her written exit speech with her. Heather was an inspiration for handicapped people and I compliment her for taking on this challenge.

I wish I knew exactly how the voting works and how they combine the Judges votes with the audience votes. I always wonder why they don’t display the percentage of votes from the audience and I also wonder if the producers have any say in the results.

My thoughts at this time are that Apolo should win but any of the other contestants could give him a run for his money. In the future, Ian will have to step up to the task a little more but Cheryl needs to work him harder and challenge him a lot more like she did with Drew.

I will be on vacation from next Monday so some other kind soul will be reviewing the next few weeks but before I depart I would like to rant a little more about the judging.

I mentioned in a previous article that I didn’t blame the Judges for doing a job that they are paid to do, but I did blame ABC for hiring non-ballroom judges. Len Goodman is the only qualified judge in “International” style but he has no knowledge of “American” style. Would Fred Astaire Dance Studios hire a Ballet expert to judge a ballroom competition? NO! Would a Ballroom judge be hired to judge an ice skating competition? NO! If I were offered a few thousand dollars a week to judge a Ballet competition, would I do it? Hell yes! I would run and buy a book on Ballet, learn what a plie is and I would be ready to go, and I guarantee that I would come up with some profound comments after each performance. But would I be doing a good job? Hell no! Without years of practical experience and study, without certification in Ballet at the highest level, I could never do a competent job.

Seriously though, neither I, or any other Fred Astaire Dance Council Member, would commit to do a job that we were not qualified to do, especially when it affects peoples lives, and this show and the Judges comments AFFECT peoples lives. Anyway, I have ranted enough. Time for vacation. Until later – Happy Dancing!!

Editor's note: Mr. Armando Martin, Fred Astaire National Dance Director, will be filling in for Lyall for the rest of the season. Thank you, Lyall, for sharing your insight and knowledge. Check the blog next week for Armando's article.

Monday, April 23, 2007

Watch This Amazing Video Clip!

Heather Mill's appearance on Dancing With The Stars has generated a lot of discussion about dancing with disabilities. In this uplifting video clip, you can watch a dancer give it his all - with only one leg.

Fred Astaire Teacher Featured On "Little People, Big World"

Kristi Lemos, a teacher at the Fred Astaire Studio in Mt. Prospect, Illinois, will be in an upcoming episode of the hit show Little People, Big World. Kristi's scene was shot on a cruise ship during a high school formal where she teaches one of the Roloff boys and his girlfriend how to dance. The episode is called "Roloffs In The Snow" and will air some time in June. Check back soon for more information!

Wednesday, April 18, 2007

Dancing With The Stars, Week 5

By Lyall Bradshaw, Fred Astaire National Dance Board Member

Last week we saw the departure of Leeza Gibbons & Tony Dovolani from the line-up of Dancing With The Stars, leaving two ladies and six gentlemen to fight it out. So far, the elimination list on Dancing With The Stars has included former supermodel Paulina Porizkova, former Miss USA Shandi Finnessey, and former Entertainment Tonight fixture Leeza Gibbons. And there's still plenty of opportunity for a couple of others who deserve to dance their way out of the competition this week.

The first performance of the evening was a Samba by Ian & Cheryl. First of all, the music was a little too fast at 56 bars per minute. Sambas nowadays are usually played no faster than 52 bars a minute. But even so, I think that this was a good performance even though Len Goodman said that it was merely competent. Ian seems to be relaxing more and more and loosening up his body each week. But he seems to have a little trouble getting into the character of each dance and he must overcome that if he plans to make it to the finals.
Their scores - Carrie 8; Len 8; Bruno 8 for a total of 24.

Clyde & Elena were next with a Rumba. Unfortunately it wasn’t the greatest routine with lots of heel leads and no attempt at Hip action. It was mentioned that he had a trip to China for a previously scheduled commitment, which certainly has taken time away from his practice sessions. I do think that he is doing his best but that will not be enough to keep him in this competition. He still needs to take the advice of the judges to take advantage of his long legs and open up on the dance floor. Clyde alternated between walking and standing still while Elena danced around him.

I mentioned last week about Constructive Criticism instead of Destruction Criticism and I felt that Carrie Anne’s statement that Clyde “was the worst dancer in the show” was totally destructive and unnecessary. That kind of criticism may work in “American Idol” but never in a dance competition. Their scores – Bruno 4; Carrie Anne 4; Len 5 for a total of 13 points.

Heather and Jonathan were next with a Samba preceded by Jonathan’s removal of his chest hair. I am not sure why we were privileged with that procedure but I suppose it is all Show Biz. Heather captured the fun carnival spirit of the Samba although she looked totally off balance while dancing some Reverse Rolls, but after that I thought that she danced well even though she was not at her technical best. The upbeat, lively dances are proving to be her strong point. Unfortunately, she did fall at the end of her performance but she got right back up. Heather scored a total of 21 points – a 7 from each judge.

Joey & Kym were next with a Rumba. Not a bad routine but for most of the performance I couldn’t read the timing at all. The judges commented that his arm movements were a little bit feminine. Joey wanted to shed his goofy style and get into the sexy character of the dance and I thought that he did that. The Rumba seems to be a difficult dance for the Male contestants.
I felt that Kym was smiling a little too much throughout the routine and did not follow the theme of the words of the song. It is more of a love song and not a happy smiley theme. They scored 25 points, 8s from Carrie Anne & Len and a 9 from Bruno.

John Ratzenberger and Edyta followed with a Samba. John was having a lot of fun with his Samba and it was energetic and enjoyable to watch. John is obviously not the best dancer in the group but he has a great attitude and his constant smile was great. He may end up in the bottom two this week but I think that his personality might save him. I think that Bruno described it best: “One of the best worst sambas I’ve ever seen.” A 6 from each of the judges for a total of 18 points.

Up next were Laila & Maksim with the Rumba. It was a good basic routine and - even though they were a little careful last week - they brought their sexiness back into the performance. Laila’s fiancĂ©e made an appearance during their practice sessions and kept a close eye on the “sexiness” and re-adjusted Maksim’s hands at times. Their Rumba was hot and flirtatious and Len thought that it was their best performance while Bruno called it “smoldering”. They scored 28 points (9 – 10 – 9)

Apolo & Julianne were next with an exciting Samba. This number looked like a professional routine, complex, well choreographed and well performed. They really attacked the Samba with a Tiger-like ferocity. Apolo and Julianne really get into the spirit of every dance that they perform and no doubt they will be asked to dance the encore performance at Tuesday’s results show. It is very likely that this couple could go all the way and take the grand prize. They received a perfect score of 30 points.

Billy Ray and Karina were last with the Rumba. Even though his Rumba was slightly more appealing than Clyde’s, as the Judges pointed out, it lacked romance. He did try to connect a little more with the dance than Clyde did but for the most part he was standing still while Karina danced around him. Carrie Anne praised his technical skills that again spotlighted her lack of ballroom knowledge. I think that both Elena with Clyde & Karina with Billy give up on their partners thinking that they don’t have the ability for more choreography and while that may be true they should have more confidence in these guys and at least give them the opportunity to do more. I also feel that Karina tries to showcase herself more than her partner. The Pros need to teach their partners to be good. They scored 17 points (6, 6, 5)

I would say that the bottom two this week could be John & Clyde. Billy Ray’s scores put him in the statistical bottom two, but his country fans should probably save him for another week. The elimination pattern has been clear, whoever is in the bottom two the previous week gets eliminated the next week but who knows how the voting will go.

Tuesday’s Results Show: The contestants in the bottom two Tuesday were Clyde & Heather and at the end of the night it was Clyde Drexler who was voted off. He was known as “Clyde the Glide” on the basketball court, but Clyde just didn’t have it on the dance floor. He kept a smile on his face and graciously thanked the judges and the fans that kept him in the competition.



Friday, April 13, 2007

Celebrities For Next Season Of Dancing With The Stars

The season isn't even halfway over and the rumors are flying about who will appear in the next season of Dancing With The Stars! Marcus Schenkenberg, Pamela Anderson's ex, has apparently approached DWTS producers to appear on the next season. He is being considered along with singer/actress Deborah Gibson and basketball great Reggie Miller, according to Life + Style Magazine.

World Pro-Am Championships In Argentina

Congratulations to the following Fred Astaire students and professionals who competed in the World Pro-Am Championships in Argentina:

Latin 18-35
2nd place—Mariyana Nikolic and Martin Goethche, Norwalk
Rhythm Over 50
4th place—Pauline Ireland and Fabian Sanchez, Birmingham
5th place—Gloria Daniels and Dean Botting, Chattanooga
7th place—Dorree Howd and Christopher Lansford, Sun City West
Smooth 36-50
2nd place—Cecelia Gilchrist and Darius Mosteika, NY West Side
4th place—Charlotte Paulsen and Martin Goethche, Norwalk
Smooth Over 50
1st place—Kathy Hoffman and Darius Mosteika, NY West Side
Standard 36-50
2nd place—Luis Mijangos and Jolanta Mosteika, NY West Side
3rd place—Lynne Mijangos and Darius Mosteika, NY West Side

Dancing Tips - Forward Walking Exercise

By Stanley McCalla, a former US amateur champion in Latin, Standard and 10 dances; 4 times US representative to World Championships; Fred Astaire National Dance Board Member and Adjudicator; Fred Astaire Dance Board Examiner; Fred Astaire Smooth Undefeated Champion. Stanley can be reached at jsmccalla@mindspring.com or 845-304-9028.

Hello and welcome back to the Tip Of The Week. In my last two articles, I mentioned how important it is to practice certain techniques that will improve your dancing and make it more enjoyable. So far you've heard about good posture and position of the feet in Latin and Rhythm.
Today, I will tell you about a forward walking exercise that will enhance your Foxtrot, Waltz, Viennese Waltz in Standard or Smooth.
Applying the good posture that was described in my first article, start standing in first position with feet parallel, and with your weight on your (L.F) left foot.
Extend your right leg forward from the hip with your moving foot lightly skimming the floor, first with the toes, then the ball, then the heel of the foot. At this point you should have your weight evenly distributed between the heel of your moving foot (the right), and the ball of your supporting foot (the left), with the legs straight. Continue moving placing your weight over your right foot and bringing your left underneath the body in the original position. Repeat with the (L.F)
You should practice this exercise before every lesson. That will improve your coordination and balance and you will develop a strong sense of movement.
In the previous article, I asked you this question:
What is the foot position used in the cross over break step?
Answer: Fourth position: forward and across in CBMP with toe turn out. If you’re not dancing this way it’s the time to start.
I will leave you now with this next question. What is CBMP?
It’s the occasion to ask your teacher if you do not know this term yet. We’ll talk about that more next time; meanwhile happy dancing!
Cheers,

Stanley Mc Calla

Wednesday, April 11, 2007

Dancing With The Stars, Week Four

By Lyall Bradshaw, Fred Astaire National Dance Board member

As I will be traveling to Las Vegas tomorrow, I will not be able to report on the Results show Tuesday night but based on the dancing tonight (Monday), it could be anyone with the exception of Joey Fatone.

Head judge Len Goodman pointed out at the beginning of the show that Season 3 contestants practiced an average of 19 hours a week but that this year contestants averaged only 13 hours a week. And it really showed tonight with some poor performances.

The first dancers were Laila & Maksim dancing the Paso Doble. Nothing really exciting, just an average routine. Len Goodman said that he didn’t see enough fire or aggression, not enough content, not enough fire. Bruno compared her dancing to a blockbuster that is going into re-runs. They received a score of 21 points.

Next to dance were Apolo & Julianne dancing the Waltz. The dance was romantic, yet sloppy. His timing was off at times, his head was constantly in the wrong position, more to the right than to the left. His upper body was weak and his footwork quite sloppy. Apolo’s scores from the judges: Carrie Ann: 9; Len: 8; Bruno: 9; Total: 26

Last week’s bottom two escapee was Leeza Gibbons next to dance the PasoDoble. This dance was a good interpretive dance but certainly not a Paso Doble. Her dancing was stiff. Len called it her worst dance. It is possible that she will be the next to go. Leeza’s scores from the judges: Carrie Ann: 6; Len: 5; Bruno: 5; Total: 16

Dancing fourth was Ian Ziering. A good Waltz but a little out of time in certain areas. His posture was a little forward at times. Bruno gave a hilarious Grey’s Anatomy analogy: “You started off like McDreamy, but you ended like McStiffy.” Ian’s scores from the judges: Carrie Ann: 7; Len: 9; Bruno: 8; Total: 24.

John Ratzenberger & Edyta were next with the Paso Doble – although it wasn’t really a Paso Doble. He is a good showman but had no body shape for the Paso. I didn’t see him being aggressive at all. Bruno hated the dance and argued with the booing crowd. Carrie Ann was confused about whether it was humorous or serious. Len thought the Paso Doble didn’t suit him. John’s scores from the judges: Carrie Ann: 6; Len: 5; Bruno: 5; Total: 16.

Clyde Drexler & Elena danced next with the Waltz. A reasonable job, but no rise & fall at all. His posture is still off when in closed dance position and even though Elena is shorter he needs to stand up straight. One good thing was that he was the only dancer to keep time in the Waltz. His head position was also a little off. Len commented on his effort: “He’s not trying. He’s walking through the dance.” Bruno said there was more romance between Rosie O’Donnell and Donald Trump than those two. Clyde’s scores from the judges: Carrie Ann: 6; Len: 4 (ouch!); Bruno: 5; Total: 15.

In the seventh slot were Billy Ray & Karina dancing another non Paso Doble. I don’t know what to call that dance but it certainly wasn’t a Paso Doble. Can’t blame Billy Ray though but the choreography was not good at all. Billy Ray’s scores from the judges: Carrie Ann: 7; Len: 7; Bruno: 7; Total: 21.

Heather Mills came next with partner Jonathan. She was a little stiff at times but Jonathan choreographed a nice routine suitable for her abilities. Heather’s scores from the judges: Carrie Ann: 7; Len: 8; Bruno: 8; Total: 23.

Our final dancer of the night with the Paso Doble was Joey Fatone & Kym. This was the best Paso Doble of the evening and also the best dance of the evening. He was perfect, stern, and passionate. Carrie Ann felt he was on fire. Len said, “You captured the flavor of the dance.” Joey’s scores from the judges: Carrie Ann: 10 (first ten of the season); Len: 9; Bruno: 9; Total: 28.

Week 4 Leaderboard:Joey Fatone – 28; Apolo Anton Ohno – 26; Ian Ziering – 24; Heather Mills – 23; Laila Ali – 21; Billy Ray Cyrus – 21; John Ratzenberger – 16; Leeza Gibbons – 16; Clyde Drexler – 15.


Next week, all couples will take on two dances in one week. Who will buckle under the pressure? Who will rise to the top?

Monday, April 09, 2007

Dancing Through Life!

Fred Astaire National Dance Director Antoinette Benevento, along with acclaimed writer/editor Edwin Dobb, shares the lessons she has learned on and off the dance floor in this warm and encouraging self-help book, Dancing Through Life, due out in September of 2007. Through her 25 years in the dance world, Antoinette has discovered that getting out on the dance floor is a powerful and empowering metaphor for living fully in all realms of life. Her book will be an inspiration to all!
Some of the tenets that Antoinette lives, dances, and teaches include:
  • Persistence is a form of beauty.
  • Give yourself permission to begin again - and again and again.
  • If you're not willing to risk falling, you'll never learn to walk (or dance)
  • Desire is the energy that moves us forward in dance and in life.
  • To dance well and to live fully, body and soul need to work together.

Building on the ballroom dance craze that has swept the nation, including the popularity of the TV show Dancing With The Stars, Dancing Through Life shows that what you learn on the dance floor can help you dance through life.

Wednesday, April 04, 2007

From The Ballroom To A Marathon!

Congratulations to Dr. George Hill, of the Upper Montclair Fred Astaire Dance Studio, for completing the Army Ten-Miler on October 8, 2006, with his daughter Lana. This annual world-class race starts at the Pentagon, goes to the Capitol, and then returns to the Pentagon.

In addition to jogging every day, George and his wife Dr. Lanie Hill have been ballroom dancing every Monday with Carrie Babcock and Kostadin Bidjourov for over 9 years with a near perfect attendance. Congratulations George and Lanie!!!

Dancing With The Stars, Week Three

By Lyall Bradshaw, Fred Astaire National Dance Board member

Monday night saw lots of good dancing from our celebrities and ended with a four-way tie for the top score between Joey Fatone, Ian Ziering, Leeza Gibbons and Heather Mills. John Ratzenberger and Clyde Drexler were tied for the bottom. But on Tuesday’s results show it was Shandi Finnessey and Brian Fortuna who were voted off.


Shandi and Brian were first up on Monday night with a Jive danced to “Crocodile Rock”. Their performance was fun and spirited with Shandi showing lots of skin. Not as technically skillful as some of the other contestant but making good progress even though her timing at times was a little behind compared to her partner. They scored three 7’s across the board for a total of 21 points.

Next up were John Ratzenberger and Edyta Sliwinska with the Tango and even though I don’t feel they are likely to win, they did a good job. John was really into the character of the dance with his intense stare and dramatic attitude. I thought that they did a good job of portraying the intense persona of the Tango. Bruno dubbed the dance the “Mafioso Tango”. Their scores were 7, 6 and 7 for a total of 20 points.

Clyde Drexler and Elena Grinenko were third, dancing the Jive. He seemed to be enjoying the dance as he was smiling the whole way through even after receiving the lowest score of the night. Clyde doesn't seem to have quite the charm or pep that his sports counterparts, Emmett Smith or Jerry Rice, had. Still, he seems to be intent on remaining a competitor, despite the problems his height presents. Their Jive to “Bad Moon Rising” wasn’t necessarily bad, but it never seemed to take off. Carrie Ann wanted to see more from Clyde and Bruno backed that up by telling Clyde he wanted to “see the beef”. Clyde, however, disagreed with the judges and said he thought they performed a seamless procedure. They didn’t do so hot on the scores though, only receiving a total of 16 out of 30.

Laila and Maxim were up next with a Bond-inspired tango to "Goldfinger". As usual, the couple commanded the floor with their confidence and sharp presentation and I thought that it was a strong Tango. All three judges had a major problem with the contact being broken in the middle of the dance, which cost Laila and Maxim some points. It irritates me to no end that the Judges still do not understand American style dancing. Certainly we can break the hold in Tango and we can dance apart. Another irritation was on Tuesday’s result show when Laila apologized for breaking the rules. Here was the best opportunity for Maksim to speak up and set the judges straight but instead he kept silent. I think that the judges need to be given a thirty minute lesson on what American Style Dancing is all about. They received all 7s and ended up with 21 out of 30.

Apolo Anton Ohno and Julianne Hough were next dancing the Jive and started with the reenactment of the famous John Travolta dance scene from the movie Pulp Fiction. Their Pulp Fiction homage was an absolute show-stopper, and their performance featured some challenging moves, and plenty of fast footwork and was spontaneously exciting. The judges placed the pair in the middle of the pack with a 23 (7, 8, 8).

Joey Fatone and Kym Johnson followed with the Tango. They did a Star Wars-inspired Tango, complete with Princess Leia slave girl costume lightsabers, and sound effects. The dance seemed more about showmanship than technical difficulty, but no matter. These two are consistently excellent, and are tons of fun to watch. His main problem as the judges pointed out was that his derriere stuck out a little too much. Her costume was more suited to Latin than the Tango and in a legitimate ballroom dance competition would have received a penalty but the judges made no comment on that. Score: 24 (8, 8, 8),

Ian Ziering and Cheryl Burke were next with the Jive. They did a very energetic and fun Jive to “Hard Hearted Woman”. These two took a lot of criticism for a misstep that I barely noticed near the end and should not have warranted a reduction in points. It was one of my favorite performances of the night. What really seemed to improve were his feet, as he executed the sort of high-speed, quick-footed dance that tends to rev up the crowd. I missed the finale due to some mess-up with the camera. Seemed like the Camera man slipped and the camera went up to the ceiling and then down again. Their score was 24 (8, 8, 8).

Leeza Gibbons and Tony Dovolani came out with a more classic Tango. Their Tango was basic but good. I think that Leeza was feeling a lot more confident about her dancing this week although I felt that she is always concentrating too hard on the steps and I thought her dress and hat aged her a bit too much. The good thing about Tony is that he dances to his students' abilities and not above them. I mentioned last week that I didn’t feel that Leeza was a really good dancer and I feel that she would have had a problem with more advanced choreography. I think that Tony was feeling the pressure a little in the practice sessions and it was probably my imagination but I had the feeling that he was being a little mean to Leeza. Just my imagination I am sure. But remember, professionals: Constructive Criticism, not Destructive Criticism. Anyway, dancers know that it is not quantity that counts but quality. Len felt it was their best dance so far and Carrie Ann gave us the jackpot quote of the night with "Leeza Gibbons just showed me her booby." after Leeza revealed a temporary tattoo that read "Tramp". Leeza and Tony also earned all 8s for another 24 for the evening. They were the second lowest score on Tuesday’s results show but survived for another week.

Heather Mills and Jonathan Roberts came out second to last dancing the Jive. There was the concern that Mills' prosthetic limb couldn't handle the quick steps and bouncing motion of the Jive. A quick trip to the prosthetist offered up a new leg that seemed to respond better to the task. Their Jive had a great sock hop feel to it and I felt that she did a good job including Heather's difficult front walkover. Again the sneakers were out of costume but I believe that her new leg required a flat shoe to get the necessary bounce. Another case of broken rules but this time possibly a necessary one. Their scores 8,8 and 8 for a total of 24.

Billy Ray Cyrus and Karina Smirnoff came out last with a Tango. I felt it a little strange that they had to go horseback riding to get into character for their Tango especially when they would be dancing to “Rock the Casbah”. I thought that he had improved from last week although he does seem to have to mouth the timing of the steps to himself. Also he took someone's advice and pulled his hair back into a sleek ponytail, a look that suited his Tango. His posture and his attitude were better. The couple's performance did feature a few difficult moves, including a finale that had Billy Ray sliding under Karina's legs. Karina’s body was, in some places, more Latin with a little too much isolation. Those hard-voting country fans might keep Billy Ray around a while. Score: 21 (7, 7, 7).

The stars have only six days to learn each choreographed dance routine and, as the competition intensifies, this workload will be doubled. Five hours practice a day is the secret behind turning two left feet into sweet feet, though the learning process is not without pitfalls.

With the vote split 50-50 between the panel of three judges and the viewing public, the question of whether it's more important to be a good dancer or a big personality comes to mind.

Thursday, March 29, 2007

Dancing With The Stars, Week Two

By Lyall Bradshaw, Fred Astaire National Dance Board member

Paulina and Alec were the first couple to be voted off Dancing with the Stars, Season 4 which goes to show that the voting has nothing to do with dancing but who has the biggest fan base. Everyone seemed more relaxed and brought it up a notch from last week, scoring more points after drawing more praise from the judges.

Yet in the end, the pecking order barely changed, with Laila overtaking Joey to become leader after a lively mambo; with Paulina, Ian and Shandi again gliding through the middle of the pack; and with Billy Ray again lurking at the bottom.

First up on Monday were Apolo and Julianne dancing a nice Quickstep. Their performance was good. They maintained good body contact and a good dance frame throughout the routine although Apolo’s head position was a little off at times. They received a score of 26.

Shandi and Brian danced a well choreographed Mambo but the choreography seemed to be more suited to Brian than to Shandi. Her turns were a little uncertain and her hip action lacking.

Clyde and Elena danced a Quickstep next but his frame and posture were off most of the time. Clyde’s Quickstep was a kicky improvement over last week's Foxtrot, yet he seemed bothered in his arm extensions by rotator cuff problems from his hoop-playing days. Carrie Ann called him "a crowd pleaser," and Len flailed badly at a clever remark by saying "We shall overcome" to assess how Clyde handled his 15-inch height difference with partner Elena. But despite the judge’s pats on the head, they didn't follow through on their scores, and Clyde finished with just an 18, giving him a 34 total after last week's 16.

Leeza and Tony danced the Mambo and it was well choreographed to Leeza’s abilities. Even though Leeza is not the greatest dancer she was quite good. I loved Tony’s expression when Judge Len Goodman said, “I won’t get technical but you broke on the second beat which is much more difficult than going on that first beat.” I fully expected Tony to respectfully disagree but he was cool and calm although his expression said everything. They scored 21.

Note to Len: In a legitimate ballroom competition, competitors have no choice in Mambo but to “break” on the two beat. Dancing on the “one” beat is okay for Salsa (L.A. Salsa that is), but is off time in a Mambo competition, and being off time is the worst fault for a competitor. In a legitimate ballroom competition, the two couples that danced on the “one” beat during Monday evening’s competition would have been placed last and next to last.

Ian and Cheryl danced a Quickstep that had a few too many hops and skips and not enough Quickstep basics. There was no body contact and Ian had a weak left arm. They scored 22.

Paulina & Alec danced a Mambo. She was a little stiff and without hip action but most importantly they danced off time!! Bruno said she had natural grace and elegance and Carrie Anne said that her “hips were going.” I must watch that video again; I must have missed that measure. They received a score of 21.

Billy Ray & Karina were next with a Quickstep, a much better performance than last week’s Cha-cha although his head line, weak left arm and lack of body contact were obvious. It looked as if Karina seemed to be coaching him on the fly. The judges were ecstatic, with Bruno gushing that the "difference in a week is beyond belief." They gave him 21 for a two-week total of 34, making Billy Ray's 8-point leap bad news for Clyde's 2-point surge over last week.

Heather & Jonathan danced the Mambo and performed a better routine in my opinion than last week’s performance. She also seemed to be in the cheeky spirit of the sassy, sensual dance, prompting Len to say she'd "let loose" and Bruno to call her "red hot Heather." She had a little hip action that the other ladies lacked. She scored 24.

John & Edyta – danced the Quickstep with a performance better than last week’s and moving around the floor well. We won’t discuss his footwork though!! They received a score of 21.

Laila and Maksim danced the Mambo. This was a great performance but it was a shame that they danced off time. It is not wrong dancing on the “one” beat but it is just not right!!! In other words if you go to any good Latin club you will see the best dancers dancing on the “one” beat, or dancing on the “two” beat or even dancing on the “three” beat and as long as they stay on that beat for the whole dance it is totally correct. But as mentioned earlier, in a ballroom competition universally we dance on the “two” beat – no exceptions to that rule. They received the highest marks of the night, 27.

Joey & Kym danced the Quickstep, a light, bright & fast moving and strong performance except for some lapses of body contact and head positions. They received a score of 24.

Before Paulina and Alec were sent home the final scores with totals from the last two weeks were as follows:

10th - Clyde & Elena/Billy Ray & Karina - 34 points
9th - Leeza & Tony 36 points
8th - John & Edyta 38 points
7th - Shandi & Bryan 39 points
6th - Paulina & Alec 40 points
5th - Heather & Jonathan 42 points
4th - Ian & Cheryl 43 points
3rd - Apolo & Julianne 47 points
2nd - Joey & Kym 48 points
1st - Laila & Maksim 50 points

Monday, March 26, 2007

Dancing With The Stars - Fantasy Game

If you're a Dancing With The Stars fan, ABC has the game for you! ABC launched a Fantasy Dancing Game on March 19th. The winner will receive a trip for two to LA and private dance lessons with champion dancer Nick Kosovich from the show.

To participate in the game, log onto www.abc.com, register for "Fantasy Dancing," and each week you can select the couple that you believe will get the highest/lowest score. If you're right, the scores they receive will be added to your account; if you're wrong, you won't get any points. You can double your points on your picks and add additional points by guessing answers to random questions for that week.

Have fun and good luck!

Dancing Tips - Using Your Feet And Legs To Improve Your Posture

By Stanley McCalla, a former US amateur champion in Latin, Standard and 10 dances; 4 times US representative to World Championships; Fred Astaire National Dance Board Member and Adjudicator; Fred Astaire Dance Board Examiner; Fred Astaire Smooth Undefeated Champion. Stanley can be reached at jsmccalla@mindspring.com or 845-304-9028.

In my last article, I suggested that you work on your posture. Today, I'd like to stress the importance of working on your legs and feet to complement your improved posture.

"Working on them" specifically means the placement of them on the floor and how you use them. In Latin and Rhythm dancing, it's important that you keep the toes of both feet slightly turned out. Your footwork should be ball-flat stepping forward; inside of ball of foot then the whole foot on your side steps; and ball-flat stepping backward.

In addition, you have to acquaint yourself with the different positions of the feet:
  • First position
  • Second position
  • Third position
  • Fourth position
  • Fifth position.
Except for fifth position, the other four positions are used constantly. For example, in a Rumba box, you start (man) with your L.F (lady on the opposite foot) to side in second position; R.F closes to L.F in first position; L.F forward in fourth position; and you start the same process with the R.F on the right side.

One important position that students seem to miss in the beginning is the one used in cross- overbreaks. Do you know what position that is? If you know it, good! Keep practicing it correctly. If you're not sure, ask your teacher so you can start working on it.

I will discuss this further in my next article, but now, here's the answer to last week's question:

Question:
What's the footwork in the quarter turn of Waltz (the first 2 bars of music)
Answer:
Step one: heel-toe
Step two: toe
Step three: toe-heel
Step four: toe-heel-toe
Step five: toe
Step six: toe-heel.

Please note: It's important that you practice these steps correctly with the proper footwork in order to improve your balance as well as expressing the proper character of the dance.

Well that's it for now. Cheers and happy dancing!

Friday, March 23, 2007

Florida Freddy Ball 2007

By Luann Pulliam

It was fabulous weather and great dancing all weekend long at the recent Florida Freddy Ball 2007 held at the St. Augustine Golf Resort in St. Augustine, Florida. Each year the Fred Astaire Studios in Florida host this event to recognize their top performers in Business and Dance.

Thursday evening started us off with our Pro/Am competition and each studio battling for the most enthusiastic award. Energy was high and the room vibrated with cheers & applause! The competition continued through Friday evening when our Professionals took the floor to compete for the Regional Titles. Listed below are the results:

Novice Champion - Guillerimo Rubio & Erica Brown from Boca Raton
Mixed Novice Champions - Warren Brown & Karli Mair from Jupiter
Pre-Champ Champions - Chris Schultz & Diedre Williams from Ft. Walton Beach
American Smooth Champions & Open Smooth - Victor Luna & Dawn Westberry from Ft. Walton Beach
Closed Rhythm - Victor Luna & Dawn Westberry from Ft. Walton Beach
Open Latin Champions - Vladimir Velev & Gabriella Bodoc from Jupiter
Cabaret Champions - Eric Luna & Georgia Ambarian from Ft. Walton Beach

Saturday evening was one to brag about with the decor and the room setting the atmosphere for the prestigious Freddy Awards presentation and we all enjoyed the entertainment by a wonderful dance troop from New Jersey, the Chmerkovskiy's "Rising Stars" who were featured performers on Dancing with the Stars last season. May I add, the live performance was worth the trip!

The Florida Freddy is our way of pulling out the red carpet like the "Oscars" in Hollywood and this tradition dates back to the late 1940s when the first Florida award was presented. Today our instructors continue to strive to push the envelope - meeting and exceeding each category of these prestigious Freddy requirements. The following awards were given:

Most Hours Taught
Female—Gabriela Ocipova, Palm Coast
Male—Brian Oaks, Naples

Most Qualified Guest
Female—Kelle Chancellor, Tallahassee
Male—Darian Chancellor, Tallahassee

Most Enrollments
Female—Georgia Ambarian, Fort Walton Beach
Male—Brian Oaks, Naples

Competition Participation
Female—Dawn Westberry, Fort Walton Beach
Male—Brian Oaks, Naples

Freddy Recipients Females
1st—Dawn Westberry, Ft. Walton Beach (Gold)
2nd—Anastasiya Felis, Naples (Gold)
3rd—-Georgia Ambarian, Ft. Walton Beach (Gold)
4th—Gabriela Ocipova, Palm Coast (Silver)
5th—Kyoung Housel, Lake Park (Silver)
6th—Frankie Seifert, St. Petersburg (Silver)
7th—Tiffany Chancellor, Tallahassee (Silver)
8th—Andrea Bergbauer, Palm Coast (Silver)
9th—Kelle Chancellor, Tallahassee (Silver)

Freddy Recipients Males
1st—Brian Oaks, Naples (Gold)
2nd—Stefan Dobrev, St. Pete (Gold)
3rd—Victor Luna, Ft. Walton (Gold)
4th—David Flory, Ft. Myers (Gold)
5th—AJ Molter, Boca Raton (Silver)
6th—Walker Medlock, Panama City (Silver)
7th—Jim Carter, Palm Coast (Silver)
8th— Rob Rocha, St. Pete (Silver)

Executive Freddy
1st—Joe Trovato, Ft. Walton Beach (Gold)
2nd—Lynn Kawamoto, St. Pete (Gold)
3rd—Andrea McCain, Ft. Myers (Gold)
4th—Jeff Hajko & Brian Oakes, Naples (Silver)
5th—Michael Dill, Tallahassee (Silver)
6th—Belin Perry, Panama City (Silver)
7th—Enrique Curi, Sarasota (Silver)

W. L. Miller Freddy Award for the Top overall Instructor in the state of Florida:
Female: Ms. Dawn Westberry, Ft. Walton Beach
Male: Brian Oakes, Naples

W. L. Miller Freddy Award for the Top Studio
Ft. Walton Beach

Congratulations to all of our award recipients and thank you to each and every student, teacher, manager, and professional that helped make this year so successful! §

What do Judges Look for in a Ballroom Competition?

By Lyall Bradshaw

Many times I hear the question “What factors do judges weigh in assessing a couple's performance?

We use the “Impression Judging“ system. The criteria that a judge might choose to consider are actually too numerous to examine individually in the brief time allotted, (1½ to 2 minutes), since at least six couples are being judged simultaneously. Therefore, the judge must rely on the impression each couple makes relative to the others. The experienced judge, having seen and studied dancing at all levels, can quickly assess these factors collectively.

The following points are considered in making a decision:

POSTURE - One of the most important aspects. Good posture makes you look elegant and exude confidence. It improves balance and control, and allows your partner to connect well to your body in the smooth dances. One's competition result is often directly proportional to one's postural correctness.

POISE - In smooth dancing, the stretch of the woman's body upwards and outwards and leftwards into the man's right arm to achieve balance and connection with his frame, as well as to project outward to the audience.

TIMING and BASIC RHYTHM - If a couple is not dancing on time with the music, no amount of proficiency in any other aspect can overcome this. The music is boss.

MOVEMENTS - If the couple executed and coordinated the movements of the Feet, Legs, Body and Arms based on the Characteristic Style of the Dance in question.

LINES - Attractive and well-executed lines, either curved or straight, enhance the shapes of the figures. The Adjudicator considers the Line of Arms, Back Line, Shoulder Line, Hip Line, Line of Legs and the Line of the Neck and Head in each dance.

FEET - If the couple displayed correct use of the Feet. The Adjudicator considers the Control of Foot Movements, Correct Positioning of the Feet and the Technical Soundness of Footwork in each dance.

INTERPRETATION - If the couple displayed "artistic" merit. The Adjudicator considers the Stylishness, Ease of Performance, Individuality, and Rhythmic Expression to the Music in each dance.

HOLD - The correct and unaffected positioning of the body parts when in closed dancing position. For instance, the line of the man's arms should be unbroken from elbow to elbow. Also, there should be symmetry of the man's and woman's arms coming together to form a circle, which, although changing in size, should remain constant in shape so that the dancers remain in correct body position relative to each other. The silhouette of the couple should always be pleasing.

TOGETHERNESS - The melding of two people's body weights into one, so that leading and following appear effortless, and the dancers are totally in synchronization with each other.

MUSICALITY AND EXPRESSION - The basic characterization of the dance to the particular music being played and the choreographic adherence to musical phrasings and accents; also the use of light and shade to create interest value in response to these accents and phrases. For instance, in foxtrot, the stealing of time from one step to allow another to hover; or a quick speed of turn in an otherwise slow rumba; or the snap of a head to suddenly freeze and then melt into slowness in tango.

PRESENTATION - Does the couple sell their dancing to the audience? Do they dance outwardly, with enthusiasm, exuding their joy of dancing and confidence in their performance? Or do they show strain and introversion?

Thursday, March 22, 2007

Waltz Your Way To Health

Everyone knows that dancing is good for your health. But how beneficial is it really? Studies now show that for cardiac rehabilitation patients, dancing is a great way to exercise their damaged hearts without having to go to a gym.
In a recent study of 110 heart failure patients, waltzing has proven to be just as effective as riding a stationary bike or exercising on a treadmill.

Read this interesting article for more information.

Wednesday, March 21, 2007

Dancing With The Stars, Week One

By Lyall Bradshaw, Fred Astaire National Dance Board member

Dancing with the Stars Season 4 premiered last night on ABC with 11 celebrities & their professional partners competing. It was an interesting evening with some good dancing, some “almost good” dancing & some not so good dancing.

A few things seemed to have changed this season – the routines seem to be shorter although it could be my imagination and for the first time since this show started the Judges are judging more sensibly this time around. In previous seasons the judges have given perfect scores to dancers first up in the show leaving nowhere to go for the dancers that follow. Now they seem to have gone in the other direction with the majority of scores being 4, 5, or 6 with the highest score being 8 from each of the judges for one couple. No doubt they have had some instruction or discussion about their previous scoring from the powers above.

The celebrities are from a wide range of professions, including an NBA Superstar, World champion Boxer, Supermodel, Actor & Singer, NSYNC Star, Miss USA, Olympic speed skating Gold Medalist, TV & Broadway Star, Charity Activist & News Journalist.

After a great group number danced by all of the professionals, first up were Ian Ziering & Cheryl Burke. Ziering is a TV & Broadway Star. Their cha-cha was danced well and achieved a score of 19 out of 30.

Paulina Porizkova & Alec Mazo were next. Porizkova was once the highest paid supermodel in the world of fashion. They danced a Foxtrot that was a nice routine but lacked body contact while in closed position. Alec is a good dancer but more so in Latin. His rise & fall was too abrupt & way, way too high which also affected her rise & fall. They achieved a score of 19 out of 30.

Up next were Billy Ray Cyrus & partner Karina Smirnoff. This was a poorly choreographed routine with very little Cha-Cha and lots of whatever and achieved a score of 13 out of 30.

Leeza Gibbons, talk show host, with our very own Tony Dovolani as partner were next. Leeza is a nice dancer although her posture was a little off and her head position was strained. Their score was 15 out of 30.

Joey Fatone of NSYNC fame, with partner Kym Johnson were next dancing a high energy Cha-cha and in my opinion was probably the best out of the male contestants. He had great animation and expression and received the highest score of the night with 24 points out of 30.

Boxing World Champion Laila Ali and partner Maksim Chmerkovsky danced a really nice foxtrot and could, in the future be a challenge for the other couples. They were awarded a score of 23 out of 30.

Next up were Actor, Author John Ratzenberger and partner Edyta Sliwinska. John was a last minute addition to the cast and only had two weeks to prepare for this night and for that reason I think he danced well. They scored 17 out of 30.

Miss USA Shandi Finnessey and Brian Fortuna danced a nice foxtrot. Len Goodman, the International Judge, said that it was a little aggressive and should have “more expression and less aggression” but I felt the opposite. The choreography matched the music and that is the nature of American style dancing. What Len calls aggression I call expression. I still don’t think that any of the judges have a full understanding of what American style dancing represents. They received a score of 19 out of 30.

Clyde Drexler, NBA Superstar & partner Elena Grinenko followed with a smooth Cha-cha and received a score of 16 out of 30.

Heather Mills & Johnathan Roberts danced a Foxtrot and I give her credit because of her handicap but her steps were a little small and her balance was off at times, They were awarded a score of 18 out of 30.

Two time Olympic Gold medalist speed Skater Apolo Anton Ohno and Julianne Hough next danced a Cha-cha. His posture was a little off and had some technical errors but considering the time spent on learning this routine I think that they danced well. A score of 21 out of 30 was awarded, the second highest score of the night.

The field is still wide open but next week should be interesting with Mambo & Quickstep.

Check our blog next week for Lyall's article on week 2!

Tuesday, March 13, 2007

Fred Astaire Chicago North Celebrates First Year Anniversary!

By Elle Cardona
Fred Astaire Chicago North, operated by Jesse DeSoto and Jackie Josephs, has just completed its first year and is heading full force into 2007. Their first Fred Astaire event of this year is their annual regional competition, DanceSport Classic, being held on March 18th. Their staff, including Aaron DeSoto, Jackson Burrus, Chris Germain, Rouslan Maksyutov, Ned Pucci, Simona Polmova, Jaana Lellemagi, Brittney Bartler, Jacque Lebbin, and Elle Cardona, have really come together as a team and enrolled over 40 students totaling almost 800 entries!


All of the students participating are enrolled on the Bronze Program! The majority of competitors have been at the studio for less than a year and are so consumed by their new hobby that they have chosen to enjoy the day and participate in the competition portion as well.

This brand new studio is experiencing one of the most thrilling moments in its history! Lessons start each day at 11:00 a.m. and go way into the late hours of the night where there are dancers zooming by and twirling across the floor. You can’t help but smile as you watch these students accomplish their goals and live out their dreams.

The Chicago region is anticipating one of the most exciting competitions of the year. Along with the amazing representation from the Chicago North Studio and the other 4 studios, they will also be housing a spectacular show. They are thrilled to announce that Maxim Kozhevnikov and Yulia Zagoryuchenko, the World-renowned Latin and Showdance Champions, are joining them on March 18th and bringing an unforgettable memory with their performance! They are certain that this day will catapult their young school into an outstanding competitive season, including such great events as CCDC in Las Vegas and, of course, AAC, held in the beautiful city of Chicago. They can’t wait to have their Fred Astaire family from around the nation join them in their hometown in July, and share the excitement that they are already experiencing.

Monday, March 12, 2007

Fred Astaire Champion, Tony Dovolani, Returns To Dancing With The Stars!

The new season of Dancing With The Stars will begin on Monday, March 19th for a two hour premiere (8:00-10:00PM, EST). We're proud to announce that Fred Astaire champion, Tony Dovolani, is returning for his third season. Tony is partnered with TV celebrity Leeza Gibbons this season. Ms. Gibbons is best known for hosting Entertainment Tonight, Extra, and her own talk show, Leeza. She recently founded a non-profit organization to educate and empower caregivers of loved ones affected by memory disorders. Good luck to both Tony and Leeza! We'll be rooting for you!